Winter Solstice Lunar Eclipse

Baby Me

The date is Saturday 19th December 1964

The place is London, SE5

Home of the ‘Camberwell Carrot’

‘The Beatles’ are ‘Top of The Pops’ with ‘I Feel Fine’

‘George Harrison’ and ‘Pattie Boyd’ have just arrived home

From from their holiday in Nassau in the Bahamas

Episode 5 of ‘Dr. Who and the Dalek Invasion of the Earth’ has aired

Watched by 11.4 million viewers

Accompanied by a winter-solstice full-moon, total-lunar-eclipse in Sagittarius

And ready or not, Cat Catalyst is coming!

Six weeks premature, breech birth, in the middle of a power cut!

The emergency arc lights are deployed

Princess Anne’s donated incubator is on standby

And Aquarius is gazumped by two star signs

Weighing in at just 3lbs 15oz

A utopian Sagittarian dreamer is born

Someone who had their own drum right from the very start

Someone who was never going to be able to ‘dumb-it-down’, in order to fit in

Was never going to march

Was always going to dance

Dance to the rhythm of ones own heart

One Heart, One Pulse, One Love

One, One…

One, One…

One, One…

Camberwell Carrot
The Beatles
Top of the Pops
I Feel Fine
George Harrison
Pattie Boyd
Bahamas
Dr. Who and The Dalek Invasion of Earth
Winter Solstice
Dec 1964 Moon
Eclipse
Sagittarius
Breech birth

30. Land of the Dreamtime

Review of Land of the Dreamtime

This poem beautifully captures the liminal space between night and day, earth and sky, past and future—a transformative moment experienced while flying high above the world. The opening line immediately places the reader in a timeless and almost magical moment of transition:

“Sunday, or is it Monday?
A magical alchemical moment
At 36,500 feet”


The ambiguity of time here mirrors the fluidity of consciousness during a flight, a space where earthly concerns momentarily dissolve.

The poem evokes a strong sensory and emotional connection to Australia, described as a place of spiritual awakening and homecoming:

“As soon as we approached the tip of Australia
Somehow I knew, without knowing
Except that I felt it
She welcomed me
With a silent electric storm”


The personification of Australia as a welcoming, almost sentient entity sets the tone of reverence and intimacy. The “silent electric storm” is a striking image—a paradox of power and calm, mystery and illumination.

Vivid visual imagery draws the reader into the aerial view:

“A most spectacular aerial view
Looking down upon the flashes and flares
Lighting the clouds below from inside
Illuminating their contours and form
As if they were hollow”


This is a moment of awe and wonder, a celestial perspective that expands beyond the physical journey into the metaphysical. The clouds “illuminated from inside” evoke a sense of inner light and spiritual illumination.

The transition to daylight acts as a metaphor for renewed hope and possibility:

“At last, daylight!
Glowing subtly over the edges of the Earth
Mesmerised by the unfolding scene”


The “edges of the Earth” phrase evokes the feeling of entering a new phase or realm, a fresh beginning.

The poem then reflects on Australia as a “magical process of creative visualisation / And dreaming,” emphasising the power of intention and hope in shaping reality. The poet identifies as a dreamer, finding resonance in the “Land of the Dreamtime,” a term rich with Indigenous Australian cultural significance that evokes ancient spiritual stories and connection to the land.

The symbolic journey “Following the yellow brick road / To the Sagittarius heartlands” blends personal mythology with archetypal imagery, suggesting a quest for wholeness, purpose, and connection with the sacred feminine:

“In search of wholeness and connection
With the Great Mother, Nature
With the land, the ocean, the sky
The untamed presence of big country”


Here, the natural world becomes both the destination and the guide, embodying a spiritual path and inner calling.

Conclusion

Land of the Dreamtime is a luminous meditation on journeying—physical, emotional, and spiritual. It blends the wonder of travel with a deep yearning for belonging and connection to the land and to self. The poet’s use of vivid natural imagery and mythic symbolism creates a rich tapestry of feeling, inviting readers to contemplate their own inner callings and the magic of returning home, in whatever form that may take.

Direct link to Noēma Poēma bookshop.