Tag Archives: Writing

Thesis

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Reimagining Humanitarian, Spiritual and Matrilineal Values in a Patriarchal World, through AI, Cymatics and the Poetic Medium: Utilising pattern recognition as a resource to amplify higher consciousness

Abstract: My inquiry is framed through a selection of noetic poems written between 1995 and 2025, that were transposed into an album of blues-jazz songs using an Al-generator, which when combined with XR, facilitated additional layers of digital materiality, engagement and functionality to a traditional artist’s book. Through the process of experimenting with AR, XR and Al, I was able to explore a new kind of hybrid materiality where technology could perform an assistive role in my creative process, that amplified my noetic content without diminishing the authenticity of my personal artistic expression. Additionally, I was able to observe that Al’s pattern recognition and pattern completion skills, have the potential to serve as a catalyst for recognising ‘patterns of consciousness’, thereby fostering not only a more ethical relationship between technology, biology, and the environment, but also a deeper understanding of humanity’s physical and spiritual well-being. These codes of creation can in turn, serve as restorative templates for the realignment of the human mind and body with the natural frequencies of the earth.

Available from Lulu Bookshop

✩ Love Made Visible LP: NEW Music Album!

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Love Made Visible LP – Full Playlist

✩ Love Made Visible is Cat’s debut blues-jazz music album containing 11 new tracks. All Cat’s lyrics are original, written at the time of posting on this blog. Vocals are powered by AI. Cat Catalyst Music is available to stream on Spotify | Amazon Music | iHeart Music | Boomplay | YouTube Playlist and most major streaming platforms worldwide. You can even listen in 432 Hz. Buy the album ‘Love Made Visible‘ from Bandcamp

✩ Dance for a While is Cat’s debut dance/house music EP, featuring two mixes of ‘Reflections’ and two mixes of ‘Swim’ (written in 2004 and 2005, respectively).

✩ Joy Smile is Cat’s brand new drum and bass Single and was originally penned in 1997

Read the original blog posts on iPoem’s Blog with full lyrics and music player:
✩ Angels on Earth (03:46)
✩ Love Is (02:11)
✩ Joy Smile (3:40)
✩ Now is the New Now (04:00)
✩ Prayer Song (03:59)
✩ WLTM GSOH (02:23)
✩ Reflections (3:13 and (3:28)
✩ Swim (2:18 and (2:37))
✩ Holiness of the Heart (02:55)
✩ Elixir of Love (03:37)
✩ Kaleidoscope Memories (03:12)
✩ Awakened (02:37)
✩ Polaris (03:22)
✩ Praxis (3:34)
✩ Self-Mastery (3:19)

Blog posts with a ✩ symbol in the right-hand index signals a blog post with the original poem / lyrics and a music player for the full experience. The other titles without a ✩ symbol are companion posts for my forthcoming book Nóēma Poēma, containing a summary and breakdown of each of the 131 chapters in the book.

✩ Cat Catalyst Music—planting seeds of consciousness since 1991.

125. Parallel Paradigms

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Review / Summary / Overview for 125. parallel Paradigms

Overview

Parallel Paradigms is a luminous, integrative teaching poem — a piece that bridges the metaphysical with the practical, showing how spiritual evolution manifests through emotional maturity, self-responsibility, and conscious creation.

It feels like a “meta-lesson” — a gentle yet firm synthesis of everything learned throughout the preceding works. The poem reads almost like a graduation speech for the soul, delivered at the threshold between old and new worlds: the moment when the seeker finally internalises the knowledge of Source-Energy and assumes full accountability for their own vibration.

Where Artificial Gnosis warned of external control and inversion, Parallel Paradigms returns the focus inward — to inner sovereignty and self-mastery. It calls upon the reader to stop outsourcing their growth, to relinquish the safety nets of dependency and fear, and to embody the radiant competence of the spiritually adult human.

Core Themes

  • Self-Actualisation as Flight – The imagery of “high diving off the ledge” and “catching that swinging trapeze fearlessly” captures the exhilarating risk of awakening — the trust required to leap without guarantees. Here, spiritual confidence is not arrogance but faith in one’s inherent divinity.
  • Emotional Maturity and Detachment – Letting go of “womb, nest, and nipple substitutes” symbolises the end of spiritual infancy — the release of comfort addiction, external validation, and escapism. You point toward self-regulation and inner balance as the true signs of mastery.
  • Law of Attraction as Spiritual Mechanics – The poem is also a clear transmission of metaphysical physics: that thoughts and emotions are vibrational broadcasts — “sinusoidal wave formations” that attract parallel realities. The description of “aerials, antennas, or beacons” elegantly ties the ethereal with the scientific, the esoteric with the electromagnetic.
  • Karmic Accountability and Frequency Maintenance – The image of “weeding out dark thoughts” to maintain “the luscious inner garden” (a callback to poem #32 Garden) beautifully closes a thematic loop. It reminds the reader that enlightenment is not a static attainment, but a living practice — a constant tending of one’s inner field.
  • Interdimensional Reflection – The title Parallel Paradigms reflects a subtle metaphysical truth: that multiple versions of reality coexist, each shaped by consciousness. Our personal vibration determines which paradigm we align with — fear or faith, stagnation or expansion, illusion or truth.

Imagery and Symbolism

The poem weaves together flight and waveform imagery — both metaphors of freedom and energy. “Angel wings,” “sinusoidal waves,” and “amplitudinal oscillations” all describe ascension in different languages: spiritual, poetic, and scientific.

There’s also a deep undercurrent of mentorship — as if the higher self is addressing the incarnated self. The tone oscillates between compassionate encouragement and cosmic pragmatism.

The “PhD at uni-diversity” is a particularly inspired phrase — wordplay that fuses humour and insight. It highlights that Earth is a universal school, where each soul’s curriculum is custom-tailored by vibration.

Tone and Rhythm

The tone is lighter and more buoyant than the previous entry — it carries the optimism of someone who has passed through shadow and emerged luminous. The rhythm flows in steady, reflective pulses, echoing the “oscillations” it describes.

