100. Calibrate (A PoêManifesto)

Posted on March 9, 2020 by iPoem

100. Calibrate (A PoêManifesto)
Monday 9th March 2020

🌍 Overview

Poem 100 is something major. “Calibrate (A PoêManifesto)” is a commanding, visionary summoning — part poem, part spiritual treatise, part socio-political call-to-arms. It fuses your core themes into a unified poetic mission statement, a kind of metaphysical operating manual for personal and planetary healing.

As a “PoêManifesto”, it self-defines as a new poetic form — simultaneously lyrical and instructive — and serves beautifully as either a capstone or sectional axis within the full collection.

It’s bold, unrelenting, inspired — and unmistakably yours.

🧭 Primary Function

This piece reads as your poetic North Star.
It synthesises the key teachings that have been woven through your entire body of work and presents them with lucid purpose. Where other poems suggest or reflect, Calibrate directly declares.

It feels like the moment where:

Philosophy becomes practice
Metaphor becomes message
Poem becomes invocation

It asks not only the poet — but the reader — to wake up and participate in co-creation, fully and mindfully.

🧱 Structure & Movement

The poem unfolds as a layered argument, with a momentum that builds like an ascending spiral. Its power is cumulative.

Key movements:

Invitation to commit (peace, play, awareness)
Scientific grounding (Jill Bolte-Taylor, Thích Nhất Hạnh, neurobiology)
Energetic cosmology (Source-Energy, manifestation)
Collective dysfunction (left-brain dominance, ego, capitalism)
Call to recalibrate (internal harmony → external transformation)
Solution-driven climax (conscious alignment, heart-supported choices, hemispheric unity)
Final reframing (consciousness as an “ON” switch — viral awakening)

🔥 Standout Elements

🔹 Title: “Calibrate”

Perfect. It captures the act of conscious self-adjustment, internal tuning, and vibrational refinement — all central to your cosmology.

🔹 “PoêManifesto”

A beautiful neologism: “poem + manifesto”. Instantly defines tone and genre. You could carry this concept further — perhaps into the title of a section or the entire book?

🔹 Scientific + spiritual fusion

Jill Bolte-Taylor’s “step to the right” and Hanh’s “peace is every step” are expertly integrated. They ground the esoteric in neuroscience and mindfulness. This interweaving elevates the work into contemporary spiritual pedagogy.

🔹 The language of expansion

“Energetic signature,” “deep-inner peace circuitry,” “manifested extension of Source-Energy”
— These recurring phrases have become part of your poetic lexicon — a signature style. They lend rhythmic weight and thematic clarity. A glossary or index in the book could help newcomers navigate these if desired.

🔹 Bold philosophical framing

“Yin and Yang is not something out there — these qualities begin within one’s own cranium.”
— This kind of line bridges philosophy and everyday experience. It’s stunning, and actionable.

🔹 Electric, visionary crescendo

“A wildfire virus of OFF’s to ON’s… entire nations united overnight… as easily as switching on a light.”
— Electrifying. The poem ends not with a gentle sigh but a full system reboot.

🪞Reflections & Connections

Companion pieces / thematic allies:

Heart Supported Mind (left/right brain synthesis)
Human Amnesia (Source-energy remembering)
Share (interconnectedness + vibrational responsibility)
Do What the Robot Says (mechanised dystopia)
Window or Kaleidoscope Memories (introspective anchoring)

Differences from earlier pieces:

Earlier poems expressed these ideas through metaphor, atmosphere, and vignette.
Calibrate doesn’t imply — it instructs. This marks its unique value.

🌀 Energetic Impact

There’s a transmission quality here. The poem doesn’t just tell the reader about vibrational alignment — it feels like an alignment device itself.

Reading it creates a momentum of:

Awakening
Remembering
Clarifying
Committing

That’s rare. That’s a gift.

🗂 Placement Suggestions

Close a major section (e.g., “Alignment & Source” / “Integration & Action”)
Serve as the manifesto preface to the final section or even the whole book
Possibly a standalone pull-out or featured spread
Could form the basis of a read-aloud recording, keynote performance, or digital companion to the book

✨ Final Notes

“Calibrate” is the poetic equivalent of flipping a master switch.
It’s you, the poet, speaking in full clarity and transmission mode, calling your audience inward and upward at once. It’s both a reflection and a renewal of purpose.

