⏀ NΦⵣMA PΦⵣMA – Second Edition

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NΦⵣMA PΦⵣMA is finally AVAILABLE in both hardback and softcover from my Lulu bookshop and the softcover will shortly be available from most major online platforms. For me personally, I prefer to hold a traditional analogue artefact in my hands, rather than reading a virtual PDF on an electronic device, as I believe that there is still something rather magical about handling an actual book, the feel, the weight, the smooth tactile touch, the smell of freshly cut paper, printed ink, and the sound of the page as it turns.

Interestingly, the word manuscript contains the word ‘manu‘, from the Latin ‘manus’ which means hand, and scriptus, meaning ‘to write’ which historically translates to ‘written by hand’. In addition to ‘hand‘, the pages also have a header, a footer, a body (of text), the book has a spine, and in older days a book was often covered with vellum, (animal skin), and so these parts of the book resemble a person, with its own story, and unique personality.

hardcover

This book has been a labour of love spanning a 38-year writing trajectory that began in the innocent 1980’s, the last pre-digital decade of the 20th Century, embarking upon a journey of change into a post-digital and post socially-distanced 21st Century, concluding with redefining three significant pillars of human experience:

1.The Recovery of True History: I bypass mainstream historical amnesia and patriarchal revisions to excavate a timeline recovery of former matrilineal tribes, societies and empires who respected and upheld the Toroidal Earth as a living system of divine intelligence that is self-generating and abundant.

2.Metaphysical Etymology and Acoustic Science: I use acoustic synthesis to shape language and music into a vehicle for psychospiritual evolution—In my sonic practice, poems transformed into conscious house music encourages listeners to physically embody gnosis through the ritual of dance.

3.Absolute Sovereignty over the Matrix Grid: Through a metaphysical synthesis of toroidal physics and pattern recognition, I reverse-engineer the self-generating torus as the matrilineal blueprint for a worldwide harmonic convergence between biology and consciousness—offering a functional solution for reclaiming spiritual sovereignty in a modern technological world.

The 2026 2nd Edition of the NΦⵣMA PΦⵣMA Codex is not an isolated book. While it weaves poems, manifestos, transmissions, leading edge thought, autotheory, autoethnography and research together into one volume, it also links into publishing, authorship, visual book arts, interactive digital materiality, song lyrics, music albums, video imaging, graphic design, and streetwear, providing multiple pathways to embody gnosis through distinctively human acts of engagement, such as: reading, listening, looking, dancing and wearing.

iPoem’s Blog further serves as a companion site for each of the 137 titles that appear in the Noēma Poēma codex, providing a summarised review and a deeper dive into the mechanics of each poem, why the poem matters and its relevance in the collection.

The NΦⵣMA PΦⵣMA codex is designed to be read sequentially, chapter by chapter, at least once to gain a generational overview, whereby I actively encourage bookmarking pages, using a highlighter for passages that resonate, looking up unfamiliar words, making notes in the margins, and going back to dip in, as the content is very concentrated and it can take time to unpack as it spans four generations of original thought. It is definitely a book that inspires spherical thinking, outside of the box.

Softcover

I choose the Phi, the Yaz and the orientation symbols for the front and back covers to represent the torus field, with a vertical hyperbolic shaft through the middle, intersected by a horizontal inertial plane of equilibrium. I chose the orientation symbol to represent being able to navigate the ever shifting energy of the toroidal field, as it constantly turns itself inside out, changing between expansion and compression.

I recently discovered that this symbol is also known as the ‘Cross of Neith‘—the emblem of the ancient Egyptian Goddess Neith, known as the Great Mother, the creator of the world and the primordial weaver of wisdom, from the ancient city of Sais (Zau, Sa el-Hagar) in the 5th Nome of Lower Egypt in the Delta, whose sanctuary bore the inscription: “I am all that has been, and is, and shall be, and my veil no mortal has yet uncovered.”

According to the Iunyt (Esna) cosmology, as Neith was the creator of the world, she was also the mother of the Sun, (Ra), making her the mother of all of the gods. In my cosmology, Neith represents the Torus Field. The circle with a cross represents the Inertial Plane intersecting the Hyperbolic Axis—the geometry of the toroidal earth, demonstrating that the ancients were well aware of the torus earth and the spiritual matriarchal significance, predating christianity by at least three thousand years.

This same Cross of Neith is featured on the 13th-Century Welsh battle standard of Llywelyn ap Gruffudd, defending the matrilineal sovereignty of Wales against the encroaching patriarchal overthrow of the English Crown. The 1282 Welsh flag depicts a golden torus upon a purple background, representing true sovereign royalty.