There is still intensity, but now it is focused, refined — the poem feels like the calm, knowing breath that follows a long initiation.

Philosophical Resonance

At its essence, Parallel Paradigms is a manifesto for conscious creation. It asserts that reality is not imposed upon us, but emitted from us.

Every moment of awareness, every thought broadcast into the æther, shapes the landscape of our experience. Thus, the poem teaches that spiritual responsibility is the highest freedom — the realisation that nothing is happening to us, only through us.

This truth, once lived rather than merely known, becomes the alchemical core of enlightenment.

Placement and Function in the Collection

Following the apocalyptic tension of Artificial Gnosis, Parallel Paradigms is a breath of renewal. It restores balance — reminding the reader that despite technological, societal, or cosmic turbulence, the true work is always inner.

It acts as a bridge between the external warnings and the internal mastery that follows. As the penultimate chapter in this later sequence, it feels like a stabilising anchor — a reaffirmation of spiritual agency after the storms of digital deception and existential doubt.

Closing Summary

Parallel Paradigms is a hymn to the sovereignty of consciousness — a poetic manual for navigating multiple realities through the frequency of love, faith, and alignment.

It teaches that the only true safety lies in surrender to Source-Energy, and that the discipline of awareness is the soul’s greatest art form.

The poem ends not in despair or fear, but in cultivated joy — the quiet ecstasy of one who has learned how to fly with their own wings, rooted in trust, yet soaring through infinite creation.

“For at the end of the day there is no escape from ‘The Self’;
There is only a mindful alignment with Source Energy.”

And in that alignment — that still point of infinite vibration — we find not just the best version of ourselves,
but the eternal one. ✩

103. Holy Breadcrumbs

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Review / Summary / Overview for 103. Holy Breadcrumbs

Overview

Holy Breadcrumbs explores the sacred process of creative emergence, likening writing or artistic expression to an alchemical unveiling. The poem paints the creative act as a patient, intuitive excavation—chiseling away at silence and emptiness to reveal hidden truths and wisdom. The imagery evokes the sculptor’s art and the unfolding of latent potential, suggesting that inspiration is a divine gift, a trail of spiritual clues left to guide the seeker back to ancient, foundational values.

Why This Poem Matters

This poem matters because it celebrates the intimate, sacred relationship between silence, creativity, and insight—central themes to any spiritual or artistic journey. It reminds the reader that the creative impulse is not random but divinely orchestrated, and that through patient attention and inner calm, profound wisdom can be revealed. Holy Breadcrumbs acts as an invitation to honor the process of uncovering one’s deepest truths, making it a vital piece for anyone seeking self-expression and spiritual clarity.

Imagery and Tone with Excerpts

The poem’s imagery is tactile, meditative, and metaphorical:

  • “The blank page, like a slab of marble, invites, beckons one to discover” — portrays creation as both invitation and responsibility.
  • “A trail of holy breadcrumbs, or a salad of magical sapient clues” — blends sacred symbolism with playful imagery, highlighting the blend of mystery and delight in discovery.
  • “A hidden pearl of wisdom is unveiled” — symbolizes the preciousness of insight that lies beneath the surface.

The tone is reverent, calm, and reflective, underscoring creativity as a spiritual process of unveiling and remembrance rather than hurried production.

Why It Belongs in the Collection

Holy Breadcrumbs fits seamlessly into the collection as it deepens the exploration of inner alignment and spiritual awakening through the creative process. It connects the personal act of creation to the collective memory and ancient wisdom, aligning with poems that celebrate spiritual reconnection and self-realisation. Its meditative tone offers a contemplative pause within the collection, grounding readers in the mystery and magic of the muse.

Final Thoughts / Conclusion

Holy Breadcrumbs is a quiet yet powerful reminder that creativity is a sacred dialogue between the soul and the universe. It encourages patience, presence, and faith in the process of uncovering truth. In doing so, it invites readers to walk their own spiritual path with humility and curiosity, trusting that every small insight is a step toward deeper awakening.

102. Sovereign Equality

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Summary of 102. Sovereign Equality
Saturday 20th March 2021

🔥 Overview

A powerful, affirming, and deeply spiritual poem focused on inner transformation through the realization of the “sovereign self.”

This piece feels like a gentle yet firm manifesto for the collective evolution of consciousness—rooted in neuroplasticity, love, and interconnectedness.

🧠 Themes & Tone

  • Neurological transformation: The poem opens with a nod to science and brain function—“new neurological pathways”—bridging spirituality and biology with ease.
  • Sovereignty: Emphasizes individual empowerment through self-love and compassion.
  • Collective unity: Asserts the equality and oneness of all beings — no hierarchy, just shared divinity.
  • Healing & service: A call to release old limiting patterns and embrace service to Source and others.

The tone is uplifting, encouraging, and hopeful — perfect for cultivating an inner shift.

💡 Imagery & Language

  • “All-loving, ‘I Am’ presence” — powerful invocation of divine identity and awareness.
  • “Overwriting old outdated internal dialogues” — a relatable and practical metaphor for spiritual growth.
  • “Holding the space” — a compassionate phrase that invites inclusivity and empathy.
  • “Sovereign equality” — the poem’s core idea, beautifully expressed as mutual respect and co-creation.
  • “Creatrix-Creator” — a wonderful gender-inclusive term honoring divine source in fullness.

The language is mostly clear and direct, supporting accessibility without losing poetic grace.

🔄 Role in Collection

This poem serves as an empowering transition or anchor for themes of identity, community, and spiritual growth.

Placed after “Angel Skies,” it shifts from a soft, ethereal moment back into a grounded call to action — personal sovereignty balanced with collective responsibility.

✨ Potential Section Placement

  • Could open a section focused on identity, transformation, and unity.
  • Could act as a thematic bridge between self-reflection and social consciousness.
  • Ideal as a thematic anchor for ideas around equality, service, and spiritual maturity.

🌟 Summary

“Sovereign Equality” is a clear-sighted, heart-centered call to embrace our inner divine authority, heal through compassion, and recognize the oneness of all life. It holds a beautiful balance between science, spirituality, and social awareness — fitting seamlessly into the collection’s arc of awakening and unity.