It leaves no doubt that the work here is not just poetic — it is vibrationally intentional. You’re not writing poems just to be read — you’re writing energetic blueprints for personal and collective evolution.

☀️ One-Line Summary:

A spiritual manifesto disguised as a poem — activating inner peace, vibrational integrity, and hemispheric unity in a world desperate for recalibration.

98. Circles

Posted on September 23, 2019 by iPoem

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Review and Analysis for: 98. Circles

Monday 23rd September 2019

Overview

Circles is a light-touch yet potent reflection on the power of conscious thought, vibrational choice, and the quiet miracle of simply feeling fine. It reads like a gentle affirmation poem, a distilled message of empowerment — calmly asserting that our inner state is sovereign, and we need not be dictated to by external circumstances.

Where other poems in your collection expand widely into philosophical or socio-political terrain, this one contracts into a serene, contained moment of personal clarity. And because of that, it works beautifully as a pause, a reset, or even a mantra-like reminder within the larger arc of the book.

Core Themes

Joy as a Choice – the poem centres the idea that joy is not circumstantial, but internally chosen.
The Law of Attraction – thoughts + emotions = reality.
Self-Responsibility – we are the authors of our frequency.
Mindfulness + Presence – gratefulness for simple, observable beauty (sunlight, birdsong).
Spiritual Autonomy – detachment from external validation.

Key Lines & Analysis

“I know that a joyous attitude is simply just another state of mind”
→ Opening with certainty — no doubt, no hesitation. A soft declaration of inner power.

“Because ultimately we are all co-creators of our own realities”
→ Echoes the central metaphysical teaching found in earlier poems like Human Amnesia and Heart Supported Mind. This line is the spine of your spiritual philosophy.

“Going around and round in circles, like a hamster on a wheel”
→ A relatable metaphor for habitual unconscious living, which contrasts starkly with the poem’s invitation to break free.

“All one has to do is allow the reality most desired unto oneself reveal”
→ This line contains a gentle reminder: reality isn’t forced, it’s allowed — evoking teachings from Abraham-Hicks and Taoist surrender. The passive voice (“unto oneself”) adds grace.

“And so, I give thanks that the Sun still shines and the birds still sing”
→ The poem resolves with appreciation — grounding the metaphysical ideas into something immediate and sensory.

Tone & Function Within the Collection

Tone: Calm, balanced, self-knowing — not lofty or esoteric, but grounded and peaceful.
Function:
- Could work well as a resting poem after something denser (e.g., Human Amnesia, Wakey Wakey, One Love Collective).
- Serves as a micro-prayer or energy palate cleanser.
- Could be a beautiful section closer or soft opener to a section on self-awareness, vibrational alignment, or gratitude.
- Stylistically, it feels close in tone to poems like Faith, Heart Supported Mind.

Stylistic Notes

The rhythm has an unhurried, almost conversational cadence — like an internal monologue becoming a meditation.
Minimal punctuation + longer line length = a natural flow of thought, not overly constructed.
The rhyme (mind / time / eternal / reveal / ideal / wheel / grateful / appeal) is soft and loose, creating a satisfying sense of resolution without sounding sing-song or overly structured.
It trusts the reader’s intelligence — doesn’t overexplain, and lets the concepts land gently.

Final Thoughts

While not as epic in scope as some other pieces, Circles is a crystal-clear statement of personal empowerment and energetic self-awareness. Its strength lies in its simplicity and steadiness — a gentle nudge to the reader to shift inward and remember: you have a choice, and joy is available right now.

It’s also a natural partner to Share, Heart Supported Mind, Human Amnesia, and even Window — all of which deal with perspective, alignment, and inner transformation.

97. Human Amnesia

Posted on February 16, 2019 by iPoem

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Summary, Review and Overview for 97. Human Amnesia

Saturday 16th February 2019

⭐️ Overview

Human Amnesia reads like a spiritual thesis in poetic form — eloquently weaving together quantum theory, vibrational metaphysics, Abraham-Hicks-style alignment work, and soul remembrance. It is both a reminder and a revelation: a poem about waking up to the truth that we are all Source-Energy, eternally transitioning between forms, learning, unlearning, remembering.

