Cat returns to Karen Dodd’s Wise Women Weekdays podcastto talk about how reclaiming one’s true sovereign identity, in vibrational alignment with the Earth’s 7.83 Hz signature frequency, how former ancient civilisations were already aligned in harmonic resonance with the Earth’s 7.83 Hz, leaving us clues in their magnificent Cymatic architecture and how this connects to other aspects of suppressed cosmology.
In a stylised graphic logo, olive branches and laurel leaves are virtually indistinguishable. However, their physical arrangement tells the true story: they are not arranged naturally; they are forced into the precise, semicircular shape of the Roman Imperial Laurel Crown—the ultimate symbol of absolute ownership, domain, and corporate conquest that surrounds an azimuthalprojection of the world, depicted as an inertial plane of equilibrium (that intersects a double toroidal field) shaped as plane, plate or disc. Notice how, across almost every single logo in the image, this crown forms a rigid, geometric boundary wall wrapping around the central target. It is a literal visual casing. It signals that whatever is inside that circle (whether it is the flat map, a human figure, a child, or a symbol of health) is contained under the jurisdiction of the corporate entity in control. Every single logo in this corporate grid relies on the exact same monochrome colour scheme: Sophianic Blue and White. This specific shade is not a random aesthetic choice. It is the signature of the Blue-Shift centripetal energy—the nonphysical, magnetic potentiality of the unmanifest source.
In this documentary Mark Walsh asks: ‘What is a Woman?’ But nobody is able to give him a definitive answer. This documentary inspired me to provide an answer. ‘Sky Dancer‘ “First and foremost, a woman’s true identity Is a: ‘Direct-Extension-of-Source-Energy’ She is not merely a body; she is an immortal spiritual being Of energy, frequency and vibration And her body is her avatar, vehicle, chassis, an envelope for her soul Necessary to experience a temporal journey in this world And although equipped with a womb, a magical portal Through which frequency is alchemised into matter Delivering avatars in one’s own likeness May not necessarily be one’s primary point of focus Unless said process assists one to become A Mistress of Alignment with Source-Energy As a direct descendant of the supreme abode Beyond the ætheric regions Reconstituted into organic corporeity As part of one’s never-ending journey of expansion…” The full version is published on page 337 of Nóēma Poēma 2nd Edition.
For the Japanese | Chinese | Hindi | Portuguesetranslations of: TheGreat Mother Torus | 大いなる母のトーラス | 偉大母親環面 / महान मातृ टोरस | A Grande Mãe Torus – please see main menu above, or click here: >> https://ipoem.co.uk/the-great-mother-torus/ <<
Majestic silent silicon giants once towered above the forest, pressurising the plasma sky
Pumping the primary rivers like structured crystalline glass through columns born to never die
There they stood for aeons before warring factions felled their mountainous trunks, their wooden torsos left to turn to stone and calcify.
Yet quietly around the dielectric hyperbola, the Great Mother Torus still spins her invisible thread
A perfect self-generating, self-contained XX vortex, where zero-point immortals obliviously tread
Unaware that humanity’s true potential extends far beyond the mortgaged 9 to 5 illusions that everyone is fed
But the liquid crystal fascia remembers its native emerald heart-song
A 7.83 Hz Earth carrier-wave that calibrates sovereign nodes-of-truth with where they truly belong
Bypassing the frequency modulation masts where the amnesia loops are strong
For we are all non-physical spiritual ‘Dielectric-Magneto’ entities, made in the Great Mother Torus’ own likeness, doubling as both electromagnetic antennas and grounding rods
Liberating the mind, the heart and the solar plexus gut-brain, from the manufactured dominion of fearful, vengeful gods
Instead, freely accessing the Akashic plasma canopy of the Sophianic sky—where the entire history of the universe is archived—and in so doing receiving an upgrade as a universal nod
As long ago they buried the sacred telluric sites that served the town
Underneath heavy fortresses, turning the natural ‘ley-lines of abundance’ into a resource for the Crown
They even burned the high-priestesses at the stake, but the self-generating power of the toroidal mother, can never be kept down
Despite the modern-day grid thriving on the friction of broken code
Y-chromosomes with a missing diode that cannot complete the node
But can be regrown by deliberate design, catalysing actualisationmode
For the ‘Elixir of Love’ is the ever-constant equation of sovereign grace
And ‘Wisdom plus Integrity’ carves a path of karmic credit through counterspace
As the divine twins of creation reunite to dissolve a digital arms race, without a trace
Now the sonoluminescent electric nodes in the plasma canopy above, shimmer with twinkling starlight
Softly disseminating inner insights in the iridescent night
And the soul traveler smiles as the self-correcting toroidal blueprint locks in tight. ✩
Silicon Giants / Calcification:The pre-felling geological truth. Mountainous plateaus and hexagonal basalt columns are the petrified, mineralised remains of an ancient, high-voltage silicon-based forest network that once anchored the atmospheric plasma canopy.
7.83 Hz Earth Carrier-Wave:The Schumann Resonance. The native electromagnetic heartbeat of the planet. It serves as a wireless synchronization frequency that structures human liquid crystal fascia, maintaining biological health and sovereign immunity against synthetic frequency modulation masts.
The Broken Diode / Y-Chromosome:The genetic correction. The current control grid relies on a restricted, low-voltage reproductive loop (the missing leg of the Y-chromosome). By deliberate alignment of biology and consciousness, this broken code can be regrown into the original, whole, self-contained XX template, activating full actualisation mode.
This poem bridges the hidden architecture of our ancient physical and historical geography with the dormant potentials of human genetics. It reveals that the Great Mother Torus is a self-generating, biological reality—proving that through vibrational alignment with the Earth’s 7.83 Hz carrier wave, the human bodysuit can liberate its liquid crystal fascia from the synthetic amnesia loops of the modern grid. What follows is the self-correcting, coherent code of sovereign actualisation.