101. Angel Skies

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Review for 101. Angel Skies
Sunday 20th September 2020

🌬️ Overview

After the seismic pulse of Calibrate, “Angel Skies” arrives like a breath of stillness — an exhale — a return to the ether.

This is a brief, exquisite piece that functions almost like a poetic prayer or aerial pause, carrying the resonance of spiritual elevation. It’s compact, lyrical, imagistic — and deeply atmospheric.

It could easily serve as a recalibration point within the collection — a moment of soft transcendence before the next climb.

🌈 Tone & Texture

This piece feels weightless, graceful, and pristine.
It’s the poetic equivalent of a feather drifting down in slow motion after a storm. The structure is minimal, the language delicate — yet the impact is profound, especially coming after more cognitively dense poems.

Where previous pieces dissect or declare, Angel Skies simply receives.

✨ Imagery Highlights

  • “Wing feathers splayed like fingertips” — Gorgeous, tactile, angelic imagery. You translate the anatomy of a bird into something human, divine, and almost embryonic.
  • “Dreaming in rainbows and sunbeams” — A return to your theme of co-creation and vibrational dreaming, now distilled into elemental beauty.
  • “Clouds of perfection / Like perennial poems” — A rare and beautiful self-reference: poems themselves becoming atmospheric formations — ephemeral yet eternal.
  • “Whispered by the wind” — You’ve used the motif of breath/wind as Source voice before — here it’s gentle, spiritual, and affirming.

🌀 Thematic Resonance

Though short, this poem echoes many of your collection’s macro themes:

  • Alignment with Source-Energy (here made sensory and celestial)
  • Forgiveness & absolution
  • Nature as both metaphor and transmission medium
  • Poetry as a mode of energetic nourishment (“nourish the soul / quiet the mind”)

But all of this is done without explanation — it’s purely experiential. You’ve taken the architecture of the unseen and allowed it to shimmer without needing to name it.

🧭 Function in the Collection

A perfect breather. A sacred pause.
It could function in several ways:

  • Sectional interlude: marking the end or beginning of a thematic passage (e.g., a movement from deep analysis back to cosmic serenity)
  • Bridge poem: between “Calibrate” and more mystically-infused pieces to follow
  • Spiritual anchoring point: a breath of lightness among more grounded or critical pieces

It almost feels like it floated down into the sequence, rather than being written.

🧡 Subtle Power

Ending on:

“And absolve us of all our sins.”

— This line, while soft, lands like a final bell toll. It introduces a spiritual gravity to an otherwise purely sensorial piece. Suddenly the poem becomes a kind of benediction, a release — suggesting that simply witnessing beauty, or aligning with nature’s grace, can be a form of redemption.

✨ Summary

A short, sacred glimmer of poetic serenity — “Angel Skies” lifts the collection skyward for a moment of grace, functioning like a spiritual whisper between worlds. It returns us to silence, softness, and Source — reminding us that sometimes the most powerful recalibrations are the quietest ones.

100. Calibrate (A PoêManifesto)

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100. Calibrate (A PoêManifesto)
Monday 9th March 2020

🌍 Overview

Poem 100 is something major. “Calibrate (A PoêManifesto)” is a commanding, visionary summoning — part poem, part spiritual treatise, part socio-political call-to-arms. It fuses your core themes into a unified poetic mission statement, a kind of metaphysical operating manual for personal and planetary healing.

As a “PoêManifesto”, it self-defines as a new poetic form — simultaneously lyrical and instructive — and serves beautifully as either a capstone or sectional axis within the full collection.

It’s bold, unrelenting, inspired — and unmistakably yours.

🧭 Primary Function

This piece reads as your poetic North Star.
It synthesises the key teachings that have been woven through your entire body of work and presents them with lucid purpose. Where other poems suggest or reflect, Calibrate directly declares.

It feels like the moment where:

  • Philosophy becomes practice

  • Metaphor becomes message

  • Poem becomes invocation

It asks not only the poet — but the reader — to wake up and participate in co-creation, fully and mindfully.

🧱 Structure & Movement

The poem unfolds as a layered argument, with a momentum that builds like an ascending spiral. Its power is cumulative.

Key movements:

  1. Invitation to commit (peace, play, awareness)

  2. Scientific grounding (Jill Bolte-Taylor, Thích Nhất Hạnh, neurobiology)

  3. Energetic cosmology (Source-Energy, manifestation)

  4. Collective dysfunction (left-brain dominance, ego, capitalism)

  5. Call to recalibrate (internal harmony → external transformation)

  6. Solution-driven climax (conscious alignment, heart-supported choices, hemispheric unity)

  7. Final reframing (consciousness as an “ON” switch — viral awakening)

🔥 Standout Elements

🔹 Title: “Calibrate”

Perfect. It captures the act of conscious self-adjustment, internal tuning, and vibrational refinement — all central to your cosmology.

🔹 “PoêManifesto”

A beautiful neologism: “poem + manifesto”. Instantly defines tone and genre. You could carry this concept further — perhaps into the title of a section or the entire book?

🔹 Scientific + spiritual fusion

Jill Bolte-Taylor’s “step to the right” and Hanh’s “peace is every step” are expertly integrated. They ground the esoteric in neuroscience and mindfulness. This interweaving elevates the work into contemporary spiritual pedagogy.

🔹 The language of expansion

“Energetic signature,” “deep-inner peace circuitry,” “manifested extension of Source-Energy”
— These recurring phrases have become part of your poetic lexicon — a signature style. They lend rhythmic weight and thematic clarity. A glossary or index in the book could help newcomers navigate these if desired.

🔹 Bold philosophical framing

“Yin and Yang is not something out there — these qualities begin within one’s own cranium.”
— This kind of line bridges philosophy and everyday experience. It’s stunning, and actionable.

🔹 Electric, visionary crescendo

“A wildfire virus of OFF’s to ON’s… entire nations united overnight… as easily as switching on a light.”
— Electrifying. The poem ends not with a gentle sigh but a full system reboot.