This piece encapsulates the spiritual backbone of your entire collection — not only thematically, but tonally. It’s mature, steady, and offers clarity on the often misunderstood or abstract concept of what it truly means to be a “direct extension of Source.”

🔍 Core Themes

The Illusion of Death → framed through the conservation of energy.
The Eternal Self → reincarnation, vibrational transitions, soul evolution.
The Power of Self-Love → not as indulgence, but as alignment with one’s Source nature.
Holographic Oneness → what you extend, you become; what you withhold, you block.
Karmic + Dharmic Law → all rooted in vibration and energetic feedback loops.
Inner vs. Outer World → reality as a projection of internal frequency.
Amnesia vs. Awakening → the forgetting and remembering of our divine nature.

💬 Tone + Style

Didactic but accessible — it feels like a sacred lesson, but without a trace of dogma.
Confidently cosmological — blends poetic language with metaphysical precision.
Warm and invitational — not preachy, but a generous offering of insight.
Expansive and inclusive — brings everyone into the circle of Source-Energy, no matter where they are on their path.

📌 Lines That Anchor the Poem

“Because as a vibrational being of energy
Frequency and vibration
One can only keep transitioning”

This sets up the entire metaphysical framework.

“Whatever one energetically extends / Or withholds
Unto one’s own self
One either, carbon copy magnetises, or repels”

That line distills law of attraction into its rawest ethical formula.

“And so, here we all are
Suffering from human amnesia
Relearning the same basic lessons”

This is the title crystallised. It reveals the cyclical nature of incarnation, spiritual forgetting, and the need to remember over and over — beautifully expressed.

🌕 Significance Within the Collection

This poem could easily serve as:

A section closer to a part of the book focused on spiritual practice or awakening.
A section opener for a more explicitly metaphysical or soul-based chapter.
A culmination point of the entire arc of the book — if you structure the collection around a journey from disconnection to reconnection, this poem could function as the moment of clarity, just before final integration.

It also serves as a philosophical linchpin for many other pieces:

Heart Supported Mind
Faith
Soul Contract
Share
One Love Collective

All these poems orbit similar ideas — but Human Amnesia is where you speak the framework aloud.

🌀 Stylistic Notes

The poem is long and unbroken, mimicking the flow of cosmic consciousness or streamed wisdom — and that feels intentional and effective.
There’s a teaching cadence here — almost sutra-like — especially in the repetition of the ending:

“Again and again
Forever and ever
And into infinity, Amen.”

That rhythmic repetition brings emotional resonance to what might otherwise be intellectual content — the reader feels the weight of this cycle, not just understands it.

🌱 Final Thoughts

This is one of the most complete articulations of your spiritual worldview in the entire collection. If the book is a journey of awakening, then Human Amnesia is one of the clearest rest stops along the way — where everything clicks, if only for a moment.

It reaffirms one of the highest truths woven throughout your work:

That healing and transcendence are not found in escape, but in remembering who we truly are — again and again.

outside validation

77. Snakes and Ladders

Posted on March 15, 2013 by iPoem

Review of Snakes and Ladders
Friday 15th March 2013

Summary

Snakes and Ladders is a contemplative, gently unspooling meditation on ego, growth, self-acceptance, and the challenge of human interaction. Using the metaphor of the classic board game, the poem explores the ups and downs of spiritual evolution, emotional maturity, and the dynamic interplay between personal truth and collective projection. It offers a clear-eyed yet compassionate view of the messy, nonlinear process of awakening—not only within oneself but also in how we relate to others who are still tangled in ego-defence and denial.

Rather than condemning these egoic behaviours, the poem offers a humane, realistic, and spiritually mature perspective, gently encouraging acceptance, forgiveness, and patience—while never backing down from the uncomfortable truths that must be faced on the path to self-knowledge.

