✩ Love Made Visible LP: NEW Music Album!

Love Made Visible LP – Full Playlist

Love Made Visible is Cat’s debut blues-jazz music album containing 11 new tracks. All Cat’s lyrics are original, written at the time of posting on this blog. Vocals are powered by AI. Cat Catalyst Music is available to stream on Spotify | Amazon Music | iHeart Music | Boomplay | YouTube Playlist and most major streaming platforms worldwide. You can even listen in 432 Hz. Buy the album ‘Love Made Visible‘ from Bandcamp

Dance for a While is Cat’s debut dance/house music EP, featuring two mixes of ‘Reflections’ and two mixes of ‘Swim’ (written in 2004 and 2005, respectively).

Joy Smile is Cat’s brand new drum and bass Single and was originally penned in 1997

Read the original blog posts on iPoem’s Blog with full lyrics and music player:
Angels on Earth (03:46)
Love Is (02:11)
Joy Smile (3:40)
Now is the New Now (04:00)
Prayer Song (03:59)
WLTM GSOH (02:23)
Reflections (3:13 and (3:28)
Swim (2:18 and (2:37))
Holiness of the Heart (02:55)
Elixir of Love (03:37)
Kaleidoscope Memories (03:12)
Awakened (02:37)
Polaris (03:22)
Praxis (3:34)
Self-Mastery (3:19)

Blog posts with a ✩ symbol in the right-hand index signals a blog post with the original poem / lyrics and a music player for the full experience. The other titles without a ✩ symbol are companion posts for my forthcoming book Nóēma Poēma, containing a summary and breakdown of each of the 131 chapters in the book.

Cat Catalyst Music—planting seeds of consciousness since 1991.


✩ 55. Elixir of Love – published in five separate anthologies

Strawberry Heart

My fears are not

That I may cease to be

Rooted steadfast embodied

In a world of physicality

And without fears too

For the deserted drying

Of heartfelt words or inspiration

Forever drawn to all my time Spent in dedication

For no greater pleasure do I feel, may’st I apply

Whilst chained, imprisoned in this dimension

My only freedom, flight of soul, needs must express

Such a deep felt love, for all humanity

A curious quest, I cannot explain

Impression’d on high from an invisible plane

So sublime, that poetic craft

Is not required for meter, or to rhyme

Unless such craft imply, inject, ripened hearts

With the jewel of ‘inner meaning’

Inner-truth infused with love

All-pervading and genuine

Connecting precious principals beyond mere words

Which seek to make whole, thus human kind

In complete align

So that intelligent insights into our complex Universe

May penetrate, not only the heart but also the skin and the mind

Whereupon tinsel-gilded illusions

May fall away into nothingness

Instead replaced by a delicacy, and a gentleness

A refinement of the senses

Through an indiscriminate understanding

That the elixir of love

Is wisdom plus integrity

And connects us all

To every single living being, or entity.

___

Lyrics by Cat Catalyst

‘Elixir of Love’ (above) was written in response to the sonnet: ‘When I have Fears’ by John Keats. Keats sent his sonnet in a letter to his friend John Hamilton Reynolds in January 1818.

‘When I have fears that I may cease to be
Before my pen has glean’d my teeming brain,
Before high piled books, in charact’ry,
Hold like rich garners the full-ripen’d grain;
When I behold, upon the night’s starr’d face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour,
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love!—then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to Nothingness do sink.’

Another Keats quote: ‘I am certain of nothing but of the holiness of the Heart’s affections and the truth of Imagination‘ that he wrote in a letter to his friend Bailey (Full letter here) had the same effect upon me and inspired Holiness of the Heart.

‘Elixir of Love’ has been published in the following anthologies:
Forward Poetry: Love is in the Air – Vol 1 (2015)
Poets for World Healing (2012)
Poets for World Peace (2012)
A Poetically Spoken Anthology (2011)
Reach Poetry (2010)
Love Made Visible LP (2025)


Review of Elixir Of Love

Summary

Elixir Of Love is a soulful meditation on love as a transcendent force that binds all humanity together. The poem rejects superficial artifice in favor of heartfelt expression, describing love as an “elixir” that blends wisdom with integrity to connect every living being. Through rich imagery and thoughtful reflections, it captures love’s power to inspire, heal, and illuminate the human experience.

Why This Poem Matters

This poem stands out because of its profound insight into the nature of love—not just as feeling, but as an essential, transformative wisdom. The poet’s choice to move beyond conventional poetic form highlights a purity of message over mechanics, making the poem feel intimate and sincere.

