Cat ‘interliminal‘ Miller, aka Cat Catalyst is a multimodal artist, post-digital mythopoet and creatrix of ecofeminist house music—synthesising advanced plasma physics, dielectric field dynamics, high tech-spirituality, and mythopoetic art into a single unified field. Yet beyond physics, energy, spirituality and art, Cat’s 38-year writing trajectory deeply interrogates and radically transforms three other massive pillars of human experience:

I. The Recovery of True History
Cat bypasses mainstream historical amnesia and patriarchal revisions to initiate a timeline recovery of former matrilineal tribes, societies and empires who respected and upheld the Toroidal Earth as a living system of divine intelligence that is self-generating and abundant.

II. Metaphysical Etymology and Acoustic Science
Cat uses acoustic synthesis to shape language and music into a vehicle for psychospiritual evolution—In Cat’s sonic practice, ecofeminist house music encourages listeners to physically embody gnosis through the ritual of dance.

III. Absolute Sovereignty over the Matrix Grid
Through a metaphysical synthesis of toroidal physics and pattern recognition, Cat reverse-engineers the self-generating torus as the matrilineal blueprint for a worldwide harmonic convergence between biology and consciousness—offering a functional solution for reclaiming spiritual sovereignty in a modern technological world.

Cat’s RCA 25 final project combined autotheory, autoethnography and self-archival to collate three decades of noetic content into a post-digital hybrid ecosystem of multimodal art forms.

1—Album Amicorum—the world’s first decolonised, interactive artist’s book using AR, XR and AI tech to add sonic layers of digital materiality and engagement to the experience.

2—Love Made Visible—a music album of blues-jazz songs that works alongside the Artist’s Book.

3—Nóēma Poēma— at the heart of these multimodal fusions lies the ‘Nóēma Poēma’ codex, a comprehensive collection of noetic musings that map the inner terrain, serving as an invitation to bridge heart, mind and Source, also providing the lyrics for the 18 sonic layers that accompany the world’s first interactive Artist’s Book.

4—Thesis: ‘Reimagining Humanitarian, Spiritual and Matrilineal Values in a Patriarchal World, through AI, Cymatics and the Poetic Medium – Utilising Pattern recognition as a resource to amplify higher consciousness’. The Wellcome Library acquired a hardcover edition in 2026.

“As a result of experimenting with AR, XR, AI and Python, I was able to explore a new kind of hybrid materiality where technology could perform an assistive role in my creative process, that amplified my noetic content without diminishing the authenticity of my personal artistic expression.”

Cat’s work sits at the intersection of avant-garde electronic music, book arts, post-digital poetics and ethical human-AI research, which Cat plans to dive more deeply into during her PhD.

Previous visual art has explored themes of memory, identity and the materiality of the artist’s book, creating a visual language that transcends cultural and linguistic barriers. Various iterations of Cat’s Artist’s Book-works are collected by notable special collections, including the Wellcome Library, the British Library, the Women’s Art Library, (Goldsmiths) and the PAGES Travelling Collective currently housed at the UWE, with work showcased at various events, including Late At Tate, the London Eye, and the London Underground.

In 2019 Cat’s Artist’s Book: ’Sequence’ was acquired by a number of Special Collections of Artist’s Books, namely The British Library (hardcover), The Wellcome Library (Perfect bound), The Women’s Art Library (saddle stitch) and The PAGES traveling Artist’s Book Collective, (perfect bound) formerly housed at the Tetley Arts Centre in Leeds.

‘Sequence’ was also exhibited as a part of a series of three installations at The Camberwell Summer Show (2018 and 2019) and the MA Select Show at The Camberwell Space Gallery (2019) having graduated from MA Book Arts at Camberwell College of Arts with a Distinction.

Also in 2019 The Wellcome Library acquired a copy of Cat’s MA research paper: ‘How does the Materiality of the Artist’s Book Help to Augment an Understanding With Respect to Creating a Narrative About Memory and Identity?’ Cat has also written articles for the British Library’s ‘Artists Books Now’ events published in the renown peer review journal The Blue Notebook and the Book Arts NewsLetter.


Notable previous site specific visual poetics have been featured at Late at Tate, The London Eye, and Art on the London Underground at Baker Street Tube.