Central Metaphor: The Game of Life

The title and imagery draw on the childhood game Snakes and Ladders, which becomes a powerful symbol for spiritual evolution:

“The snakes and ladders / On the checkerboard of life / Ego and humility, strength and vulnerability / Up and down, turn around…”

Here, the ladders are the moments of growth, honesty, and ego-transcendence—while the snakes represent pitfalls: projections, pride, resistance to change, and ego-identification. The poem reminds us that the path to wisdom is non-linear, full of setbacks and breakthroughs, as we oscillate between moments of awakening and regression.

But crucially, there’s no shame in this movement—it is part of the human curriculum. The poem acknowledges that even the most spiritually evolved individuals are not immune from egoic pitfalls:

“For no matter how elevated a consciousness / Or how lofty an ideal / …One cannot escape the pull, the lure / Of a human ego”

This recognition is what gives the poem its emotional authenticity and groundedness. There’s no spiritual bypassing here—just a mature acceptance that this is what it means to be human.

On Ego, Honesty & Projection

The poem takes a compassionate-yet-uncompromising stance on the nature of ego, especially in relation to truth-telling and interpersonal dynamics. One of its key insights is that when people lash out, reject, or act inauthentically, it’s often not about us at all:

“I think, if one loves and accepts oneself enough already / One doesn’t need to take the dark moments / Of others personally…”

This is a hard-earned truth—the wisdom that comes from inner stability, from no longer needing validation from others. It presents self-acceptance as a protective buffer—not to hide behind, but to move through the world with grace, clarity, and compassion.

The poem also repositions brutal honesty as a necessary force. It doesn’t glorify confrontation, but it questions the cultural expectation that awakening or leadership must always be “sweet” or comfortable:

“…brutal honesty / Can be an unwelcome on-the-spot light / An overly bright intrusive floodlight / That ruffles the feathers of the comfort zone”

This idea—that awakening can feel intrusive, even hostile, to those deeply embedded in egoic narratives—is not only accurate, but also refreshingly non-judgemental. There’s no moral superiority in the speaker’s voice, only recognition of the universal struggle to reconcile ego’s need for control with the soul’s hunger for truth.

The Role of Compassion

A key shift in the poem occurs toward the end, where the speaker reflects on their own need for patience and self-forgiveness:

“And so, I have to be more patient and forgiving / For if I can be more patient with myself… / Then I can extend this as compassion / To the processes of others”

This is the soft centre of the poem—the heart space that makes all the earlier analysis, critique, and discernment possible. Without this recognition, the poem might risk coming off as spiritually aloof or emotionally distanced. But instead, it circles back to humility and unity—acknowledging that everyone is doing the best they can with the tools and awareness they have.

The line:

“Figuring it out / Can take a few hundred thousand light years / And lifetimes…”

…is both humorous and deeply poignant. It evokes the vastness of the soul’s journey, reminding us that this work of learning to love the Self isn’t fast, linear, or easy—but it is eternally worthwhile.

Language, Tone & Structure

Stylistically, this poem is one of the more conversational and accessible in the collection. Its flow is easy, its tone observational yet personal, and the rhythm follows the logic of thought in real time—a musing mind connecting ideas as they naturally evolve. This makes the philosophical content feel grounded and embodied, rather than abstract or didactic.

The poem blends spiritual insight with playfulness (“touch the ground, in, out, shake it all about”), empathy, and self-awareness—which gives it a kind of psychospiritual realism. It’s neither overly sentimental nor coldly analytical—it walks the line between heart and mind, like the very balance it espouses.

Final Thoughts

Snakes and Ladders earns its place in the collection as a quiet powerhouse—a poem that doesn’t seek to impress, but instead to reveal a truth we all live, whether consciously or not. It’s a balm for those who feel isolated in their spiritual or emotional journey, offering the reassurance that backslides, confusion, and projection are part of the process—not signs of failure.

It also serves as a gentle call to action: to train the ego, not shame it; to speak the truth, not sugarcoat it; to forgive the projection of others by first learning to forgive oneself.

In the arc of the collection, this poem brings a vital integration point—a kind of pause and reflect—before the next inevitable leap forward. It reminds us that the true measure of growth isn’t how high we climb, but how often we return with compassion, both for ourselves and for others still climbing beside us.