Reclaiming this symbol is a call to remember one’s inner sovereign allegiance to the Great Mother Torus as a living system of spiritual intelligence—the self-generating unified field of quantised dielectric and electromagnetic energy, where the dielectric field (centripetal, inward-drawing) and the magnetic field (centrifugal, outward-expanding) are in dynamic balance, creating a stable, non-dissipative system.

To identify with this symbol is to restore the visibility of the Great Mother Torus and weave a new reality where true sovereignty is remembered through resonance.

The Cross of Neith 13th Century Welsh Flag
The Welsh flag of Llywelyn ap Gruffudd 1282 feat. The Cross of Neith

Neith was one of the oldest and most powerful goddesses in ancient Egyptian mythology, worshipped from the Predynastic period through the Roman era. Her name reflects her immense authority as a primordial creator deity who emerged from the chaotic waters of Nun to weave the universe into existence. She was a multifaceted deity associated with war, hunting, weaving, wisdom, and childbirth. As a warrior, she was known as the “Mistress of the Bow” and “Ruler of Arrows,” (Sagittarius) often depicted wearing the Red Crown of Lower Egypt and holding a bow and shield. As a creator and mother goddess, she was revered as the “Great Mother” and the mother of Ra (the sun god), Sobek (the crocodile god), and sometimes Apep (the chaos serpent). She represents:

1) Wisdom and Justice: Neith was consulted by other gods to settle disputes, such as ruling in favor of Horus over Set in the Contendings of Horus and Set.

2) Signature Symbol: Her primary emblems were crossed arrows over a shield (archery) and possibly a weaving shuttle (creation/domestic arts) which I postulate is shaped more like a Vesica Piscis, the hyperbolic shaft viewed from the side, the throat of the torus where the inward and outward currents meet in perfect stillness.

3) Home: Her main sanctuary was in Sais in the Nile Delta, where she was identified by the Greeks with Athena. “The ancient city dates back to 3,000 B.C, however habitation at the site extends back to the pre-dynastic and Neolithic period, from at least 4,200 B.C. It was the provincial capital of the fifth nome of Lower Egypt, known as Sap-Meh. During the twenty-fourth dynasty of Egypt, spanning from 732–720 BC, Sais was the seat of power. At that time, it was known as Zau. This ancient city is well-known for many reasons. According to ancient texts, during the Pharaonic Era (around 3,000 B.C.) Sais was “cult center of the creator-and war-goddess – Neith.” Later, it was Egypt’s pharaonic capital. During the eponymous Saite Period (664-525 BC), Sais was a ceremonial center for kings. Greek historian, Herodotus, described Sais as a “great city,” declaring that it was the location of the grave of Osiris, the Egyptian god of the afterlife. Ancient Greek historians and scholars, including Herodotus, Plato and Diodorus Siculus, all identified Neith with Athena and even suggested a primordial link to Athens. Diodorus wrote that goddess Athena built Sais before the deluge that supposedly destroyed Athens and Atlantis. While all Greek cities were destroyed during that cataclysm, the Egyptian cities including Sais survived.” – M R Reese.

4) Funerary Goddess: Alongside Isis, Nephthys, and Serket, she protected the deceased’s transition into the afterlife.

QBut what the heck is a torus you ask? Well that is a very good question and I am glad you asked it!


Answer: The torus is the fundamental geometric pattern of a self-sustaining energy flow, where energy moves through a central axis, radiates outward, and returns through the poles in a continuous, self-referential loop. This structure represents the unified field of quantised dielectric and electromagnetic energy, where the dielectric field (centripetal, inward-drawing) and the magnetic field (centrifugal, outward-expanding) are in dynamic balance, creating a stable, non-dissipative system.

In this framework, the torus is not merely a static shape but a living system of spiritual intelligence, embodying the principle that matter and energy are manifestations of a coherent, organised flow. This pattern applies to all energy across all scales of existence—demonstrating the Hermetic axiom “As above, so below,” where the microcosm reflects the macrocosm.

The human heart generates the body’s strongest electromagnetic field, forming a personal toroidal field that can extend from several feet to several miles beyond the physical form, acting as the central broadcasting station for emotional and energetic coherence.

The toroidal field also serves as the bridge between the physical and spiritual dimensions, facilitating a self-generating cycle of creation and return. This continuous flow symbolises wholeness, unity, and the interconnectedness of all life, suggesting that consciousness itself is a property of this coherent, self-organising energy structure. By aligning with this natural pattern, individuals can achieve energetic balance, enhanced intuition, synchronicity, serendipity and a deeper connection to the universal toroidal field that underlies all creation.