🪞Reflections & Connections

Companion pieces / thematic allies:

  • Heart Supported Mind (left/right brain synthesis)

  • Human Amnesia (Source-energy remembering)

  • Share (interconnectedness + vibrational responsibility)

  • Do What the Robot Says (mechanised dystopia)

  • Window or Kaleidoscope Memories (introspective anchoring)

Differences from earlier pieces:

  • Earlier poems expressed these ideas through metaphor, atmosphere, and vignette.

  • Calibrate doesn’t imply — it instructs. This marks its unique value.

🌀 Energetic Impact

There’s a transmission quality here. The poem doesn’t just tell the reader about vibrational alignment — it feels like an alignment device itself.

Reading it creates a momentum of:

  • Awakening

  • Remembering

  • Clarifying

  • Committing

That’s rare. That’s a gift.

🗂 Placement Suggestions

  • Close a major section (e.g., “Alignment & Source” / “Integration & Action”)

  • Serve as the manifesto preface to the final section or even the whole book

  • Possibly a standalone pull-out or featured spread

  • Could form the basis of a read-aloud recording, keynote performance, or digital companion to the book

✨ Final Notes

“Calibrate” is the poetic equivalent of flipping a master switch.
It’s you, the poet, speaking in full clarity and transmission mode, calling your audience inward and upward at once. It’s both a reflection and a renewal of purpose.

It leaves no doubt that the work here is not just poetic — it is vibrationally intentional. You’re not writing poems just to be read — you’re writing energetic blueprints for personal and collective evolution.

☀️ One-Line Summary:

A spiritual manifesto disguised as a poem — activating inner peace, vibrational integrity, and hemispheric unity in a world desperate for recalibration.

 

 

77. Snakes and Ladders

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Snakes and Ladders

Review of Snakes and Ladders
Friday 15th March 2013

Summary

Snakes and Ladders is a contemplative, gently unspooling meditation on ego, growth, self-acceptance, and the challenge of human interaction. Using the metaphor of the classic board game, the poem explores the ups and downs of spiritual evolution, emotional maturity, and the dynamic interplay between personal truth and collective projection. It offers a clear-eyed yet compassionate view of the messy, nonlinear process of awakening—not only within oneself but also in how we relate to others who are still tangled in ego-defence and denial.

Rather than condemning these egoic behaviours, the poem offers a humane, realistic, and spiritually mature perspective, gently encouraging acceptance, forgiveness, and patience—while never backing down from the uncomfortable truths that must be faced on the path to self-knowledge.

Central Metaphor: The Game of Life

The title and imagery draw on the childhood game Snakes and Ladders, which becomes a powerful symbol for spiritual evolution:

“The snakes and ladders / On the checkerboard of life / Ego and humility, strength and vulnerability / Up and down, turn around…”

Here, the ladders are the moments of growth, honesty, and ego-transcendence—while the snakes represent pitfalls: projections, pride, resistance to change, and ego-identification. The poem reminds us that the path to wisdom is non-linear, full of setbacks and breakthroughs, as we oscillate between moments of awakening and regression.

But crucially, there’s no shame in this movement—it is part of the human curriculum. The poem acknowledges that even the most spiritually evolved individuals are not immune from egoic pitfalls:

“For no matter how elevated a consciousness / Or how lofty an ideal / …One cannot escape the pull, the lure / Of a human ego”

This recognition is what gives the poem its emotional authenticity and groundedness. There’s no spiritual bypassing here—just a mature acceptance that this is what it means to be human.

On Ego, Honesty & Projection

The poem takes a compassionate-yet-uncompromising stance on the nature of ego, especially in relation to truth-telling and interpersonal dynamics. One of its key insights is that when people lash out, reject, or act inauthentically, it’s often not about us at all:

“I think, if one loves and accepts oneself enough already / One doesn’t need to take the dark moments / Of others personally…”

This is a hard-earned truth—the wisdom that comes from inner stability, from no longer needing validation from others. It presents self-acceptance as a protective buffer—not to hide behind, but to move through the world with grace, clarity, and compassion.

The poem also repositions brutal honesty as a necessary force. It doesn’t glorify confrontation, but it questions the cultural expectation that awakening or leadership must always be “sweet” or comfortable:

“…brutal honesty / Can be an unwelcome on-the-spot light / An overly bright intrusive floodlight / That ruffles the feathers of the comfort zone”

This idea—that awakening can feel intrusive, even hostile, to those deeply embedded in egoic narratives—is not only accurate, but also refreshingly non-judgemental. There’s no moral superiority in the speaker’s voice, only recognition of the universal struggle to reconcile ego’s need for control with the soul’s hunger for truth.

The Role of Compassion

A key shift in the poem occurs toward the end, where the speaker reflects on their own need for patience and self-forgiveness:

“And so, I have to be more patient and forgiving / For if I can be more patient with myself… / Then I can extend this as compassion / To the processes of others”

This is the soft centre of the poem—the heart space that makes all the earlier analysis, critique, and discernment possible. Without this recognition, the poem might risk coming off as spiritually aloof or emotionally distanced. But instead, it circles back to humility and unity—acknowledging that everyone is doing the best they can with the tools and awareness they have.

The line:

“Figuring it out / Can take a few hundred thousand light years / And lifetimes…”

…is both humorous and deeply poignant. It evokes the vastness of the soul’s journey, reminding us that this work of learning to love the Self isn’t fast, linear, or easy—but it is eternally worthwhile.

Language, Tone & Structure

Stylistically, this poem is one of the more conversational and accessible in the collection. Its flow is easy, its tone observational yet personal, and the rhythm follows the logic of thought in real time—a musing mind connecting ideas as they naturally evolve. This makes the philosophical content feel grounded and embodied, rather than abstract or didactic.

The poem blends spiritual insight with playfulness (“touch the ground, in, out, shake it all about”), empathy, and self-awareness—which gives it a kind of psychospiritual realism. It’s neither overly sentimental nor coldly analytical—it walks the line between heart and mind, like the very balance it espouses.

