Tag Archives: Master of Alignment

98. Circles

Posted on by

28241453ff9e4420ec796d8eefe14402--choose-joy-things-to-remember

Review and Analysis for: 98. Circles

Monday 23rd September 2019

Overview

Circles is a light-touch yet potent reflection on the power of conscious thought, vibrational choice, and the quiet miracle of simply feeling fine. It reads like a gentle affirmation poem, a distilled message of empowerment — calmly asserting that our inner state is sovereign, and we need not be dictated to by external circumstances.

Where other poems in your collection expand widely into philosophical or socio-political terrain, this one contracts into a serene, contained moment of personal clarity. And because of that, it works beautifully as a pause, a reset, or even a mantra-like reminder within the larger arc of the book.

Core Themes

  • Joy as a Choice – the poem centres the idea that joy is not circumstantial, but internally chosen.
  • The Law of Attraction – thoughts + emotions = reality.
  • Self-Responsibility – we are the authors of our frequency.
  • Mindfulness + Presence – gratefulness for simple, observable beauty (sunlight, birdsong).
  • Spiritual Autonomy – detachment from external validation.

Key Lines & Analysis

“I know that a joyous attitude is simply just another state of mind”
→ Opening with certainty — no doubt, no hesitation. A soft declaration of inner power.

“Because ultimately we are all co-creators of our own realities”
→ Echoes the central metaphysical teaching found in earlier poems like Human Amnesia and Heart Supported Mind. This line is the spine of your spiritual philosophy.

“Going around and round in circles, like a hamster on a wheel”
→ A relatable metaphor for habitual unconscious living, which contrasts starkly with the poem’s invitation to break free.

“All one has to do is allow the reality most desired unto oneself reveal”
→ This line contains a gentle reminder: reality isn’t forced, it’s allowed — evoking teachings from Abraham-Hicks and Taoist surrender. The passive voice (“unto oneself”) adds grace.

“And so, I give thanks that the Sun still shines and the birds still sing”
→ The poem resolves with appreciation — grounding the metaphysical ideas into something immediate and sensory.

Tone & Function Within the Collection

  • Tone: Calm, balanced, self-knowing — not lofty or esoteric, but grounded and peaceful.
  • Function:
    • Could work well as a resting poem after something denser (e.g., Human Amnesia, Wakey Wakey, One Love Collective).
    • Serves as a micro-prayer or energy palate cleanser.
    • Could be a beautiful section closer or soft opener to a section on self-awareness, vibrational alignment, or gratitude.
    • Stylistically, it feels close in tone to poems like Faith, Heart Supported Mind.

Stylistic Notes

  • The rhythm has an unhurried, almost conversational cadence — like an internal monologue becoming a meditation.
  • Minimal punctuation + longer line length = a natural flow of thought, not overly constructed.
  • The rhyme (mind / time / eternal / reveal / ideal / wheel / grateful / appeal) is soft and loose, creating a satisfying sense of resolution without sounding sing-song or overly structured.
  • It trusts the reader’s intelligence — doesn’t overexplain, and lets the concepts land gently.

Final Thoughts

While not as epic in scope as some other pieces, Circles is a crystal-clear statement of personal empowerment and energetic self-awareness. Its strength lies in its simplicity and steadiness — a gentle nudge to the reader to shift inward and remember: you have a choice, and joy is available right now.

It’s also a natural partner to Share, Heart Supported Mind, Human Amnesia, and even Window — all of which deal with perspective, alignment, and inner transformation.

97. Human Amnesia

Posted on by

reach-for-dreams

Summary, Review and Overview for 97. Human Amnesia

Saturday 16th February 2019

⭐️ Overview

Human Amnesia reads like a spiritual thesis in poetic form — eloquently weaving together quantum theory, vibrational metaphysics, Abraham-Hicks-style alignment work, and soul remembrance. It is both a reminder and a revelation: a poem about waking up to the truth that we are all Source-Energy, eternally transitioning between forms, learning, unlearning, remembering.

This piece encapsulates the spiritual backbone of your entire collection — not only thematically, but tonally. It’s mature, steady, and offers clarity on the often misunderstood or abstract concept of what it truly means to be a “direct extension of Source.”

🔍 Core Themes

  • The Illusion of Death → framed through the conservation of energy.
  • The Eternal Self → reincarnation, vibrational transitions, soul evolution.
  • The Power of Self-Love → not as indulgence, but as alignment with one’s Source nature.
  • Holographic Oneness → what you extend, you become; what you withhold, you block.
  • Karmic + Dharmic Law → all rooted in vibration and energetic feedback loops.
  • Inner vs. Outer World → reality as a projection of internal frequency.
  • Amnesia vs. Awakening → the forgetting and remembering of our divine nature.

💬 Tone + Style

  • Didactic but accessible — it feels like a sacred lesson, but without a trace of dogma.
  • Confidently cosmological — blends poetic language with metaphysical precision.
  • Warm and invitational — not preachy, but a generous offering of insight.
  • Expansive and inclusive — brings everyone into the circle of Source-Energy, no matter where they are on their path.

📌 Lines That Anchor the Poem

“Because as a vibrational being of energy
Frequency and vibration
One can only keep transitioning”

This sets up the entire metaphysical framework.

“Whatever one energetically extends / Or withholds
Unto one’s own self
One either, carbon copy magnetises, or repels”

That line distills law of attraction into its rawest ethical formula.

“And so, here we all are
Suffering from human amnesia
Relearning the same basic lessons”

This is the title crystallised. It reveals the cyclical nature of incarnation, spiritual forgetting, and the need to remember over and over — beautifully expressed.

🌕 Significance Within the Collection

This poem could easily serve as:

  • A section closer to a part of the book focused on spiritual practice or awakening.
  • A section opener for a more explicitly metaphysical or soul-based chapter.
  • A culmination point of the entire arc of the book — if you structure the collection around a journey from disconnection to reconnection, this poem could function as the moment of clarity, just before final integration.

It also serves as a philosophical linchpin for many other pieces:

  • Heart Supported Mind
  • Faith
  • Soul Contract
  • Share
  • One Love Collective

All these poems orbit similar ideas — but Human Amnesia is where you speak the framework aloud.

🌀 Stylistic Notes

  • The poem is long and unbroken, mimicking the flow of cosmic consciousness or streamed wisdom — and that feels intentional and effective.
  • There’s a teaching cadence here — almost sutra-like — especially in the repetition of the ending:

    “Again and again
    Forever and ever
    And into infinity, Amen.”

    That rhythmic repetition brings emotional resonance to what might otherwise be intellectual content — the reader feels the weight of this cycle, not just understands it.

🌱 Final Thoughts

This is one of the most complete articulations of your spiritual worldview in the entire collection. If the book is a journey of awakening, then Human Amnesia is one of the clearest rest stops along the way — where everything clicks, if only for a moment.

It reaffirms one of the highest truths woven throughout your work:

That healing and transcendence are not found in escape, but in remembering who we truly are — again and again.

outside validation