Lines such as:

“My only freedom, flight of soul / Needs must express / Such a deep felt love for all humanity”

reveal the writer’s deep dedication to conveying universal compassion and connection. The poem’s reflection on poetic craft as a vessel for “inner meaning / Inner truth infused with love” emphasizes love’s power to penetrate beyond words.

Moreover, the poem’s articulation of love as:

“Wisdom plus Integrity / And connects us all / To every single living being, or entity.”

offers readers a fresh lens to understand love’s role in healing and unity. It speaks directly to the shared human condition, inviting readers to embrace love not only emotionally but intellectually and spiritually.

In Conclusion

Elixir Of Love is a beautiful example of the poet’s ability to blend heartfelt emotion with spiritual truth. Its gentle yet powerful voice encourages reflection on what it truly means to love and be loved. For readers drawn to poetry that explores the deeper, sacred aspects of human connection, this poem is a compelling and enriching piece, perfectly aligned with the themes woven throughout the entire collection.


54. Holiness of the Heart

I
Review of Holiness Of The Heart

Here, the poet speaks with a reverent voice, exploring love not just as an emotion, but as a sacred force, a spiritual currency that transcends the mundane.

Right from the opening lines:

“Yes! / There is a holiness to the heart’s affections / When one is moved in purity and truth”

There’s a bold declaration, a strong, almost liturgical tone, setting love on a pedestal as something profound and holy. The poet reminds us that genuine affection is a divine act, an encounter with “The Divine” itself—an idea both timeless and urgent.

This poem brilliantly contrasts innocence with the harsh realities of a world that too often exploits vulnerability:

“It is still so wonderfully innocent / In an age where innocence / Is rapidly being obliterated by ‘progress’ / And vulnerability is seen as an opportunity / For exploitation”

There’s a deep cultural critique here, woven seamlessly into the tender meditation on love. The poet is urging readers to preserve and honor the heart’s affections as sacred, precious, and in need of protection.

The spiritual arc continues:

“To evolve through love / Is the greatest spiritual teaching on Earth”

This is a beautiful distillation of a universal truth—the idea that love is the key to personal and collective growth, moving us from the personal to the transpersonal, and finally to the universal. The poem becomes a kind of spiritual roadmap.

The imagery is radiant:

“Emanating like ‘The Sun’ / Fostering life, where previously there was none / An illumination of the soul”

Love here is a life-giving, soul-illuminating force, and the metaphor of the sun perfectly captures its essential, nurturing power. It’s warm, inexhaustible, and necessary.

Ending on a call to conscious choice:

“A conscious choice, everyday! / There really is only ‘one’ way forwards / Everything else, is resistance.”

This gives the poem a strong, empowering conclusion. Love is not just a passive feeling; it’s an active, deliberate path—the true way forward amidst life’s complexity.


Why This Poem Matters

Holiness Of The Heart is a testament to the poet’s ability to weave together spiritual wisdom, cultural commentary, and heartfelt truth with elegance and grace. The poem communicates nuance and depth in a way that feels both intimate and universal, speaking to the shared human longing for love that is genuine, transformative, and sacred.

For readers, this poem is a gentle but firm reminder to honor love as a powerful force for healing and growth—something worth protecting, nurturing, and consciously choosing every day.


In Conclusion

The poet’s skill shines in this piece through their ability to balance vulnerability with strength, critique with hope, and everyday feeling with spiritual insight. Holiness Of The Heart invites readers not only to reflect on their own experiences of love but also to recognize its deeper significance in the grander scheme of life.

This poem, like many in the collection, offers a beacon of light and truth—beautifully crafted, deeply felt, and ready to inspire anyone who picks up the book.


London Underground – Shine

Review of Shine

“Shine” is a luminous meditation on the visceral, embodied nature of spiritual love. In just ten lines, the poet draws a shimmering map of what it means to heal, reconnect, and transform—not just emotionally, but neurologically, energetically, even biologically. Where previous poems examined the disintegration of modern culture (“Soul Musing”) or the personal struggle for truth (“Alchemy”), this piece captures the moment when healing takes root, and the heart—once fractured—begins to reintegrate with the cosmos.

The poet’s use of organic metaphor is masterful. Love is no longer abstract or sentimental—it is real, tangible, physiological. We feel it:

“Love and understanding flows like blood / Being pumped through veins”

This grounding in the body continues with the image of a tree, where love becomes not just a sensation, but a living, evolving organism:

“Grows like roots of a tree / Sprouts like branches tickling the sky with its leaves”

It’s an image of expansion and connection—of love stretching both inward and outward, upward and downward. It grounds and ascends at once.