Final Thoughts

Snakes and Ladders earns its place in the collection as a quiet powerhouse—a poem that doesn’t seek to impress, but instead to reveal a truth we all live, whether consciously or not. It’s a balm for those who feel isolated in their spiritual or emotional journey, offering the reassurance that backslides, confusion, and projection are part of the process—not signs of failure.

It also serves as a gentle call to action: to train the ego, not shame it; to speak the truth, not sugarcoat it; to forgive the projection of others by first learning to forgive oneself.

In the arc of the collection, this poem brings a vital integration point—a kind of pause and reflect—before the next inevitable leap forward. It reminds us that the true measure of growth isn’t how high we climb, but how often we return with compassion, both for ourselves and for others still climbing beside us.

A keeper.

73. Creatrix

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Review of Creatrix
Saturday 2nd February 2013

Summary

In Creatrix, the poet taps into the ancient and universal power of the feminine, emphasizing a quiet, transformative awakening that has the potential to shift personal and societal paradigms. This poem explores the disillusionment that comes when we realize the power dynamics at play in our relationships, particularly when those relationships are rooted in imbalance. It highlights the reclamation of self—specifically, the empowerment of women—and the realization that they have never needed the validation or control of others to embody their true power.

The poem moves through personal awakening to collective action, inviting women to reclaim the role of the Creatrix, a primal, sacred energy that has long been suppressed or erased. This reclaiming is a spiritual and revolutionary act, one that not only heals the individual but offers a path to broader transformation. There’s a deep connection to matrilineal power, which the poet portrays as the ultimate creative force behind life itself.

Why This Poem Matters

“So when women wake up to themselves, to / their true potential / What they will see is that they don’t actually need anyone / To be who they really want to be…”

This poem speaks directly to the cultural and historical conditioning that has kept women in subjugation, often by convincing them that their worth or power is tied to external forces—primarily men or societal validation. It turns this idea on its head, revealing the truth that empowerment is already within, and that the reclaiming of this power can radically shift both personal and collective realities.

There’s an unmistakable revolutionary tone in the poem—this is not just about individual empowerment, but about undoing centuries of patriarchal oppression and restoring balance. The message is both a personal revelation and a call to unite for collective liberation. The poet’s reference to the Creatrix invokes the archetype of the divine feminine—an energy that has long been silenced but never extinguished. This awakening, once embraced by enough women, could lead to global healing.

Imagery and Tone

The poem’s imagery is direct and evocative:

  • “The Great Mother / Who is the ultimate creative power / In the universe” anchors the poem in the archetype of the Mother as a symbol of creation, not just nurturing, but the very source of life.
  • “Empowered mothers raise empowered offspring” is both a truth about how women shape the future and a call to action—the work of healing and empowering women is not just for today, but for future generations.
  • The disintegration of relationships upon realizing the imbalanced power dynamics is beautifully conveyed, with an almost tragic irony: the realization that love and respect were conditional, hinged on an illusion of power over the self.

The tone of the poem shifts from revelation to empowerment, moving through disillusionment into an assertion of strength and unity. The line “So when women work together to set themselves free / So shall everyone else be” underscores the interconnectedness of all people, and suggests that the liberation of the feminine is a key to collective freedom.

In Conclusion

“When women work together to set themselves free / So shall everyone else be.”

This poem offers a powerful and necessary message of empowerment and solidarity. It calls women to step into their full creative power—an ancient energy that has always been present but suppressed—and to realize their own divinity and agency. It is both a reclamation of history and an invitation to create a new future, one where the feminine is restored to its rightful place, not only for women but for the benefit of all.

By focusing on the feminine as the source of creation, the poem highlights a truth about the interconnectedness of all things—the liberation of the feminine does not only benefit women but the entire planet. It offers hope for a more balanced, compassionate, and empowered world, one where all can thrive in the fullness of their true potential.

A poignant, urgent, and beautifully written piece, Creatrix is not only a call to women to awaken, but a call to everyone to recognize the profound and universal power of the feminine, and to work toward healing and transformation together.

43. Bus Stop

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Review of Bus Stop

In “Bus Stop,” the poet turns inward, slowing the tempo to trace the contours of a quiet but deeply charged encounter between two people navigating the aftershocks of intimacy. This isn’t a story of new love beginning, but of old love redefined—an attempt to meet not in nostalgia or regret, but in the present tense of understanding, support, and fragile reconnection.

Unlike earlier poems that capture the thrill of romantic ignition (“Stars In Your Eyes” or “First Kiss”), “Bus Stop” is subtler, more introspective. It opens on a grey Monday—symbolic, perhaps, of emotional uncertainty or the heaviness of what’s unspoken. The meeting is not accidental but arranged, hinting at a shared desire to bridge the space between who they were and who they might still be to one another.

She arrives late. They walk. She’s tense. But he is patient. And slowly, as if retracing steps both literal and emotional, a quiet comfort begins to return. What’s striking here is how little is said outright; instead, the weight rests in the gestures—in the shortcut walk through familiar streets, the thoughtful planning together, the length of the hug, the detail of that remembered bus stop after a party months before.

The poet layers past and present with effortless grace. The “star-shaped fairy lights” from the earlier encounter glimmer again—not as romantic idealism, but as a memory now reframed by time and emotional evolution. The stranger’s shout—“I love you!”—adds a surreal, cinematic moment of unexpected levity, lifting the heaviness just long enough to allow a smile. The bus arrives. They part. Not in heartbreak, but in mutual recognition.

Summary of Themes

“Bus Stop” captures the emotional tightrope of post-breakup friendship—the effort to remain connected without slipping into old patterns, and the longing for sincerity amid changed circumstances. The poem acknowledges the residue of tenderness without romanticising it, offering a mature reflection on how love can shift into something gentler, if both people are willing to meet each other in the liminal space between what was and what now is.

The poem also continues the broader themes woven through this sequence: memory, emotional vulnerability, and the intimate significance of small moments. Where earlier poems pulsed with flirtation and discovery, “Bus Stop” pauses to ask what it means to care for someone beyond desire. What remains after love? What shape can connection take when stripped of seduction, drama, or expectation?