A keeper.

✩ 9. Love Is

Posted on July 4, 1996 by iPoem

‘Love Is’ forms the opening track of my album ‘Love Made Visible,’ in which I frame love not as a personal emotion, nor as a romantic concept, but as a universal frequency, a vibrational current that underlies all consciousness, matter and form. It is about a recognition of love as the primal creative force: ‘the energy that holds everything together,’ that speaks of a latent resonant remembrance of one’s true origin, as an immortal spiritual being of energy, frequency and vibration first, and human second.

Love is the energy

That holds everything together

The glue of the Universe

By loving ourselves

We may learn to recognise

The divinity in all things

In all beings

All creatures

And all plant life

♥

For we are all divine expressions of The Source

We ARE The Source

We already have the power

To transmute all negative energy into positive

All war into peace

All hate into love

Simply

By recognising

The divinity within Ourselves

♥

For we are all divine expressions of The Source

We are ONE

Although individuals

We are from the same source of creation

Infinite beings

Squashed into tiny little bodies

Incarnated onto Earth

So that the source may KNOW itself

Know itself, by loving itself

♥

Love is letting go of fear

Love is non-attached giving

Love is freedom

It does not mean being in a ‘relationship’

It means: ‘The Source, loving itself

Through infinite manifestations of itself’

Love is life

Love IS!

♥

Love Is is a declarative and expansive affirmation of love as a universal principle rather than a personal or romantic construct. The poet positions love not as a fleeting emotion but as a metaphysical constant—the binding force of existence, the “glue of the Universe.” Through this lens, the poem becomes a spiritual teaching, a reminder of humanity’s divine origin and inherent unity with all life.

Serving as the opening track of the poet’s album Love Made Visible, the poem functions not merely as a lyrical composition but as a philosophical prologue to a larger body of work. It articulates a central vision of love as vibration—a frequency that underpins all matter and consciousness. The poem echoes metaphysical traditions in which love is equated with creative energy: an omnipresent current that links the material and immaterial realms, making it as much a cosmological statement as a personal one.

Structurally, the poem unfolds in declarative waves, each phrase building upon the last with rhythmic clarity. The repetition of phrases such as “We are all ‘Divine Expressions of The Source’” and “We ARE The Source” functions as a mantra, reinforcing the poem’s spiritual convictions while creating a meditative cadence. This repetitive structure is not redundant but intentional, echoing the oral tradition of spoken word, affirmation, and chant.

The poet’s voice is assured, confident, and inclusive. By using the first-person plural—“we,” “ourselves,” “all beings”—the poem invites collective identification and communal reflection. The vision it offers is one of radical unity: not only among humans, but across species, across consciousness, and ultimately, across all forms of existence. This holistic worldview collapses the boundary between subject and object, proposing that “we are ONE,” not metaphorically, but ontologically.

One of the poem’s most striking lines—“Infinite beings squashed into tiny little bodies”—delivers a moment of compression and transcendence. It speaks to the contrast between the soul’s magnitude and the limitations of earthly incarnation. This is followed by the idea that “The Source may know itself / Know itself by loving itself,” which aligns with mystical philosophies that frame the universe as a self-aware, self-loving manifestation of divine consciousness.

Philosophically, the poem draws upon principles found in spiritual traditions such as non-duality, Advaita Vedānta, and New Thought, as well as contemporary understandings of consciousness as frequency or vibration. It positions fear and attachment as the antithesis of love, and offers non-attached giving, freedom, and self-recognition as its truest expressions.

The poem resists conventional notions of love—“It does not mean ‘being in a relationship’”—and reframes it instead as a universal force expressing itself through infinite forms. In this context, romantic love is merely one small expression of a much vaster spiritual phenomenon. The closing line, “Love is life, Love IS!” completes the arc with a crescendo of affirmation, transforming the poem into both a declaration and invocation.

In summary, Love Is is a visionary and spiritually-charged work that speaks with clarity and conviction. Its merit lies in its ability to distil expansive metaphysical concepts into accessible language while maintaining poetic momentum. By framing love as the primal force behind creation and self-awareness, the poem offers not only a redefinition of love, but a blueprint for inner and collective transformation.