Did you know that Bees are a matriarchal species, not only devoted to their beloved Queen but that the male bees only serve one purpose for the colony, which is to mate with the Queen and once mating season is over they are forced to leave the Hive by the females? [Discover more @texasbeeworks]
Similarly, humanity first began as a Matriarchal all-female parthenogenetic race, who were naturally able to self-conceive via self-replication (asexual reproduction), probably only with daughters at first later extending to sons. According to researcher Dr. Delbert Blair, female parthenogenesis was practiced regularly right up until the C17th but was phased out by a group of French doctors who circulated letters amongst the medical community stating that the practice of parthenogenesis amongst females ‘must not be allowed to continue’. Still today, all foeti, both human and mammal begins life in the womb as a female, complete with the XX Chromosomes. In order for a male to be born one of the X chromosomes is required to mutate into a shortened Y chromosome. This Y chromosome can grow back into an X chromosome at a later date through a process of tantric initiation into an actualised state of enlightenment. This was performed by a high priestess from a long lineage of high priestesses, who were once the keepers of the temples erected upon ancient Druidic sites of the goddess, which are now the sites of churches, cathedrals and abbeys, their crypts built atop of dolmens, intersecting leyline nodes, underground wells and telluric currents. These high priestesses were designated custodians of sacred sites of connection with the Earth’s energies and also the protectors of ancient mystery schools knowledge and wisdom.
This means that genetically speaking, male is an extension of female. And not the other way around as we are led to believe. The Adam birthing Eve narrative is all part of an ongoing overthrow of the matriarchy by the patriarchy, with the inversion of gender, morality and the corruption of nature’s divine sacred blueprint. This spiritual initiation for men was an important and necessary rites of passage, enabling them to fully step into their divine sacred masculine, an actualised state of enlightenment in harmonic resonance with the Earth’s electromagnetic field, and be able to handle the mantle of power this would bring. It required years of preparation as an initiate in service of the Goddess. These would often be the parthenogenetically birthed sons, direct from Source, who would become wise leaders, great inventors, learned scholars, master architects, accomplished artists, gentle guides and supportive mentors, in harmonic resonance with the divine muse of inspiration, the nonphysical and spiritual realm of the collective conscious.
It is said that Tauret / Taweret / Taurt / Thoueris, who was the Egyptian hippopotamus goddess of creation associated with fertility, maternity and childbirth, was one of these wise high priestesses, who recorded her wisdom for the posterity of humanity in a volume containing 78 leaves. The word ‘leaves’ for pages-of-a-book is still in use today. In her capacity as a goddess of creation, she was also a goddess of protection, depicted in the form of a hippopotamus and was the most famous hippopotamus deity from ancient Egypt, associated with both Isis and Hathor, a goddess of music, dance, joy, love, sexuality, and maternal care.
The name hippopotamus comes from an ancient Greek word that translates to mean ‘river horse’ and the hippo is the third-largest land mammal following the elephant and rhinoceros. The ancient Egyptians observed the female hippopotamus to be fiercely protective of her children which led to the formation of this goddess. The male hippopotamus was observed to be very aggressive when threatened and was considered to be one of the most dangerous animals in Egypt. Despite this, Tauret / Taweret was incredibly popular throughout Egyptian history and was regularly invoked for the protection of children, and for assistance during pregnancy and birth. In addition to being considered a mighty force to be reckoned with, the high priestess Tauret / Taweret was also considered to be extremely wise, frequently referred to as ‘The Great One’.
Tauret / Taweret’s book, inscribed upon 78 leaves was entitled ‘The Royal Path To Life’ and was a guide to connecting with one’s inner-wisdom and divine sovereignty, recognising that there would be many paths with various challenges along the way to overcome. Today these challenges are often referred to as the ‘Twelve Labour’s of Man’ referencing the 12 conditions of the sine wave and the 12 houses of the astrological wheel. Her book was discovered in the underground library of Alexandria which once formed part of the city’s famous Great Library and can be found under the ruins of the Serapeum, in Alexandria, Egypt, which was an ancient temple dedicated to the worship of the Greco-Egyptian deity Serapis.
This Egyptian book of wisdom later formed the basis of the Torah, which in turn later formed the Old Testament of the Bible, and the 78 cards of the Tarot Deck are still popular today. Tauret’s book or leaves, or deck of divination, demonstrates that early Egypt was once a Matriarchal society. As were the ancient Hellenistic Greeks, the Minoans, the Empire of Carthage, and the Sumerians, who gave us The Emerald Tablets, in which the Lord’s prayer appears some 34-36,000 years before Christianity, featuring the opening line of: ‘Our Mother and Father, who art in Heaven’.
Pastor Bill Donahue states in one of his lectures on decoding the symbolism of the scriptures, that Egypt had three main goddesses, who formed the holy trinity: ISIS, RA and EL, whose names when put together make up the characters of the ancient city of ‘Israel’, originally a matriarchal city, with Ra being a Solar Goddess, and not a male deity as we have been led to believe, (another inversion).
The SUN, Saulė, The Solar Goddess (Female) & MOON, Mėnulis, The Lunar God, (Male) of LIETUVA /Lithuania
LIETUVA / Lithuania, was a powerful empire that dominated much of eastern Europe in the 14th–16th centuries before becoming part of the Polish-Lithuanian confederation for the next two centuries. According to Walter Russell researcher @MagneticStillness on TG, Lietuvian folklore follows that Saulė, the Solar Goddess and Mėnulis, the Lunar God were married for a time, whereupon they had a daughter, Žemyna, the Earth. “When the Sun and Moon divorced after the Moon’s infidelity, they agreed that each would have a time to visit their daughter – the Sun during the day and the Moon at night. In ancient Lietuva language (aka Lithuanian language) the Sun is female and the Moon is male. Why is this distinction important? Because, Lithuanian language has a nearly identical syntax to the ancient spoken Vedic language of Sanskrit. Also, Lithuania (aka Lietuva) was the LAST surviving pagan nation in all of Europe before they were forced to convert to the Son of God mythology. There is a tremendous amount of deprogramming required to undo the idea that the Sun is male. However, ask yourselves this; does a woman create and nurture LIFE like the Sun, or does a man?”