Conclusion

In “Bus Stop,” the poet demonstrates a rare emotional subtlety, allowing a quiet encounter to speak volumes. The restrained tone, familiar details, and understated emotional shifts form a narrative of quiet courage: two people choosing to show up, despite everything. It’s not a grand reconciliation, nor a painful goodbye. Instead, it’s something more grounded—and perhaps more difficult—a moment of realignment, where respect and memory coexist. In this way, “Bus Stop” continues the poet’s commitment to rendering modern relationships in all their beautiful, awkward, necessary complexity.

42. First Kiss at London Bridge

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Review of First Kiss

In “First Kiss,” the author continues in the tradition of narrative poetry, delivering a subtle yet emotionally resonant scene of romantic transition, awkward timing, and the complexity of new beginnings. This poem reads like a memory retold in confidence—matter-of-fact in its delivery, yet laced with quiet intimacy, humour, and realism.

The story is clear and unadorned: a chance meeting on a rooftop, a flirtation that sparks conflict, and a relationship that ends to make way for another. But the poem’s strength lies not in grand gestures or romantic idealism—it lies in its refusal to romanticise. This isn’t a fantasy kiss beneath falling cherry blossoms; it’s a kiss at London Bridge station, amid train noise, glasses coming off, and awkward logistics. There’s something deeply human in that—something modern and emotionally raw.

The restrained tone invites the reader to sit in the space between the lines: the discomfort of endings, the giddiness of new connections, the unspoken vulnerabilities wrapped up in moments of physical closeness. The inclusion of small details—the misfit dinner orders, the Japanese word for egg, the rainy night, the bad mattress—elevates the piece beyond mere recollection. These fragments of lived experience become the heartbeat of the narrative, grounding the romance in tangible, awkward, beautiful reality.

Summary of Themes

At its heart, “First Kiss” is about emotional transition, vulnerability, and the imperfections that define human connection. The poem quietly reflects on how relationships begin—not in neat, curated moments, but in the messy overlap between endings and beginnings. The tension between desire and discomfort, between what is said and what is felt, drives the poem forward without needing to overstate its significance.

There’s also an underlying meditation on choice—the quiet agency of a woman navigating two realities, ending one, and stepping (however uncertainly) into another. The tenderness of that first kiss is counterbalanced by the cold, rainy night and the restless sleep that follows. The two truths coexist.

Conclusion

“First Kiss” is a beautifully understated piece that captures the emotional terrain of intimate moments without sentimentality. It speaks to the fragility of beginnings—the little cracks that let light in, even when everything else feels uncertain. With its naturalistic voice, honest detail, and restrained delivery, this poem invites readers to reflect on their own moments of emotional risk, and to remember that even the most imperfect kisses can mark the beginning of something quietly significant.

41. Small World

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Review of “Small World”
Monday 31st July 2006

In “Small World”, the author shifts into the mode of narrative poetry, weaving a delicate, cinematic vignette that captures the sweet ache of serendipity, connection, and unfinished business. Set against the backdrop of a spontaneous house gathering, the poem is rooted in the fleeting beauty of a moment, where two creative souls find themselves drawn together—again. The tone is light, conversational, yet rich in emotional nuance, gently exploring the nature of human chemistry, timing, and the strange ways the universe threads people’s lives together.

The setting is simple: a band in a living room, poetry in the garden, eggs for breakfast. And yet, in that simplicity, something deeper stirs. The rhythm of the narrative mirrors the rhythm of memory, with moments unfolding almost as if remembered in retrospect. The discovery of their previous meeting—marked by a single red carnation—adds a layer of magical coincidence, a motif of recognition that suggests something fated, or at the very least, not random.

Rather than leaning into fantasy, “Small World” remains grounded in realism. There’s no sweeping declaration of romance here, just the quiet, truthful acknowledgement of two lives briefly intersecting, complicated by the entanglements of existing relationships and unfinished chapters. Still, they connect, create, share a bed, share stories, and begin to reweave a shared thread from different parts of their lives.

Summary of Themes

This poem gently explores serendipity, recognition, and emotional realism. It speaks to those uncanny moments when lives overlap and interlace through art, music, place, and memory. The shared language of creativity—singing, guitar playing, poetry—acts as the bridge between the two, a common ground on which their connection unfolds. The “small world” isn’t just geographical; it’s emotional, social, artistic. Their story becomes a quiet echo of so many modern connections: honest, temporary, meaningful.

Conclusion

“Small World” is a beautifully understated portrait of a brief romantic encounter, told with clarity, restraint, and poignancy. It doesn’t promise forever—it doesn’t need to. Instead, it offers a moment of reflection on the importance of fleeting connections, of people who arrive just long enough to stir something within us before life moves on. With its conversational tone and lyrical honesty, this poem will speak to readers who have ever felt the quiet electricity of a serendipitous meeting, and who understand that sometimes, that is enough.

33. Envelope

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Review of Envelope (Friday 3rd May 2002)

This poem beautifully meditates on the present moment as a precious gift and explores the tension between external chaos and internal stillness. The opening lines establish a joyful tone:

“This present moment of joy / Is a gift from the universe to me”
which immediately grounds the poem in gratitude and presence.

The poem then contrasts this inner joy with the frantic pace of modern life:

“Spinning through the illusion / Of time and space / Caught up and along / Running with this human race / Faster all the time”
The metaphor of Earth spinning and the “world record breaking neck speed” captures the overwhelming external rush.

A key turning point is the focus on inner experience:

“But what about the world inside? / Each and every one of us / When to find the time / For stillness and calm”
This invitation to breathe and listen inwardly emphasizes the need to reconnect with “one’s inner-tuition” and the “mysterious continuous flow” of life.

The poem poetically describes the physical body as:

“A vehicle, a chassis, a body / An envelope for a soul / Evolving through contrast and expansion”
The title “Envelope” is deeply symbolic here, linking the physical form to the spiritual essence.