2026: 2nd Edition of Noēma Poēma, fully revised and expanded with 137 titles/chapters across 446 pages spanning 1988-2026.
2026: Launch of @CatCatalyst YouTube‘s Official Artist’s Channel featuring all music releases in one place with no subscription required.
2026: Release of a four track EP entitled: CreatriXX. DOWNLOAD from Bandcamp or STREAM via the usual platforms.
2026: Launch of new house music LP ‘Interliminal: Matrilineal’, available to STREAM on all major music streaming platforms, and available to DOWNLOAD from Bandcamp
2026: Wellcome Library acquires RCA MRes 2025 Thesis
2025: RCA MRes Thesis: Reimagining Humanitarian, Spiritual and Matrilineal Values in a Patriarchal World, through AI, Cymatics and the Poetic Medium—available as hardback
2025: Nóēma Poēma—Available as hardback and softcover editions
2025: RCA MRes—Album Amicorum—decolonised artist’s book AR/XR final project
2025: RCA ‘Research Journeys’, Group Show, Hangar Gallery.
2025: Music Release of Joy Smile (drum & bass single), Dance for a While (house EP), and Love Made Visible (blues / jazz LP).
2024: RCA Research Journeys: Group Exhibition, Hangar Space.
2024: RCA Fragments of the Future, Group Exhibition, Hangar Space.
2024: Noetic Poetics: First Edition: Hardcover: published by iPoem Press
2023: Noetic Poetics: First Edition: Paperback: published by iPoem Press
2023: Creatrix: First Edition Paperback—acquired by British Library
2023: Featured in anthology: Return to Reason: The Poem is Part of the Eye—Bite Size Publishing
2022: Featured in: No Issue: Limited Edition produced by Carlotta Bianchi & Audrey Etro
2022: Now Is The New Now: Limited Edition published by iPoem Press
2021: iPoem’s Blog: Limited Edition published by iPoem Press
2021: Apotheosis: Limited Edition published by iPoem Press
2021: Calibrate – featured in RCA Research Biennale (online)
2021: Kaleidoscope Memories published in The Pluralist, RCA SU Newspaper
2019: Sequence III – exhibited UAL MA Select Show, The Camberwell Space
2019: Sequence II – exhibited UAL MA Book Arts Summer Show, Camberwell
2019: British Library acquires Sequence Artist’s Book, (hardback)
2019: PAGES: New Voices: Travelling Collection Exhibition
2019: PAGES @ Tetley Arts, acquires Sequence Artist’s Book, (perfect bound)
2019: Womens Art Library acquires Sequence Artist’s Book, (saddle-stitch)
2019: Wellcome Library acquires Sequence Artist’s Book, (saddle-stitch)
2019: Wellcome Library acquires MA Research Paper.
2019: Article published in The Blue Notebook
2019: Mexican Embassy: Camaradas – Group Exhibition – Menier Gallery
2018: Article published in The Book Arts Newsletter 119 and 120
2018: Sequence I – UAL Camberwell Interim Summer Show
2018: Ab-normal – UAL Group Exhibition – Chelsea College of Art 
2018: Exhibit – UAL Group Exhibition – Bermondsey Project Space
2018: Altered States – Group Exhibition – UAL Camberwell Library
2018: Ways of Seeing – (Solo show) Hanbury Hall, Spitalfields,
2017: Roots and Wings – Arts and Wellbeing Festival, Spitalfields City Farm
2016: Inner Sun: Lyrical collaboration with Martyn Ware and Charlie Morrow
2015: Published in Love is in the Air – Anthology
2012: iVend – LMU Summer Show – Central House
2012: Published in Poets for World Healing World Peace – Anthology
2011: Published in A Poetically Spoken Anthology
2011: Capsule launch for London Eye ‘Alternative guide’ feat. ‘CCTV’.
2010: Published in Reach Poetry – Anthology
2010: Published in Savasvati Poetry – Anthology
2010: Published in The Dawntreader – Anthology
2009: Shine – London Underground A0 Poster at Baker Street Tube for Art Below
2008: Poetry Film Screening of ‘Swim‘ & Guest Speaker at Late at Tate, Tate Britain

Cat inherited the surname of ‘Catalyst’ back in the early 1990’s as a result of organising a series of Arts and Well-being events in Australia and the UK, named ‘Catalyst’. The purpose of these events was to raise an awareness of environmental issues through the creative use of recycled materials, whilst simultaneously promoting a sense of communal cohesion by showcasing the work of local artists and designers. Which Cat has been doing on and off ever since. The dictionary definition of a ‘Catalyst’ is: ‘an agent of change and transformation which does not become changed in the process‘, whereupon one can serve as a conduit for universal truth, whilst retaining one’s authenticity. 

iPoem’s Blog was launched on 12th June 2012 as part of Cat’s Fine Art undergrad degree show and has been Cat’s personal weblog ever since. For Cat’s UAL academic website, that also archives Cat’s former event curation, pre-millennial digital art and early spoken-word performances, please visit HERE.

Aura Portraits: [Left: May 2024, Right: May 2026] taken using an AuraCam 6000. The term ‘Indigo’ was coined back in the 1970s by Nancy Ann Tappe, a Californian parapsychologist, synesthete and psychic, who observed an increase of children with Indigo auras in the late 1960s and early 1970s. Indigo refers to a soul group who were born with their Third Eye already activated. Tappe’s work was further developed by Lee Carroll and Jan Tober who authored a book, originally published in 1998 and reprinted in 2004, entitled: ‘The Indigo Children: The New Kids Have Arrived.’

Are you an Indigo? Read more: Karen Neverland | Conscious Reminder | Learning Mind | Centre of Excellence.