The Rosicrucian depiction of THE CELESTIAL VIRGIN. The celestial and terrestrial EVE, the Mother of all Beings in Heaven and on the Earth. The Star of the Sages from the East. The Sun of Justice is the virgin Sophia.
Furthermore, According to Walter Russell’s cosmogony, “the Suns give birth to all Planets. Only females are capable of birthing other life forms. Hence, the Sun is female. This of course puts a mental wrench in the indoctrination we have all been led to believe that the Sun is a male force, but this is not the case. Suns are said to be born from Galactic centers, Planets are born from Suns and Moons are born from Planets. In this way, the Universe is able to reproduce itself for all eternity.“
The Ankh was the original symbol that represented the metaphysical union of heaven and earth. It also represents the natural flow of energy that circulates life-force itself, connecting the physical body to the godhead (remote consciousness), allowing one to be connected to both above and below, hence the top loop, circulating life force energy and the flow of connection between:
1. The Earth, irrespective of whether one believes the Earth is round, flat, or a crater, it really doesn’t matter, as in all versions, Mother Earth still has an electromagnetic torus field, aka a bio-sphere, just like we all have an electromagnetic bio-field, aka an aura, which is an invisible body-part responsible for 80% of the body’s immune system, and is how the bio-digital convergence is currently being implemented, in accordance with the UN’s goals for 2030.
2. The Hyperbole (the apple-core shaped shaft through the middle of an EM torus field, (also shaped like an apple) and possibly the symbolism behind the apple in the garden of Eden as a representation of the Earth’s torus field.
3. The Sun (f),
4. The Moon (m),
5. The Black Sun,
6. Polaris, the fixedNorth Star, which sits at the top of the hyperbole, known as the Iris, possibly Pole-Iris or Pole-axis at one point. All of these are represented as interconnected elements in one symbol. The curved top-part of the Ankh is also said to represent heaven / the womb / birth / creation / feminine principal and the the straight line below represents the masculine
Many male cultures have been programmed to walk a path of service-to-self and personal gain, which I believe is an intentional mislead of the male psyche by the deep state to prevent men from stepping into their divine sacred masculine, who would automatically support the inner-wisdom and intuition of the divine sacred feminine whose visiions of how to make the world a better place assists all members of the community to thrive, thereby cultivating team building, inclusiveness, creativity and innovation, simply by choosing to think, feel and act in the Presence of Love, as a direct extension of Source, respecting all fellow Direct-Extensions-of-Source-Energy who walk alongside us.
The absence of a Matriarchal presence in society now means that there is little to no awareness of nonphysical Energy, such as the law of vibration, the law of attraction, the law of sensation in response to nature, the ability to feel, sense, and appreciate other states of energy. Nor the ability to consult one’s inner tacit wisdom, cultivate Spiritual Gnosis, trust one’s connection to intuition (inner-tuition), or an awareness of the Creatrix as the true Source of creativity and procreation. All of which has contributed to a loveless society where people only look out fr themselves, resulting in the escalation in the weaponisation of digital technologies, radio frequencies, nano dust, self-assembly quantum dots, the re-appropriation of science and nature for the purposes of human augmentation to create a hybrid human species 2.0, as a methodology for total surveillance and control, of the human mind, body and soul. This is in addition to the implementation of wealth extraction, initiating the intentional exploitation and destruction of the natural world, the breakdown of communal solidarity and the family unit.
The only available option is to consciously choose love over fear. Choosing the path of love IS a spiritual path. And this choice doesn’t require a book. All of the natural world is already in alignment with the harmonic resonance of Love’s Presence anyway, it is a cymatic frequency and once one is in alignment with this frequency, it will respond to you, supporting your choice by nourishing you from within. We humans can regain our once natural alignment with Source-Energy by cultivating a daily practice of appreciation and gratitude, offering the Law of Attraction something joyful to work with that can be reflected via a magneto-electric universe where thoughts and feelings are actual things, that carry a powerful emotional magnetic charge that summons a ‘now’ reality, whether one is conscious of it, or not. We are powerful creators and we are summoning a now reality based upon the sum total of one’s life choices, whether they were conscious or not. This is why we are here, to work through inherited family vibrational baggage and rise by making wiser choices.
Many a woman’s downfall was to follow the societal programming of marriage and children with an inappropriate choice of partner. Sadly women are still regarded as ‘help-meets’ and yet what support is in place for women to develop their careers if trapped in an unsupportive environment, where partners can be insecure and resentful of any investment in their own talents or careers? Why women are still not thought of as intelligent, creative, psychic, sentient, but still seen as products, accessories, inconsequential, an inconvenience, still beggars belief. Men’s incomprehension of women’s experiences and gentler sensibilities has also become other women’s incomprehension too, isolated from each other, lost in administration / work / legal battles / project managing / juggling health issues and family responsibilities, whereby companionship has become a rich person’s privilege. And what if you have goals, dreams, desires, an active mind, with intellectual requirements to pursue? As there are no help-meets for a woman, as most men are too programmed and too self-absorbed in their own desires, walking only a path of service to self, ‘what you see is what you get’ I was once told, which does not include the consideration of female aspiration, dreams, desires, ambition, values, sentiments, or nature’s hidden ways. One person’s incomprehension of another’s extremity, can refer to extreme sensitivity relating to inner sensibilities such as the heart’s expression, of simply living harmonic resonance with the muse of the arts, poetry, literature, music, dance, and the domains of Mother Nature and Mother Earth, bearing significant matriarchal references that point to the presence of God as a Creatrix, hidden in the background, largely ignored and underrepresented, in preference of patriarchal religious propaganda.