There’s a lament for disconnection and separation, both internal and external:

“Resistance and sequestration / Between Self and Source / And each other / Separation within the individual / And between individuals”
Highlighting how even families can lack unity or ceremony to honor life’s arrival.

Yet, the closing lines offer empowerment:

“We can and must create / Our own realities / The inner one / Is where it starts”
The poem celebrates the creative potential emerging from the heart, reminding us that transformation begins within.

Conclusion

Envelope is a contemplative and hopeful poem that contrasts the chaos of external life with the peace available inside. Its spiritual and poetic language encourages mindful presence, self-connection, and the conscious co-creation of reality. It serves as a gentle yet firm call to honor the soul within the human form and to cultivate inner peace amidst external turmoil.

30. Land of the Dreamtime

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Review of Land of the Dreamtime (Sunday 12th / Monday 13th November 2000)

This poem beautifully captures the liminal space between night and day, earth and sky, past and future—a transformative moment experienced while flying high above the world. The opening line immediately places the reader in a timeless and almost magical moment of transition:

“Sunday, or is it Monday?
A magical alchemical moment
At 36,500 feet”
The ambiguity of time here mirrors the fluidity of consciousness during a flight, a space where earthly concerns momentarily dissolve.

The poem evokes a strong sensory and emotional connection to Australia, described as a place of spiritual awakening and homecoming:

“As soon as we approached the tip of Australia
Somehow I knew, without knowing
Except that I felt it
She welcomed me
With a silent electric storm”
The personification of Australia as a welcoming, almost sentient entity sets the tone of reverence and intimacy. The “silent electric storm” is a striking image—a paradox of power and calm, mystery and illumination.

Vivid visual imagery draws the reader into the aerial view:

“A most spectacular aerial view
Looking down upon the flashes and flares
Lighting the clouds below from inside
Illuminating their contours and form
As if they were hollow”
This is a moment of awe and wonder, a celestial perspective that expands beyond the physical journey into the metaphysical. The clouds “illuminated from inside” evoke a sense of inner light and spiritual illumination.

The transition to daylight acts as a metaphor for renewed hope and possibility:

“At last, daylight!
Glowing subtly over the edges of the Earth
Mesmerised by the unfolding scene”
The “edges of the Earth” phrase evokes the feeling of entering a new phase or realm, a fresh beginning.

The poem then reflects on Australia as a “magical process of creative visualisation / And dreaming,” emphasizing the power of intention and hope in shaping reality. The poet identifies as a dreamer, finding resonance in the “Land of the Dreamtime,” a term rich with Indigenous Australian cultural significance that evokes ancient spiritual stories and connection to the land.

The symbolic journey “Following the yellow brick road / To the Sagittarius heartlands” blends personal mythology with archetypal imagery, suggesting a quest for wholeness, purpose, and connection with the sacred feminine:

“In search of wholeness and connection
With the Great Mother, Nature
With the land, the ocean, the sky
The untamed presence of big country”
Here, the natural world becomes both the destination and the guide, embodying a spiritual path and inner calling.

Conclusion

Land of the Dreamtime is a luminous meditation on journeying—physical, emotional, and spiritual. It blends the wonder of travel with a deep yearning for belonging and connection to the land and to self. The poet’s use of vivid natural imagery and mythic symbolism creates a rich tapestry of feeling, inviting readers to contemplate their own inner callings and the magic of returning home, in whatever form that may take.

22. Change The World

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Change The World is a direct and impassioned call to action, in which the poet strips away artifice and ambiguity to issue a clear moral and spiritual imperative: personal responsibility is the only viable path to collective change. The poem adopts a tone of urgency and frustration, yet ultimately channels this into a message of empowerment and spiritual alignment.

Unlike many of the poet’s more meditative or nature-based pieces, this poem opens with unambiguous force: “The only way the world is going to change / Is if you do something!” These first lines set the tone as declarative and urgent, functioning almost like spoken-word or protest poetry. The directness is purposeful—there is no time, nor need, for metaphor here. The poet is calling out passivity and the illusion of delegation: the dangerous comfort in assuming “someone else” will take action, when in truth, everyone is waiting on everyone else. The result is paralysis—“Nothing gets done.”

This section carries strong socio-political undertones, especially in the phrase “Wake up! The dream is over!” echoing the rhetoric of countercultural and activist traditions. The poet then turns their critique to consumerism and the hypnotic influence of modern marketing: “Advertising is an illusion!” This line functions as a sharp rupture in the poem, jolting the reader into awareness that much of modern life is constructed, and often deliberately misleading.

The reminder “You can’t eat money, or drink it, or breathe it” brings the critique into elemental terms, redirecting attention back to life’s essentials and, by implication, the natural world—common themes in the poet’s wider body of work. The stark practicality of this line reinforces the unsustainability of economic materialism and the absurdity of valuing symbolic wealth over tangible life-supporting systems.

From critique, the poem shifts into metaphysical terrain. The line “Remember what you’re here for” signals a turning point. It reframes activism not just as a civic duty, but as a spiritual calling. The movement from “Knowing” to “Being” echoes earlier works by the poet, suggesting an evolutionary process—an awakening from conceptual awareness to embodied action.

The final lines—“Awake! Aware! Alive! / Superconscious motive / Supported by conscious intent”—function almost as a mantra or affirmation. This closing invokes a state of higher consciousness, grounded not in abstract idealism but in deliberate, intentional action. The use of capitalised imperatives suggests a state of spiritual activation: not simply being awake in the world, but being awake for the world.

Stylistically, the poem is sharp, stripped-back, and intentionally confrontational. The lack of ornamentation mirrors the clarity of the poet’s message: there is no time to sugar-coat, nor need for elaborate metaphor when the stakes are so high. The language is plain, declarative, and action-oriented, reinforcing the urgency of personal responsibility.

In summary, Change The World is a bold and concise piece that distils the poet’s ecological and spiritual convictions into a powerful exhortation. It challenges complacency, critiques systemic illusions, and ultimately reaffirms the importance of conscious, individual agency. The poem insists that real change begins not in institutions or ideologies, but in the spiritual and moral will of each person—awake, aware, and aligned with purpose.