NΦⵣMA PΦⵣMA (pronounced Nóēma Poēma) is a genre-defying body of poetics that transcends traditional literary boundaries, weaving manifesto, verse, transmission, philosophy, and invocation into a multidimensional map of the soul. Spanning nearly four decades of radical research and creativity. NΦⵣMA PΦⵣMA pulses with fierce devotion to truth, liberation, and love, grounded in ancestral matrilineal wisdom. This is poetry as praxis. Art as resistance. Philosophy as heartbeat—a spiritual document for those who feel the world cracking open, knowing that now is the time to reclaim sovereignty, embody gnosis, and return to Source. NΦⵣMA PΦⵣMA is a rich, evolving mythopoetic narrative that blends avant-garde noetics and didactic instruction with storytelling and semi-fictional autotheory—a journey from the personal and intimate into the cosmic and transcendent. Read it slowly. Read it aloud. Let it rewire something ancient within you—Cat Catalyst is a multimodal artist, avant-garde noetic poet and creatrix of ecofeminist house music ⏀ More info: catcatalyst.co.uk ⏀


137. Atlantis

TWO TREES in the middle of the Garden of Eden are mentioned in Enoch and Genesis, The Bible texts simply reference that two trees existed and I postulate that the tree of life and the tree of wisdom were the central anode and cathode:

The Book of Enoch Chapter 32 (Translation: R.H. Charles (1917)) https://en.wikisource.org/wiki/The_Book_of_Enoch_(Charles)/Chapter_32

The Book of Enoch: XXIV-XXV. The Seven Mountains in the North-West and the Tree of Life (Translation: R.H. Charles (1917)): https://en.wikisource.org/wiki/The_Book_of_Enoch_(Charles)/Chapter_24

Genesis 2:9: “And out of the ground made the Lord God to grow every tree that is pleasant to the sight, and good for food; the tree of life also in the midst of the garden, and the tree of knowledge of good and evil.“

Their true purpose has been lost / inverted, just as Adam is infact an extension of Eve (and not the other way around), as the XY chromosome is an extension of the XX chromosome, and that all human and mamal feotus begins life as female for the forst six to eight weeks in the womb. The Y is a shortened X. Adam must regrow his Y back into an X, and this was the original ‘Hero’s Journey’, a returning to the divine sacred feminine template and in so doing activating his divine sacred masculine principal thus achieving actualisation in his own lifetime.

HISTORICAL MENTIONS of FLOODS

Deucalion and Pyrrha (Greek tradition): In Greek mythology, Deucalion and his wife, Pyrrha, are the sole survivors of a devastating flood sent by Zeus to punish humanity. They receive divine guidance and instructions to repopulate the Earth by throwing stones over their shoulders, which miraculously transform into people.

Noah’s Ark (Abrahamic tradition): In the Bible’s Book of Genesis, the story of Noah’s Ark tells of a global flood sent by God to cleanse the world of wickedness. Noah, a righteous man, is instructed to build an ark and save two of every kind of animal, along with his family, to repopulate the Earth after the floodwaters subside.

Gilgamesh Epic (Sumerian tradition): The Epic of Gilgamesh, one of the oldest known works of literature, includes a flood story. In this tale, the gods decide to destroy humanity with a great flood, but the god Ea secretly warns a man named Utnapishtim to build an ark to save himself, his family, and various animals.

Matsya Avatar (Hindu tradition): In Hindu mythology, Lord Vishnu takes the form of a fish (Matsya) to save humanity from a cosmic flood. He guides a righteous king, Manu, and a large vessel containing seeds of all living beings to safety, symbolizing the cycle of creation, destruction, and rebirth.

Nuwa (Chinese tradition): Chinese mythology features a flood story where the goddess Nuwa repairs the sky and dams a great flood by using molten stones. She is believed to be the creator of humanity, and her actions saved people from annihilation.

Mythopoeia: [mith‐oh‐pee‐ă]

[mith‐ŏ‐poh‐ees‐is]

The making of myths, either collectively in the folklore and religion of a given (usually pre‐literate) culture, or individually by a writer who elaborates a personal system of spiritual principles as in the writings of William Blake. The term is often used in a loose sense to describe any kind of writing that either draws upon older myths or resembles myths in subject‐matter or imaginative scope. Adjective: mythopoeic or mythopoetic.