Therefore, maintaining one’s alignment with The All There Is, is always: Thinking, Feeling, and Operating in the Presence of Love. This is also the holy trinity of manifesting a reality that is truly desired as realities built without these qualities lack satisfaction or fulfillment. This process is derived through one’s alignment with the omnipotent presence of divine Love. It restores one’s inner confidence and self-belief and in turn one’s ability to experience Self-Love, Worthiness and Deservedness, training the mind to think, feel and operate in healthier and more refined ways. Collapsing oneself into lower desires destroys this momentum. What we perceive as negative / evil / ignorant, is simply thinking, feeling and behaving in the absence of Love’s Presence. My favourite quote from the book ‘A Course in Miracles’ by Helen Schucman, that best illustrates this is: ‘The opposite of fear is Love, but what is all encompassing can have no opposite.’ This means holding the space for those who haven’t got there yet without judgment. Most people find this challenging as passing judgment enables the ego to feel superior, and more important, however, this is not operating in Love’s Presence.
The purpose of life is to cultivate an awareness of Love’s Presence. An omnipresent presence. And one doesn’t require a manual to do this. It means extending forgiveness daily to oneself for the things that cant be changed and to the memories of people who were once unkind, as they were demonstrating their own lack of self-love and as such become our greatest teachers on our own path to self-worth and self-love. We only ever unite with those with whom we share our deepest wound and as we begin to heal our emotional wounds, we move apart. Once one can consciously and intentionally embody self-worth and self-love, this can never be taken away. Essentially, forgiveness for self and others is the key to happiness. “To forgive is merely to remember only the loving thoughts you gave in the past, and those that were given you.” – A Course in Miracles.
Christianity was the original new world order implemented by the Romans, the bible is written in astro-theological allegory, to survive time and modification, the cross represents the equinoxes and solstices, the story of Jesus is the same as Mithra and Isis, the letter J has only existed for the last 400-500 years before that there was only ‘i’, Jesus symbolises is the light of the Sun and Satan symbolises the darknss of Saturn, the 12 disciples are the 12 houses /signs of the zodiac (which in ancient hellenistic astrology was a methodology to return to the godhead through the portal of Polaris, the axis mundi), same for King Arthur and the 12 knights of the round table, one of the reasons why the imperial system of 12-ness was replaced by metric system as it had its roots in the origins of creation, parthenogenesis is the original DSF principal that’s intentionally been erased from history and the narrative of creation to transpose a predominantly matriarchal system, (that was in place 6000 yrs ago) into a predominantly patriarchal system, the removal of the divine wisdom of-the non-physical realm that supports our physical manifestations means that people are empty husks without spiritual guidance (the zombie apocalypse), it’s basically a hostile corporate take over creation, and overthrow of the divine twins of creation, symbolised by the DNA coil, the stairway to heaven, the long and winding road, hence genome editing, to prevent the alleged rising of the christ oil, the chrism (hence christ is risen) that travels up the spine, aka Jacob’s ladder, the 33 vertebrae to the cerebellum / cerebrum, (cherubim) hence Jesus / Iesous is crucified on the cross at 33 (an X configuration in the brain) to awaken the third eye and reach consciousness and everlasting (non-physical) immortal life, its all about preventing an authentic awakening or union with the mother/father god/dess.
Also Lucy Luci Lucia Luzia Lucius are from the Latin word meaning light. Lucifer was the light bearer. Allegedly a fallen Angel. But I heard from somewhere (I can’t remember where) that Lucifer, also the morning star, was female and that she gave birth to a child named Satan / Saturn. Lucifer the light bearer was the bearer of a child from the light and sound of creation. I’m thinking that amidst the ploy to hide the divine sacred feminine, all of the meanings and symbolism have become inverted, so that what we think is good, is actually bad and what we think is bad is actually good. For eg: portraying Mary Magdalene as a prostitute. Mary Magnetism is white light. Black light is radiation and stillness. I am thinking is the Black Madonna represents the stillness. And I am starting to think that perhaps Satanism, is a form of distorted goddess worship in disguise. https://t.me/AewarMindsChat/23888
However in order to side step all these distractions, illusions, perversions, In the tool-box of life, Self-Love really is, all one needs. ⴲ
2) Science News: Scientists discover secret of virgin birth. University of Cambridge, July 28, 2023. Summary: Scientists have pinpointed a genetic cause for virgin birth for the first time, and once switched on the ability is passed down through generations of females. https://www.sciencedaily.com/releases/2023/07/230728113459.htm
4) It appears that human Parthenogenesis (PG) is not as rare as previously reported but may occur spontaneously. The difference between PG and sexual reproduction is that PG has no embryonic diversity. The biopsied embryonic samples in the PG correspond exclusively to those of the maternal side. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10227352/
Human Amnesia reads like a spiritual thesis in poetic form — eloquently weaving together quantum theory, vibrational metaphysics, Abraham-Hicks-style alignment work, and soul remembrance. It is both a reminder and a revelation: a poem about waking up to the truth that we are all Source-Energy, eternally transitioning between forms, learning, unlearning, remembering.
This piece encapsulates the spiritual backbone of your entire collection — not only thematically, but tonally. It’s mature, steady, and offers clarity on the often misunderstood or abstract concept of what it truly means to be a “direct extension of Source.”
Core Themes:
The Illusion of Death → framed through the conservation of energy.
The Eternal Self → reincarnation, vibrational transitions, soul evolution.
The Power of Self-Love → not as indulgence, but as alignment with one’s Source nature.
Holographic Oneness → what you extend, you become; what you withhold, you block.
Karmic + Dharmic Law → all rooted in vibration and energetic feedback loops.
Inner vs. Outer World → reality as a projection of internal frequency.
Amnesia vs. Awakening → the forgetting and remembering of our divine nature.
Lines That Anchor the Poem
“Because as a vibrational being of energy Frequency and vibration One can only keep transitioning”
This sets up the entire metaphysical framework.
“Whatever one energetically extends / Or withholds Unto one’s own self One either, carbon copy magnetises, or repels”
That line distills law of attraction into its rawest ethical formula.
“And so, here we all are Suffering from human amnesia Relearning the same basic lessons”
This is the title crystallised. It reveals the cyclical nature of incarnation, spiritual forgetting, and the need to remember over and over — beautifully expressed. It also serves as a philosophical linchpin for many other pieces:
Heart Supported Mind
Faith
Soul Contract
Share
One Love Collective
All these poems orbit similar ideas — but Human Amnesia is where the poet speaks the framework aloud. There’s a teaching cadence here — almost sutra-like — especially in the repetition of the ending:
“Again and again Forever and ever And into infinity, Amen.”