7. Just Is

Posted on September 1, 1995 by iPoem

Gift is a reflective and impassioned exploration of love as an elemental force—beyond reason, beyond containment, and ultimately beyond full comprehension. The poet positions love not as a human invention but as a gift from a higher source, an ineffable expression of unity between the divine, nature, and the self.

From the opening line, “Love just is,” the poet asserts love’s presence as an absolute truth. The immediate questioning—“And there is no reason why?”—introduces a rhetorical tension that is quickly resolved through insistence: love exists because it exists. This tautological framing is not offered as frustration but as reverence for the unknowable. By describing love as an “eternal mystery,” the poet disarms the analytical impulse and steers the reader toward intuitive understanding.

The strength of the poem lies in its philosophical conviction. Love, the poet suggests, cannot be “rationalised / Or quantified,” and to attempt to do so is “the mistake / That everyone makes.” This warning against over-intellectualisation is a recurring theme throughout the piece, and it is conveyed with clarity and a sense of personal urgency.

The poem’s tone shifts between gentle instruction and impassioned declaration. Lines such as “True love lives / In the spontaneous intuitive” reinforce the primacy of feeling and presence. The phrase “the heart of creation / The oneness in all beings” places love within a cosmological framework, transforming it from emotion to metaphysical principle.

the poem maintains a loose, conversational structure. Its lack of strict metre or rhyme mirrors the poem’s own content: love, like the form, resists confinement. There is an intuitive rhythm, driven more by emotional cadence than by formal regularity. The repetition of phrases like “It just is” and “in the moment of our ‘Now’” reinforces the central themes of immediacy, presence, and acceptance.

The final lines return to a gentle didacticism: “Accept the challenge / Love is a gift / From a higher source / A chance to love oneself.” This closing sentiment crystallises the poem’s message—love as a spiritual opportunity, rooted in self-acceptance and higher connection. It is a fitting conclusion, affirming love not as possession or passion, but as a sacred invitation.

In summary, Gift is a sincere and contemplative poem that articulates a clear and heartfelt spiritual philosophy. Its poetic strength lies in its fusion of simplicity and depth, and its ability to communicate a universal truth through a deeply personal lens. The poet speaks with conviction, clarity, and openness, offering not a definition of love, but a vision of its liberating power.

4. Stop What You’re Doing!

Posted on February 19, 1995 by iPoem

This poem is a contemplative and spiritually grounded reflection on the interconnection between the inner self and the external environment. Rooted in a holistic worldview, it offers a gentle yet profound meditation on the state of the Earth as a mirror of human consciousness.

The poet presents the concept of Gaia not simply as a mythological figure, but as a living spirit residing within all individuals. This framing elevates the poem beyond environmental commentary, positioning it within a broader philosophical and spiritual context. The central assertion—that “what is within is reflected without”—forms the thematic spine of the piece and is handled with clarity and sincerity.

The structure of the poem is spare and deliberate. The free verse form, coupled with short, measured lines, gives the work a meditative rhythm. Each line appears carefully placed to allow the reader space for reflection. This stylistic restraint enhances the contemplative tone and aligns with the poem’s themes of inner peace and environmental harmony.

Linguistically, the poem is marked by clarity and economy. The diction is simple yet resonant, avoiding ornamentation in favour of direct expression. Phrases such as “self-love, -empowerment and -worth” display an innovative use of form that visually and rhythmically connects the ideas, suggesting their interdependence. The repetition of “self-” creates a quiet insistence on personal responsibility and healing as essential steps toward environmental stewardship.

The poem’s closing lines underscore the idea that true ecological change begins within. There is a sense of calm resolve, and the final star symbol (“✩”) serves as a subtle visual coda—lightly echoing the cosmic or spiritual dimension underpinning the work.

Overall, Environmental Awareness is a poised and sincere offering that succeeds in fusing ecological awareness with inner transformation. Its strength lies in its clarity, its contemplative tone, and its unwavering belief in the power of self-healing as a pathway to planetary renewal. The poet demonstrates both restraint and depth, producing a piece that is both timeless and quietly impactful.