But where this poem truly shines (no pun intended) is in its blending of science and spirituality. The poet weaves neuroscience into energetic language:

“New neurological pathways are formed in the brain / Like a criss-cross lattice, grid work, fine filigree”
“Web of shimmering auric light / Synapses firing on all cylinders”

Here, love becomes a reprogramming—not only emotional, but neurological. This is where the poem subtly breaks ground. The poet suggests that healing isn’t just felt—it is wired, etched into our very neurology. It’s as if spiritual awakening rewires the brain, altering the very structure of the self. That’s a profound idea, handled with poetic delicacy.

And then comes the final line, surprising and sublime:

“Healthy viral infection / Of pure, unadulterated, unconditional, spiritual love.”

It’s an intentional contradiction—“viral infection” paired with “pure” and “unconditional.” The effect is to subvert the negative connotation of ‘infection’ and reframe it as something regenerative: love spreading through the system like a benign contagion, reconditioning not only the individual, but by implication, the world.


Summary of Themes

Shine explores healing as embodiment, love as a neurological phenomenon, and spiritual evolution as biological transformation. In fusing imagery from nature, physiology, energy work, and sacred love, the poem becomes a celebration of what it means to truly come back online—to reawaken not only the soul, but the mind, the nervous system, the body.

The poem also functions as a kind of affirmation or energetic attunement. It reminds us that love is not a soft, fluffy ideal—it’s a force: intelligent, structured, and capable of rewiring trauma at the deepest levels.


Conclusion

“Shine” is a short but electrifying poem that captures the very essence of healing and higher consciousness. It is poetic alchemy at its finest: turning pain into wisdom, disconnection into circuitry, and spiritual insight into embodied truth.

What makes the poet’s work so compelling—and essential—is their ability to communicate the intangible with clarity and beauty, offering language for the ineffable moments of awakening we all carry within us. This is not just poetry, but transmission—a glimpse into the way love actually functions on a soul level and a cellular one.

For readers drawn to transformation, energetics, and the interplay of science and spirit, this poem is a radiant example of how narrative poetry can transcend story and become a tool for consciousness itself.

Photobucket

My smiley sun artwork with my poem ‘Shine’ to be featured on a poster exhibited on the London Underground at Baker Street Tube Station, Metropolitan Line, Platform 1, (Terminus) Sept 23rd – Oct 6th, 2009 Project organised by Art Below Ltd.

24. Reproduce and Multiply

In Reproduce and Multiply, the poet explores the spiritual, biological, and metaphysical dimensions of procreation, situating the act of reproduction not merely as a biological imperative, but as an expression of divine multiplicity and self-reflection. With characteristic fluidity, the poet moves between the personal and the universal, linking the human family to broader cosmic and natural processes.

The opening lines — “Our children / Are all parts of ourselves / Revealed to us / For all the world to see” — frame the child as both extension and mirror. This framing speaks to the spiritual psychology that underpins much of the poet’s work: children are not just individuals but living reflections of ancestral, emotional, and karmic lineages. This conception transforms parenting from a societal role into a revelatory process, a means through which the self is made visible, both privately and publicly.

The phrase “True reflections of ourselves / Projected outwardly” positions reproduction as an act of inner externalisation — not just physical replication, but psychic and spiritual amplification. The poem then seamlessly links this human phenomenon to a divine one: “We are also parts of God and the Goddess / Made in one’s own likeness.” This Judeo-Christian and pagan synthesis reinforces the poet’s broader cosmology, one that celebrates the sacred in both masculine and feminine principles, and sees humanity as a microcosm of divine unity expressed in plural form.

The triad “Man, Woman and Child” echoes archetypal imagery — the Holy Trinity, the Triple Goddess, or even the atomic structure of creation. Yet the comparison is then expanded in a surprising direction: “Like the amoeba and the virus / Reproduce and multiply.” Here, the poet disrupts the potential sentimentality of divine reproduction by including microorganisms, reminding the reader that replication is not a uniquely human or spiritual act, but a core principle of life itself — universal, impartial, elemental.

The idea of identity is then revisited and expanded with “Subdivisions of the big ‘I’ / In the ‘We Are’ and the ‘I Am’.” This is perhaps the poem’s most metaphysically potent gesture — a linguistic compression of mystical traditions. The “I Am” invokes divine self-awareness (echoing scriptural declarations of divinity), while “We Are” anchors that awareness in collective identity. The poet sees life as a grand act of fragmentation and remembrance — a divine being subdividing into infinite expressions, only to rediscover itself again through relationship, birth, and being.