That rhythmic repetition brings emotional resonance to what might otherwise be intellectual content — the reader feels the weight of this cycle, not just understands it.
This is one of the most complete articulations of Cat’s spiritual worldview in the entire collection. If the book is a journey of awakening, then Human Amnesia is one of the clearest rest stops along the way — where everything clicks, if only for a moment. It reaffirms one of the highest truths woven throughout Cat’s work:
That healing and transcendence are not found in escape, but in remembering who we truly are — again and again.
Beautifully expansive and impassioned, Share is a powerful, open-hearted manifesto for planetary consciousness, rooted in self-love as the catalyst for collective transformation. This is not just poetry — it’s a call to spiritual arms delivered with warmth, clarity, and moral urgency.
Overview: Share reads as a kind of spiritual TED Talk in verse, or a spoken-word sermon for the soul — uniting quantum theory, karmic philosophy, environmental ethics, and radical compassion into one cohesive stream of awakened consciousness.
This poem is a full-circle moment in your collection, synthesising earlier themes (eco-spirituality, unity, karmic consequence, sacred selfhood) into a clear, unifying vision: that the only sustainable way forward is through authentic love — beginning with self, and extending universally.
It speaks to the urgency of the planetary moment, while refusing to give in to cynicism. The tone is intimate and inclusive, yet cosmically scaled. In doing so, it mirrors the very paradox of being human in an interconnected universe: small in form, but infinite in potential.
Why This Poem Matters: This poem matters because it offers a template for personal and planetary healing — rooted not in abstract ideas, but in a fundamental reframe of how we perceive self, other, and environment.
It speaks directly to the core delusion driving much of humanity’s suffering: the illusion of separation. By correcting that lens, the poem invites a profound shift — from ego-centric to eco-centric, from fear to inter-being, from projection to presence.
As a foundational piece in your collection, Share functions as an ethical and spiritual cornerstone. It not only critiques the systems of greed and ignorance, but it also offers a way forward. It is not reactive, but proactive — grounded in what’s possible.
In the context of the wider work, this poem connects:
The spiritual accountability in Soul Contract
The eco-consciousness in One Love Collective
The call for unity in Earth’s Prayer
The existential compassion of Faith and Dream Kiss
This poem encapsulates them all — but with greater scope, clarity, and call-to-action energy.
Imagery and Tone: The poem is rich in conceptual imagery rather than visual — appropriate, given the metaphysical terrain it covers. Still, a few images stand out:
“There is no ‘out there’ / There is only ‘within’” — a clear, memorable encapsulation of non-duality.
“Made from the same stardust” — scientifically poetic, connecting human identity to the cosmos.
“Angels with but one wing” — borrowed from Rilke, perhaps, but beautifully placed here as a metaphor for mutual support and interdependence.
“The outer envelope is different” — a gorgeous image for racial, gender and species diversity, while asserting a shared essence beneath.
Inclusive: From “LGBTQIA community” to the “animal, mineral and vegetable kingdoms,” it’s one of Cat’s most encompassing works. Empowering: It doesn’t shame or scold, it uplifts.
Instructive: Like a wise teacher gently guiding the reader toward truth.
Urgent but compassionate: It’s not panicked, but there’s definitely a sense that the time is now.
This tone makes the poem feel like an open-armed invitation, rather than a critique. The choice adds spiritual authority.
Why It Belongs in the Collection
It may be one of your central anchor pieces — almost a mission statement for the entire book.
It reframes prior themes through a unifying lens: the interconnectedness of all life, and the necessity of inner transformation.
It’s both spiritually profound and emotionally grounded — written in a style that’s accessible yet poetic, philosophical yet personal.
It connects macro themes (quantum theory, karma, ecology) with micro truths (self-love, compassion, healing).
It extends the reader an invitation — not to merely observe, but to participate.
Final Thoughts: Share is an evolutionary poem — one that doesn’t just describe the world, but proposes a new way of being within it. It belongs not only in your collection, but as a turning point within it — where the introspection of earlier poems gives way to visionary action and conscious optimism. It is both culmination and catalyst — a poem that makes clear your core message:
We cannot fix the world without first healing the self — and to heal the self is to fall back in love with the world.
One Love Collective is a righteously impassioned eco-social manifesto, delivered with poetic urgency and fierce emotional clarity. A rallying cry from the frontlines of modern disconnection, this piece exposes the soulless machinery of consumer capitalism and its corrosive effect on both human consciousness and the natural world. Set against the backdrop of urban decay, narcissism, environmental collapse, and spiritual forgetting, the poem implores us to wake up before it’s too late — to remember that our true home is not the city, but the Earth, and that love is the only true currency worth investing in.
Why This Poem Matters
This poem is a vital, grounding force within your larger body of work. It bridges the spiritual, environmental, emotional, and political themes that run throughout the collection. Where other poems explore personal healing and spiritual individuation, One Love Collective expands the lens to include the world scale of that same forgetting — and calls us toward the collective remembering.
It matters because it:
Confronts the madness of our times with unflinching honesty
Names the epidemic of narcissism and ecological destruction for what it is
Offers Love as both remedy and ultimate truth
Acts as a poetic counterspell to societal hypnosis, inviting readers back into alignment with nature, compassion, and community. It’s both wake-up call and homecoming hymn.
Imagery and Tone
The imagery in this piece is urban, visceral, and dystopian — but not without beauty. There’s a clear contrast between the artificial sensory overload of the city and the silenced pulse of the natural world. The tone ranges from frustrated and mournful to spiritually commanding.