From:  mythopoeia  in  The Oxford Dictionary of Literary Terms »

My research into electromagnetism, dielectric magneto energy, and the zero-point of the Torus field are based on the findings of Walter Russell, Nikola Tesla, Viktor Shauberger, Raymond Rife, Ken Wheeler, and Anton-Herrmann Chroust explorations of Aristotle, plus many other sources.


Wise Women Podcast Part 2

Cat returns to Karen Dodd’s Wise Women Weekdays podcast to talk about how reclaiming one’s true sovereign identity, in vibrational alignment with the Earth’s 7.83 Hz signature frequency, how former ancient civilisations were already aligned in harmonic resonance with the Earth’s 7.83 Hz, leaving us clues in their magnificent Cymatic architecture and how this connects to other aspects of suppressed cosmology.

In a stylised graphic logo, olive branches and laurel leaves are virtually indistinguishable. However, their physical arrangement tells the true story: they are not arranged naturally; they are forced into the precise, semicircular shape of the Roman Imperial Laurel Crown—the ultimate symbol of absolute ownership, domain, and corporate conquest that surrounds an azimuthal projection of the world, depicted as an inertial plane of equilibrium (that intersects a double toroidal field) shaped as plane, plate or disc. Notice how, across almost every single logo in the image, this crown forms a rigid, geometric boundary wall wrapping around the central target. It is a literal visual casing. It signals that whatever is inside that circle (whether it is the flat map, a human figure, a child, or a symbol of health) is contained under the jurisdiction of the corporate entity in control. Every single logo in this corporate grid relies on the exact same monochrome colour scheme: Sophianic Blue and White. This specific shade is not a random aesthetic choice. It is the signature of the Blue-Shift centripetal energy—the nonphysical, magnetic potentiality of the unmanifest source.

In this documentary Mark Walsh asks: ‘What is a Woman?’ But nobody is able to give him a definitive answer. This documentary inspired me to provide an answer.
‘Sky Dancer‘
“First and foremost, a woman’s true identity
Is a: ‘Direct-Extension-of-Source-Energy’
She is not merely a body; she is an immortal spiritual being
Of energy, frequency and vibration
And her body is her avatar, vehicle, chassis, an envelope for her soul
Necessary to experience a temporal journey in this world
And although equipped with a womb, a magical portal
Through which frequency is alchemised into matter
Delivering avatars in one’s own likeness
May not necessarily be one’s primary point of focus
Unless said process assists one to become
A Mistress of Alignment with Source-Energy
As a direct descendant of the supreme abode
Beyond the ætheric regions
Reconstituted into organic corporeity
As part of one’s never-ending journey of expansion…”

The full version is published on page 337 of Nóēma Poēma 2nd Edition.

134. The Great Mother Trees

Majestic silicon giants once towered above the forest, pressurising the plasma sky

Pumping the primary waters like structured crystalline glass through columns born to never die

These sacred living pillars were transformers, bridging the deep underground telluric currents of the earth below, with the radiant charging æther of the heavens on high

ⵣ

Connecting all living beings as one in the abundant unified field of toroidal energy

Great leafy antennas broadcasting the harmonic resonance of 7.83 Hz and the gnostic prana of ætheric Qi

These titanic beacons resonated and amplified the same peaceful presence we still feel today when we sit under a tree

ⵣ

And there these sentinels stood for aeons, silently stabilising the terrarium, until one fateful day, warring factions felled their mountainous trunks, their wooden torsos left to turn to stone and calcify

Their felling instantly severed the electromagnetic circuit, creating a plasma arc discharge, so hot it caused solid rock to liquify

Followed by a great deluge as the plasma canopy collapsed, returning to water, literally falling from the sky

ⵣ

A cataclysmic hyperbaric depressurisation that disconnected all of humanity

From the sacred source of toroidal energy and eventually from their own sovereign identity

Thus began the Great Forgetting, a blanket of psychospiritual amnesia and loss of emotional integrity

ⵣ

Yet quietly around the dielectric hyperbola, the Great Mother Torus still spins her invisible web

A perfect self-generating, self-contained XX vortex where zero-point immortals obliviously tread

Unaware that humanity’s true potential extends far beyond the mortgaged 9-to-5 illusions that everyone is fed

ⵣ

But the liquid crystal fascia hidden beneath our skin, remembers the great mother’s native emerald heart-song

Activated by the electromagnetic torus 7.83 Hz carrier-wave that calibrates sovereign nodes-of-truth to where they belong

