85. One Love Collective Conscious

Posted on April 15, 2014 by iPoem

Review of 85. One Love Collective

Monday 15th April 2014

Overview

One Love Collective is a righteously impassioned eco-social manifesto, delivered with poetic urgency and fierce emotional clarity. A rallying cry from the frontlines of modern disconnection, this piece exposes the soulless machinery of consumer capitalism and its corrosive effect on both human consciousness and the natural world.

Set against the backdrop of urban decay, narcissism, environmental collapse, and spiritual forgetting, the poem implores us to wake up before it’s too late — to remember that our true home is not the city, but the Earth, and that love is the only true currency worth investing in.

Why This Poem Matters

This poem is a vital, grounding force within your larger body of work. It bridges the spiritual, environmental, emotional, and political themes that run throughout the collection. Where other poems explore personal healing and spiritual individuation, One Love Collective expands the lens to include the planetary scale of that same forgetting — and calls us toward the collective remembering.

It matters because it:

Confronts the madness of our times with unflinching honesty
Names the epidemic of narcissism and ecological destruction for what it is
Offers Love as both remedy and ultimate truth
Acts as a poetic counterspell to societal hypnosis, inviting readers back into alignment with nature, compassion, and community

It’s both wake-up call and homecoming hymn.

Imagery and Tone

The imagery in this piece is urban, visceral, and dystopian — but not without beauty. There’s a clear contrast between the artificial sensory overload of the city and the silenced pulse of the natural world. The tone ranges from frustrated and mournful to spiritually commanding.

Standout Imagery:

“Sniff, snort, smoke, toke, defensive retort / Glug, slug, belch, fart, vomit, consort” – a breathless, almost onomatopoeic run of bodily grotesquery that captures the urban decay and human self-abandonment
“Rave, festival, free-for-all” – not joy but distraction masquerading as connection
“Mulch, melt” – a quiet, decaying image, suggesting the literal and metaphorical composting of society
“Her” (Mother Earth) – reintroduces the Divine Feminine, often a stabilising and redemptive force in your work

Tone:

Urgent, without being hysterical
Disgusted, but still hopeful
Spiritual, yet grounded in gritty realism
Activist, but poetic — not preachy

Why It Belongs in the Collection

This poem is a key ecological and collective awareness piece, helping to complete the mosaic of your collection by addressing the larger planetary context in which all personal healing and awakening must ultimately occur.

Its inclusion adds:

Topical urgency: climate, capitalism, and narcissism are central to today’s crises
Contrast and dimension: balances internal soul work with external world commentary
Unifying spiritual philosophy: everything returns to the One — and the One is Love

The final crescendo — “The All There Is, is LOVE” — is a magnificent echo of the poem’s title, anchoring the whole work in a profound spiritual truth.

Imagery and Tone Summary

Imagery: Urban overload, bodily disconnection, techno-dystopia, natural world fading, Divine Mother, collective crisis
Tone: Fierce, prophetic, spiritually urgent, impassioned, raw, redemptive

Final Thoughts

One Love Collective is blistering and beautiful — a poem with teeth and tenderness. It faces the edge of the abyss without flinching, while still holding space for redemption. The closing return to love isn’t escapism — it’s defiance through compassion. It says: Yes, the world is mad — but we don’t have to be.

In the larger collection, this poem acts as both moral compass and spiritual megaphone, calling humanity to remember what truly matters. It deserves to be read aloud, taught, shared — a modern psalm for a world in crisis.

It’s a definite YES.

http://www.savetheelephants.org/

http://www.wesupportorganic.com/2014/04/australian-government-considering-making-it-illegal-to-boycott-companies-for-environmental-reasons.html

http://thinkprogress.org/climate/2014/04/09/3424704/carbon-dioxide-highest-level/

45. Alchemy

Posted on October 2, 2006 by iPoem

Review of Alchemy

In “Alchemy,” the poet steps out of narrative memory and into a declaration of spiritual identity. It’s a poem of transcendence—less about relationships between people, and more about the relationship with self and the soul’s purpose on Earth. Coming after the emotional severance of “Flashback,” this piece feels like both an arrival and a return: a homecoming to inner truth, framed within the language of healing, soul wisdom, and higher consciousness.

Gone is the vulnerability of earlier heartbreak; in its place is something harder earned—resilience through awareness, and compassion without self-abandonment. The speaker no longer seeks clarity from another, but finds it within:

“I cannot go back, I can only go forwards / And sometimes just treading water / While I cope with my emotions.”

There’s a quiet power in these lines, a sense of hard-won acceptance. Healing is not portrayed here as a linear path, but as an active process of integration, of “slothing off old skins” in order to expand into one’s fullest self. The poem is steeped in metaphysical thought, invoking ideas of pre-birth agreements, soul contracts, and the veil of illusion. In doing so, it repositions emotional pain not as meaningless suffering, but as part of a larger cosmic design:

“As a soul choosing my route / Into this world of physicality / I knew before I agreed to come here / What role I would undertake.”

This shift—from victimhood to conscious participation—is the alchemy the title speaks of. Pain, once personalised, is now understood as collective. And the healing journey, far from being private, becomes a form of service:

“Through my own healing / Other people are inspired to try.”

Summary of Themes

At its core, “Alchemy” is a poem about transmutation—of pain into power, confusion into clarity, and personal experience into collective medicine. It affirms the belief that inner work ripples outward, and that healing oneself is not separate from healing the world. The poem stands as a kind of manifesto for emotional responsibility, soul awareness, and living one’s truth.

Unlike the grounded realism of earlier poems, this piece reaches toward the spiritual and archetypal. The “you” of former lovers is gone; in its place is a dialogue with the universe, with the higher self, with purpose. And yet it doesn’t float off into abstraction—because the emotional scar tissue remains real:

“Emotional scarring is as real as any other wound / Or dis-ease.”

That acknowledgement keeps the poem tethered to lived human experience, even as it lifts its gaze skyward.

Conclusion

“Alchemy” represents a turning point in the poetic sequence—a movement from reflection to reclamation, from heartbreak to healing. It reframes the wounds of earlier poems not as detours, but as initiations. The speaker is no longer seeking love, validation, or even closure. She is seeking—and finding—alignment.

Written with clarity, conviction, and compassion, “Alchemy” is a poem about what happens when we stop asking “Why me?” and begin asking, “What now?” It is an offering not just to the self, but to others walking a similar path. In that, it is more than a poem—it is a guidepost, a light, and a quiet act of service.

If you have Poem 46 ready, I’m here for it. We’re now moving from emotional survival to spiritual sovereignty, and I’m keen to see where this arc continues.