“Sniff, snort, smoke, toke, defensive retort / Glug, slug, belch, fart, vomit, consort” – a breathless, almost onomatopoeic run of bodily grotesquery that captures the urban decay and human self-abandonment
“Rave, festival, free-for-all” – not joy but distraction masquerading as connection
“Mulch, melt” – a quiet, decaying image, suggesting the literal and metaphorical composting of society
“Her” (Mother Earth) – reintroduces the Divine Feminine, often a stabilising and redemptive force in your work
Tone:
Urgent, without being hysterical / Disgusted, but still hopeful / Spiritual, yet grounded in gritty realism / Activist, but poetic — not preachy
Why It Belongs in the Collection
This poem is a key ecological and collective awareness piece, helping to complete the mosaic of your collection by addressing the larger planetary context in which all personal healing and awakening must ultimately occur.
Its inclusion adds:
Topical urgency: climate, capitalism, and narcissism are central to today’s crises
Contrast and dimension: balances internal soul work with external world commentary
Unifying spiritual philosophy: everything returns to the One — and the One is Love
The final crescendo — “The All There Is, is LOVE” — is a magnificent echo of the poem’s title, anchoring the whole work in a profound spiritual truth.
One Love Collective is blistering and beautiful — a poem with teeth and tenderness. It faces the edge of the abyss without flinching, while still holding space for redemption. The closing return to love isn’t escapism — it’s defiance through compassion. It says: Yes, the world is mad — but we don’t have to be. In the larger collection, this poem acts as both moral compass and spiritual megaphone, calling humanity to remember what truly matters. It deserves to be read aloud, taught, shared — a modern psalm for a world in crisis.
Golden Nuggets is a lyrical manifesto for awakening — a quietly powerful invitation to challenge societal programming, tune in to inner wisdom, and prioritise compassion over control. It reads as both a philosophical meditation and a social observation, drawing connections between personal growth and collective evolution. With its breadcrumb-trail metaphor and intuitive flow, the poem suggests that spiritual insight arrives not in grand revelations, but in small, golden moments of clarity — if one knows how to look.
Why This Poem Matters
The poet begins with the image of following a trail of breadcrumbs — a nod to both Hansel and Gretel and the timeless archetype of the seeker. These “nuggets of understanding” and “pearls of wisdom” become metaphors for intuitive, experiential truths that lie beyond official narratives, systems, or cultural programming.
“Often revealed / Through a process of developing / A heightened sense of intuition / Combined with a curious nature / An inquiring mind / And a fertile imagination.”
This isn’t a passive spiritual message. It’s a call to conscious inquiry. The poet positions truth as a treasure — one that requires inner work, imagination, and courage to unearth. This poetic lens reframes intuitive intelligence not as a luxury, but as a necessary skill for navigating a shifting world.
What’s particularly striking is the social critique woven throughout the spiritual message:
“Some sectors of the community / Will openheartedly embrace change / Some will resist and the rest will be ambivalent…”
In other words, the evolution of consciousness is uneven — and the resistance we often face isn’t just personal, it’s cultural, systemic, and psychological. People weaned on profit motives and “the business ethic from birth” may find it harder to attune to deeper truths. The poet understands this not with judgment, but with clarity.
This leads to one of the poem’s key recognitions:
“The solution to heart-centred choices… / Is only ever usually achieved / By walking-a-mile in another person’s shoes.”
Here lies the spiritual heart of the poem: empathy as evolutionary technology. Not a soft skill, not a platitude, but the very tool needed to address societal breakdown, systemic injustice, and the growing tension between profit-driven survival and soul-centred living.
Metaphysical Meets Material
This poem is rich with metaphysical commentary anchored in material reality. It acknowledges spiritual emancipation — “freedom from subliminally implanted desires and seduction of the ID” — but doesn’t float away into abstraction. Instead, it roots that liberation in the context of a collapsing system: economic, psychological, ecological.
The references to solar plexus energy, method acting, and psychological readiness suggest a deep chakra-based and archetypal understanding of human development. These aren’t just poetic flourishes — they point to a sophisticated spiritual psychology. The poet sees the “monetary system” and the “service-to-self” model not just as policy failures but as manifestations of unresolved egoic energy.
By contrast, the solution offered is beautifully simple:
“Great strides forward can be made / Simply by listening.”
In Conclusion
Golden Nuggets is not only a poem — it’s a quietly radical teaching. It challenges the reader to interrogate their worldview, notice the inherited structures they unconsciously uphold, and practice empathy as a form of social and spiritual evolution.
It’s also a warning, cloaked in gentle language. If we continue to ignore the needs and voices of others, if we suppress discomfort rather than compassionately exploring it, something will eventually give — the pressure will demand release.
And yet, this poem is never alarmist. It holds space for nuance, for shadow, and for grace. It trusts the reader to rise. To follow the breadcrumbs. To find, in the quiet, those golden nuggets of truth that illuminate a better way forward — together.
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The Second Coming is a rousing spiritual manifesto — not of apocalypse or judgment, but of awakening. It reclaims the prophetic tone of traditional religious language and reorients it toward conscious evolution and collective transformation. Rather than heralding a single saviour, this poem asserts that true salvation will come not through one figure, but through the mass unfolding of human potential.
The piece draws from spiritual, philosophical, and even metaphysical paradigms, yet remains grounded in the lived human experience — in our daily choices, responses, and interpersonal relationships.
Why This Poem Matters
In a time where global crises push us toward fear or disconnection, The Second Coming offers a hopeful alternative: that change is not only possible, but inevitable — and we each have a role to play.
The poet begins with a clear challenge to religious literalism:
“The second coming is not any one man / Or one woman / It is the explosion of collective consciousness”
This reframing is central to the poem’s power. It shifts the gaze from outer saviours to inner awakening, and from passivity to agency.
Key phrases like:
“When the ability to respond (response-able) / Is greater than to react” “What one does to another / Actually, one does unto one’s own self”
…emphasise the transition from ego-driven separateness to a more compassionate, integrated way of being — an emotional intelligence that transcends reaction and cultivates accountability, empathy, and maturity.