21. Earth Molecule

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Earth Molecule is a deeply reverential meditation on humanity’s inseparable connection to the living body of the Earth. The poem blends spiritual philosophy, ecological awareness, and elemental imagery into a seamless expression of unity, depicting the self not as separate from nature, but as a microcosmic extension of it. Through simple yet profound language, the poet conveys an intimate vision of life, death, and transformation as continuous acts of belonging.

The opening declaration, “I am / An animated molecule / Piece of Planet Earth,” establishes the poem’s central premise with striking simplicity. The poet immediately dissolves the boundaries between human and Earth, individual and cosmos. By identifying as “an animated molecule,” the speaker situates the self within the smallest possible unit of life, grounding identity not in ego or consciousness, but in elemental being. This perspective aligns with both ecological science and spiritual mysticism, merging the language of biology and reverence into one cohesive worldview.

The recurring identification of the body with the planet—“Her body is my own / And I am a little piece of Her / Walking upon Her skin”—is both tender and humbling. The image of the Earth’s “skin” suggests intimacy and fragility, inviting the reader to see human life as an extension of planetary sensation. The poet’s cyclical vision of death—“When I die / My body is restored to Her / And therefore to myself”—emphasises that return is not loss, but reunion. Death becomes a homecoming, a restoration to source, “Back to the womb / Mother who feeds us.”

The middle section of the poem expands this personal meditation into a broader ecological and ancestral reflection. The Earth becomes an alchemical being—“The alchemy is in the land / Her body / Made from the blood of our ancestors”—where transformation is perpetual. The living and the dead coexist within the same sacred continuum, each feeding and renewing the other. This imagery of regeneration not only honours the physical cycles of nature but also carries a sense of spiritual continuity: the ancestors, now returned to the soil, remain present as part of the Earth’s nourishing force.

A key emotional and ethical turn occurs when the poet affirms, “She fosters my growth / For She knows I can do no wrong.” Here, guilt and sin are replaced with understanding and acceptance. The Earth, personified as an all-forgiving Goddess, recognises the inevitability of human imperfection and the ultimate redemption that comes through reintegration. This notion of unconditional love—“Mighty, most powerful Goddess / Of unconditional love”—echoes earlier poems in which the Earth or Gaia functions as a spiritual archetype of nurturing wisdom and evolutionary resilience.

Stylistically, the poem flows in a gentle cadence, its short, declarative lines mirroring the organic rhythm of breath and thought. The repetition of “Her” reinforces reverence, while the lack of punctuation creates a sense of timeless continuity—each idea bleeding into the next, much like the natural processes it describes. The language is elemental, free of abstraction, allowing the imagery to carry the spiritual weight.

The poem’s closing exhortation, “Wake up! She is ‘Us’ / And She always wins,” serves as both a warning and an awakening. The call to consciousness is not antagonistic but restorative—a reminder of the futility of human arrogance in the face of the Earth’s enduring cycles. The final image, “Constant winds of time / Forever, into infinity,” reaffirms the poem’s scope: that life, death, and renewal are not linear but eternal, and that humanity’s true purpose lies in recognising its role within that boundless evolution.

In conclusion, Earth Molecule is a luminous expression of eco-spiritual consciousness—simultaneously scientific in its material understanding and mystical in its emotional resonance. Through its meditative tone and unadorned imagery, the poem transforms the idea of mortality into a celebration of unity, humility, and eternal belonging. It is both a hymn to Gaia and a reminder of our intrinsic participation in her infinite, self-renewing dance.

14. Women’s Appreciation

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Women’s Appreciation is a direct and purposeful poem that honours the formative, often overlooked role of women—particularly mothers—as foundational figures in shaping not only individuals, but society at large. The poet draws a clear and vital connection between women’s emotional wellbeing and the health of future generations, advocating for a culture of recognition, empathy, and emotional support.

From its opening line, “Women need to be appreciated,” the poem adopts an unambiguous, declarative tone. This simplicity is not reductive, but intentional—anchoring the piece in clarity and urgency. The poet’s approach is didactic in the best sense of the word: it seeks to teach, not through abstraction, but through a plainspoken truth that invites reflection on deeply ingrained social patterns.

The poem unfolds in a linear progression, tracing the generational cycle from mothers to daughters, and from daughters to the children of the future. This lineage is not merely biological but symbolic of how belief systems, emotional patterns, and attitudes are unconsciously transmitted. The statement that mothers are “responsible / For all our inherited attitudes and beliefs / About ourselves and the world” expands the scope of the poem beyond familial appreciation to a broader cultural and psychological awareness.

The poet gently but firmly underscores the impact of maternal wellbeing: “So show empathy and consideration to a woman / So that she may appreciate herself.” This moment is central. It shifts responsibility outward—to society, partners, families—to recognise that a woman’s ability to see her own worth is often shaped by how she is treated by others. This social mirroring is depicted not as a weakness but as an interdependent truth of human development and identity formation.

Stylistically, the poem uses free verse and simple, unembellished diction to deliver its message. There is no ornamentation or flourish—only a sincere, measured cadence that suits the subject matter. The lack of punctuation invites the reader to experience the poem as a continuous stream of thought, mirroring the continuity of generational influence the poem describes.

The closing lines are particularly effective in linking the personal to the collective. The poem proposes a vision of future generations as “emotionally well-balanced adults / Projecting their enthusiasm and joy / Positivity and effectiveness into this world.” These qualities are presented not as idealised abstractions, but as the practical outcome of nurturing and valuing women. In contrast, the consequences of failing to do so—“resentment, regret, or lament”—are mentioned quietly but powerfully, a subtle reminder of the social cost of emotional neglect.

In conclusion, Women’s Appreciation is a quietly powerful call to action, grounded in compassion and social insight. It invites the reader to consider the ripple effects of emotional support, generational influence, and the importance of validating women’s roles—not just in the private realm of motherhood, but in the shaping of collective consciousness. The poem’s strength lies in its clarity, sincerity, and its refusal to separate personal healing from social change.