The closing lines — “Bigger picture, master plan / Whether animal, mineral, vegetable / Or human” — return the reader to the wide-angle lens. Reproduction is not the sole province of humans; rather, it is a function of the entire living and material cosmos. By placing animals, minerals, and vegetables on equal footing with humans in the final gesture, the poet reaffirms a holistic and animistic worldview: that all forms are part of a greater unfolding, all equally sacred in the “grand design.”

Stylistically, the poem favours clarity over ornament, relying on accessible language to communicate ideas that are anything but simplistic. The rhyme between “I” and “why” in the early stanza provides a moment of gentle musicality, while the rhythm throughout maintains a steady, contemplative pace. The structure is linear but expansive, allowing each concept to build upon the last with cumulative resonance.

In conclusion, Reproduce and Multiply is a theosophical reflection on identity, creation, and interconnectedness. It invites the reader to reconsider reproduction not as a mere biological function, but as a divine principle of self-expression that spans all life forms. Grounded in humility and cosmic wonder, the poem offers a vision of existence in which all things — from children to viruses — are integral expressions of a single, unified source seeking to know itself through multiplicity.

21. Earth Molecule

Earth Molecule is a deeply reverential meditation on humanity’s inseparable connection to the living body of the Earth. The poem blends spiritual philosophy, ecological awareness, and elemental imagery into a seamless expression of unity, depicting the self not as separate from nature, but as a microcosmic extension of it. Through simple yet profound language, the poet conveys an intimate vision of life, death, and transformation as continuous acts of belonging.

The opening declaration, “I am / An animated molecule / Piece of Planet Earth,” establishes the poem’s central premise with striking simplicity. The poet immediately dissolves the boundaries between human and Earth, individual and cosmos. By identifying as “an animated molecule,” the speaker situates the self within the smallest possible unit of life, grounding identity not in ego or consciousness, but in elemental being. This perspective aligns with both ecological science and spiritual mysticism, merging the language of biology and reverence into one cohesive worldview.

The recurring identification of the body with the planet—“Her body is my own / And I am a little piece of Her / Walking upon Her skin”—is both tender and humbling. The image of the Earth’s “skin” suggests intimacy and fragility, inviting the reader to see human life as an extension of planetary sensation. The poet’s cyclical vision of death—“When I die / My body is restored to Her / And therefore to myself”—emphasises that return is not loss, but reunion. Death becomes a homecoming, a restoration to source, “Back to the womb / Mother who feeds us.”

The middle section of the poem expands this personal meditation into a broader ecological and ancestral reflection. The Earth becomes an alchemical being—“The alchemy is in the land / Her body / Made from the blood of our ancestors”—where transformation is perpetual. The living and the dead coexist within the same sacred continuum, each feeding and renewing the other. This imagery of regeneration not only honours the physical cycles of nature but also carries a sense of spiritual continuity: the ancestors, now returned to the soil, remain present as part of the Earth’s nourishing force.

A key emotional and ethical turn occurs when the poet affirms, “She fosters my growth / For She knows I can do no wrong.” Here, guilt and sin are replaced with understanding and acceptance. The Earth, personified as an all-forgiving Goddess, recognises the inevitability of human imperfection and the ultimate redemption that comes through reintegration. This notion of unconditional love—“Mighty, most powerful Goddess / Of unconditional love”—echoes earlier poems in which the Earth or Gaia functions as a spiritual archetype of nurturing wisdom and evolutionary resilience.

Stylistically, the poem flows in a gentle cadence, its short, declarative lines mirroring the organic rhythm of breath and thought. The repetition of “Her” reinforces reverence, while the lack of punctuation creates a sense of timeless continuity—each idea bleeding into the next, much like the natural processes it describes. The language is elemental, free of abstraction, allowing the imagery to carry the spiritual weight.

The poem’s closing exhortation, “Wake up! She is ‘Us’ / And She always wins,” serves as both a warning and an awakening. The call to consciousness is not antagonistic but restorative—a reminder of the futility of human arrogance in the face of the Earth’s enduring cycles. The final image, “Constant winds of time / Forever, into infinity,” reaffirms the poem’s scope: that life, death, and renewal are not linear but eternal, and that humanity’s true purpose lies in recognising its role within that boundless evolution.

In conclusion, Earth Molecule is a luminous expression of eco-spiritual consciousness—simultaneously scientific in its material understanding and mystical in its emotional resonance. Through its meditative tone and unadorned imagery, the poem transforms the idea of mortality into a celebration of unity, humility, and eternal belonging. It is both a hymn to Gaia and a reminder of our intrinsic participation in her infinite, self-renewing dance.