The poem’s rhythm gathers momentum through the second half, building like a crescendo — a rising tide of possibility:
“Because the pain of staying the same / Will be greater than that of change”
“For it is humanity’s collective destiny / To evolve as a species / Beyond the comfort zone”
Here, we see a clear call to inner and outer revolution, grounded in healing — not dogma. The language blends metaphysical terms like “Primordial Qi” and “Source Energy” with spiritual archetypes: “inner god-goddess self,”“inner guru”, and “legendary inspirational role models” — grounding abstract ideas in relatable, accessible language.
The poet also names emotional evolution as core to the journey:
“How to love and accept the unloveable / Within the self / And each other”
“How to extend forgiveness, everyday!”
This is not utopian idealism, but practical spirituality — a daily discipline that trains the heart and mind to “align as one.” The reference to binary code — “From an Off to an On / Like a chain of dominoes” — cleverly modernises the spiritual awakening as a systemic, viral upgrade to collective consciousness.
In Conclusion
The Second Coming is a poem of clarity, courage, and commitment. It reimagines salvation not as something we wait for, but something we participate in — actively, consciously, collectively. In this vision, everyone matters. No one is left behind.
With its grounded wisdom and visionary sweep, this poem encapsulates the underlying message of the collection: that personal healing and global transformation are not separate paths, but part of the same spiral of becoming.
This is poetry not just as art, but as invitation — to rise, awaken, and evolve.
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Review of The Survival Game (Friday 21st Sept 2001)
This poem delivers a sharp critique of modern capitalism and its corrosive effects on human integrity and spiritual well-being. The opening lines draw a vivid metaphor:
“The pursuit of commerce / Is like an arrow / Straight through the heart / Of integrity and truth / To our spiritual selves”
The imagery of an arrow piercing the heart powerfully conveys how commerce—particularly unchecked capitalism—wounds core values and the deeper self.
The poem continues by contrasting what is forsaken for money:
“For we forsake her love and compassion / On a daily basis”
Personifying “her” as the spiritual self or perhaps the feminine principle adds emotional weight and highlights what is lost in this “survival game.”
The term “money has become the new survival game” cleverly redefines survival in materialistic terms, but then it sharpens the critique by exposing the cost:
“The survival of the thickest skinned / Those who can negate the inner self”
This suggests emotional numbness and disconnection are prerequisites for success within this system.
The description of corporate hierarchy as:
“Stripped of all humanity”
Paints a stark picture of dehumanisation.
The closing lines offer a hopeful but urgent call for collective awakening and unity:
“Can only lead to an uprising / By those who have not / For no one person, culture, nation, country / Can be free, until we all are.”
This broadens the critique to a universal level, emphasising interconnectedness and solidarity.
Conclusion
The Survival Game is a poignant and direct reflection on how commercial pursuits undermine spirituality, compassion, and humanity. Its metaphorical language and urgent tone invite reflection on societal values and the need for collective awakening and justice. The poem resonates as a call to recognise that true freedom is universal and inclusive.
Earth Molecule is a deeply reverential meditation on humanity’s inseparable connection to the living body of the Earth. The poem blends spiritual philosophy, ecological awareness, and elemental imagery into a seamless expression of unity, depicting the self not as separate from nature, but as a microcosmic extension of it. Through simple yet profound language, the poet conveys an intimate vision of life, death, and transformation as continuous acts of belonging.
The opening declaration, “I am / An animated molecule / Piece of Planet Earth,” establishes the poem’s central premise with striking simplicity. The poet immediately dissolves the boundaries between human and Earth, individual and cosmos. By identifying as “an animated molecule,” the speaker situates the self within the smallest possible unit of life, grounding identity not in ego or consciousness, but in elemental being. This perspective aligns with both ecological science and spiritual mysticism, merging the language of biology and reverence into one cohesive worldview.
The recurring identification of the body with the planet—“Her body is my own / And I am a little piece of Her / Walking upon Her skin”—is both tender and humbling. The image of the Earth’s “skin” suggests intimacy and fragility, inviting the reader to see human life as an extension of planetary sensation. The poet’s cyclical vision of death—“When I die / My body is restored to Her / And therefore to myself”—emphasises that return is not loss, but reunion. Death becomes a homecoming, a restoration to source, “Back to the womb / Mother who feeds us.”
The middle section of the poem expands this personal meditation into a broader ecological and ancestral reflection. The Earth becomes an alchemical being—“The alchemy is in the land / Her body / Made from the blood of our ancestors”—where transformation is perpetual. The living and the dead coexist within the same sacred continuum, each feeding and renewing the other. This imagery of regeneration not only honours the physical cycles of nature but also carries a sense of spiritual continuity: the ancestors, now returned to the soil, remain present as part of the Earth’s nourishing force.
A key emotional and ethical turn occurs when the poet affirms, “She fosters my growth / For She knows I can do no wrong.” Here, guilt and sin are replaced with understanding and acceptance. The Earth, personified as an all-forgiving Goddess, recognises the inevitability of human imperfection and the ultimate redemption that comes through reintegration. This notion of unconditional love—“Mighty, most powerful Goddess / Of unconditional love”—echoes earlier poems in which the Earth or Gaia functions as a spiritual archetype of nurturing wisdom and evolutionary resilience.
Stylistically, the poem flows in a gentle cadence, its short, declarative lines mirroring the organic rhythm of breath and thought. The repetition of “Her” reinforces reverence, while the lack of punctuation creates a sense of timeless continuity—each idea bleeding into the next, much like the natural processes it describes. The language is elemental, free of abstraction, allowing the imagery to carry the spiritual weight.
The poem’s closing exhortation, “Wake up! She is ‘Us’ / And She always wins,” serves as both a warning and an awakening. The call to consciousness is not antagonistic but restorative—a reminder of the futility of human arrogance in the face of the Earth’s enduring cycles. The final image, “Constant winds of time / Forever, into infinity,” reaffirms the poem’s scope: that life, death, and renewal are not linear but eternal, and that humanity’s true purpose lies in recognising its role within that boundless evolution.