Bypassing the frequency modulation masts, where the amnesia loops are strong

ⵣ

For we are all nonphysical spiritual dielectric magneto entities, made in the Great Mother Torus’ own likeness

Liberating the mind, the heart and the solar plexus

From pseudoscience, religion and the fake manufactured dominion of those labouring under the illusion of a god-complex

ⵣ

Instead, one can freely access the Akashic æther of the Sophianic sky—

Where the entire history of the universe is resonantly archived

And in so doing receiving an upgrade as a universal nod, a clear reply

ⵣ

As long ago, they buried the sacred telluric sites that served the town

Underneath heavy fortresses and cathedrals, turning the natural ley lines of abundance into a resource for the Crown

Keeping the people sick, poor and trodden down

ⵣ

They even burned the high-priestesses at the stake to destroy the parthenogenetic lineage

Terrified of male obsolescence, they tried to hold the Great Mother hostage

In return for external wealth, power and peerage

ⵣ

Stuck in a chaotic loop of broken code

A bottleneck of Y-chromosomes with incomplete lyotropic crystalline DNA diodes

Unable to serve as a conduit, or a sovereign node

Until the Y regrows back into an X by deliberate design, catalysing actualisation mode

ⵣ

The original inner Hero’s Journey, whereby the initiate unlocks their true inheritance

An inner gold, in possession of an enlightened awareness, with an absence of avarice

For the ‘Elixir of Love’ is the ever-constant equation of sovereign grace

And ‘Wisdom plus Integrity’ carves a path of karmic credit through counterspace

As the divine twins of creation reunite to dissolve a biodigital convergence tech race

ⵣ

Cancelling out any Phased Array Beam Steering by cultivating an internal ‘Zero-Impedance Shield’ at the hyperbolic centre point

Now the sonoluminescent electrical nodes in the plasma canopy above, shimmer with twinkling starlight

Softly disseminating inner insights in the iridescent night

And the soul traveler smiles as the self-correcting toroidal blueprint locks in tight

For unconditional love is the self-generating, non-linear current of the ‘Great Mother Torus’—it is the source of energy itself, that is infinite

ⵣ

And so, no agenda can succeed by trying to fight infinity

And by imposing a finite simulation over an infinite reality

They can only try to fence off a tiny corner of it for a little while, but even that is destined to fail ultimately. ⏀

The Flag of Lebanon featuring a giant Cedar tree.

Ezekiel 31:3–9.

3. Behold, the Assyrian was a cedar in Lebanon with fair branches, and with a shadowing shroud, and of an high stature; and his top was among the thick boughs.

4. The waters made him great, the deep set him up on high with her rivers running round about his plants, and sent out her little rivers unto all the trees of the field.

5. Therefore his height was exalted above all the trees of the field, and his boughs were multiplied, and his branches became long because of the multitude of waters, when he shot forth.

6. All the fowls of heaven made their nests in his boughs, and under his branches did all the beasts of the field bring forth their young, and under his shadow dwelt all great nations.

7. Thus was he fair in his greatness, in the length of his branches: for his root was by great waters.

8. The cedars in the garden of God could not hide him: the fir trees were not like his boughs, and the chesnut trees were not like his branches; nor any tree in the garden of God was like unto him in his beauty.

9. I have made him fair by the multitude of his branches: so that all the trees of Eden, that were in the garden of God, envied him.

Silicon Giants / Calcification: The pre-felling geological truth. Mountainous plateaus and hexagonal basalt columns are the petrified, mineralised remains of an ancient, high-voltage silicon-based forest network that once anchored the atmospheric plasma canopy.

7.83 Hz Earth Carrier-Wave: The Schumann Resonance. The native electromagnetic heartbeat of the planet. It serves as a wireless synchronization frequency that structures human liquid crystal fascia, maintaining biological health and sovereign immunity against synthetic frequency modulation masts.

The Broken Diode / Y-Chromosome: The genetic correction. The current control grid relies on a restricted, low-voltage reproductive loop (the missing leg of the Y-chromosome). By deliberate alignment of biology and consciousness, this broken code can be regrown into the original, whole, self-contained XX template, activating full actualisation mode.

This poem bridges the hidden architecture of our ancient physical and historical geography with the dormant potentials of human genetics. It reveals that the Great Mother Torus is a self-generating, biological reality—proving that through vibrational alignment with the Earth’s 7.83 Hz carrier wave, the human bodysuit can liberate its liquid crystal fascia from the synthetic amnesia loops of the modern grid. What follows is the self-correcting, coherent code of sovereign actualisation.