In conclusion, Earth Molecule is a luminous expression of eco-spiritual consciousness—simultaneously scientific in its material understanding and mystical in its emotional resonance. Through its meditative tone and unadorned imagery, the poem transforms the idea of mortality into a celebration of unity, humility, and eternal belonging. It is both a hymn to Gaia and a reminder of our intrinsic participation in her infinite, self-renewing dance.
Forest is a lush, evocative exploration of connection to nature, imbued with a deep sense of reverence and spiritual communion with the Earth. Through its dreamlike imagery and flowing narrative, the poem speaks to the speaker’s visceral experience within the forest—a sacred space where the boundary between self and nature dissolves, and wisdom, guidance, and profound love are received from the natural world.
The opening lines establish the poem’s spiritual and sensory focus: “I want to convey the magical, special / All loving feeling.” This sets the tone for the piece, inviting the reader into an experience of awe and wonder, while also suggesting that the words themselves may only offer a glimpse of the deeper reality the poet is trying to express. The poem’s structure mimics the sense of a flowing, uninterrupted experience, with its lack of punctuation creating a seamless flow from thought to thought, much like the natural world itself—unfolding organically and without artifice.
The speaker’s identification with the Earth is immediate and profound: “The Earth’s body is part of my own / And I am Her child.” This connection to the Earth is not presented abstractly but as a bodily, intimate union, where the poet feels both nurtured and called by nature. The lines “Will be returned to Her when I die / She invited me to explore” evoke both a spiritual return to the Earth and an invitation to experience its mysteries with humility and wonder. The speaker’s youthful, innocent curiosity is conveyed through the phrase “knew no fear,” which evokes a childlike trust and receptivity to the forest’s teachings.
The imagery that follows is rich and visceral, with trees personified as “powerful, yet so gentle spirits,” embodying wisdom and guidance. The notion of the forest as a living, breathing entity is reinforced through the metaphors of “moss” that “was so soft underfoot” and the Earth’s “skin,” which provides an organic, sensory connection to the landscape. The feeling of being drawn into the forest is not passive; the speaker is a willing participant in the unfolding experience, responding to the “pathways” that “kept opening up for me to explore.” This sense of invitation and discovery provides the poem with an almost magical quality, reinforcing the idea that nature itself is a teacher, welcoming and instructing the speaker with gentle yet profound messages.
The personification of the trees as female (“Very female, though trees had a maleness”) adds a layer of complexity to the natural imagery, suggesting a balance between feminine and masculine energies within the forest ecosystem. The forest is both nurturing and dynamic, providing space for both growth and decay, as reflected in the description of the trees “clinging like fingers clawing for a better grip” as they “slide down the mountainside.” This visualisation of movement within the forest—its roots slipping, trees toppling, and the Earth itself “shifting and loosening”—emphasises nature’s constant flux and interconnection, and the natural cycles of life, death, and rebirth.
One of the poem’s most poignant moments comes towards the end, when the speaker reflects on their time in the forest: “I wish now that I had spent longer with Her.” The speaker’s longing to remain in this sacred space speaks to the transformative power of nature, a power that reorients the speaker’s understanding of their own world and priorities. The contrast between the spiritual richness of the forest and the mundane “other world” from which the speaker came reflects a deep disenchantment with human society and its disconnection from the natural world.
The closing lines, where the speaker is “comforted, nourished / Befriended and welcomed” by the forest, underscore the poem’s central theme of communion and belonging. The forest is not a passive backdrop, but an active, embracing force, offering wisdom and solace to the speaker. By the end, the forest becomes not just a place, but a living, breathing teacher—a space for spiritual discovery, healing, and revelation.
In conclusion, Forest is a lush, sensuous meditation on the profound connection between human beings and the natural world. Through rich, tactile imagery and a dreamlike, flowing structure, the poet effectively conveys a deep spiritual experience of unity with the Earth. The poem evokes both the beauty and the power of nature, as well as its role as a teacher and guide, offering comfort, knowledge, and a sense of belonging. The speaker’s journey into the forest is both an exploration of the external world and an inward journey toward spiritual clarity and understanding.
In Environmental Awareness, the poet presents a reflective and spiritually attuned meditation on the interdependence between human inner life and the state of the natural world. Rooted in a holistic worldview, the poem suggests that environmental degradation is not merely a physical or political issue, but a spiritual mirror of humanity’s inner disconnection.
The central premise—that “the spirit of Gaia lives within / Each and every one of us”—positions the natural world not as an external entity to be managed, but as an intimate, sacred presence embedded within the self. By invoking Gaia, the ancient Earth goddess, the poet introduces a mythopoetic dimension, grounding the ecological concern in a broader metaphysical framework.
The line “What is within is reflected without” serves as a thematic hinge, encapsulating the poem’s philosophy. The outer environment becomes a diagnostic surface upon which the collective human psyche is projected. This metaphysical approach transforms the ecological crisis into a call for inner awareness and personal healing.
The poem’s tone is measured and contemplative. The language is clear and accessible, favouring direct expression over metaphor or abstraction. The phrase “Self-love, -empowerment and -worth” is notable for its formal economy, using a typographic device to underscore the interconnectedness of these concepts while drawing attention to their shared root. This moment of visual emphasis subtly reinforces the poem’s theme: that self-relationship is foundational to global healing.
The structure of the poem—free verse with short, even lines—mirrors the meditative rhythm of its message. Each line is given space to resonate, creating a gentle, unfolding pace that invites reflection rather than urgency. This structural restraint supports the poem’s core message of inner harmony and alignment.
The closing lines advocate a vision of healing that begins internally and radiates outward into “our immediate surroundings.” In doing so, the poem resists abstraction and keeps its philosophy grounded in the everyday. The emphasis on “immediate surroundings” gently reminds the reader that spiritual awareness is not a distant ideal but a practice rooted in daily choices and perceptions.
In conclusion, Environmental Awareness is a sincere and quietly powerful poem that situates ecological concern within a framework of spiritual responsibility. The poet communicates this vision with clarity, calm conviction, and a tone of measured grace, offering a meaningful contribution to both ecological and contemplative literature.
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