59. The Second Coming


Review of The Second Coming

Summary

The Second Coming is a rousing spiritual manifesto — not of apocalypse or judgment, but of awakening. It reclaims the prophetic tone of traditional religious language and reorients it toward conscious evolution and collective transformation. Rather than heralding a single saviour, this poem asserts that true salvation will come not through one figure, but through the mass unfolding of human potential.

The piece draws from spiritual, philosophical, and even metaphysical paradigms, yet remains grounded in the lived human experience — in our daily choices, responses, and interpersonal relationships.

Why This Poem Matters

In a time where global crises push us toward fear or disconnection, The Second Coming offers a hopeful alternative: that change is not only possible, but inevitable — and we each have a role to play.

The poet begins with a clear challenge to religious literalism:

“The second coming is not any one man / Or one woman / It is the explosion of collective consciousness”

This reframing is central to the poem’s power. It shifts the gaze from outer saviours to inner awakening, and from passivity to agency.

Key phrases like:

“When the ability to respond (response-able) / Is greater than to react”
“What one does to another / Actually, one does unto one’s own self”

…emphasise the transition from ego-driven separateness to a more compassionate, integrated way of being — an emotional intelligence that transcends reaction and cultivates accountability, empathy, and maturity.

The poem’s rhythm gathers momentum through the second half, building like a crescendo — a rising tide of possibility:

“Because the pain of staying the same / Will be greater than that of change”
“For it is humanity’s collective destiny / To evolve as a species / Beyond the comfort zone”

Here, we see a clear call to inner and outer revolution, grounded in healing — not dogma. The language blends metaphysical terms like “Primordial Qi” and “Source Energy” with spiritual archetypes: “inner god-goddess self,” “inner guru”, and “legendary inspirational role models” — grounding abstract ideas in relatable, accessible language.

The poet also names emotional evolution as core to the journey:

“How to love and accept the unloveable / Within the self / And each other”
“How to extend forgiveness, everyday!”

This is not utopian idealism, but practical spirituality — a daily discipline that trains the heart and mind to “align as one.” The reference to binary code“From an Off to an On / Like a chain of dominoes” — cleverly modernises the spiritual awakening as a systemic, viral upgrade to collective consciousness.

In Conclusion

The Second Coming is a poem of clarity, courage, and commitment. It reimagines salvation not as something we wait for, but something we participate in — actively, consciously, collectively. In this vision, everyone matters. No one is left behind.

With its grounded wisdom and visionary sweep, this poem encapsulates the underlying message of the collection: that personal healing and global transformation are not separate paths, but part of the same spiral of becoming.

This is poetry not just as art, but as invitation — to rise, awaken, and evolve.


✩ 35. W.L.T.M. G.S.O.H.


WLTM GSOH invites a return to innocence, reminding us that spiritual depth need not always be solemn. In fact, humour and joy are often some of the highest forms of intelligence. This poem, now song, reflects a universal longing to be understood and met fully: intellectually, emotionally, and energetically; a partner in emotional evolution.

magic-carpet-ride
Artist- unknown

Artist, visionary, dreamer

Seeks team player, sometimes leader

To share emotional intelligence, cosmic conversation

Wine, dine, dance, animation

Hug, snug, two peas in a pod, two bugs in a rug

Two happy fat cats, sat on a mat, magic carpet, float

On and out to sea, the Sea of Love

Like the owl and the pussycat and one white dove

In a beautiful pea green boat.


Review of W.L.T.M. — G.S.O.H. (Sunday 8th February 2004)

This poem is light, playful, and endearingly whimsical — a lyrical personal ad from the soul, dressed in poetic form. The title, styled in classic dating column shorthand — “Would Like To Meet — Good Sense of Humour” — immediately sets the tone: candid, quirky, and hopeful.

It opens with self-definition:

“Artist, visionary, dreamer / Seeks team player / Sometimes leader”
The lines are simple but layered, outlining a desire for a companion who matches not only in ambition or intellect but in spirit — someone who is equally attuned to the emotional and cosmic layers of life.

There’s a natural rhythm and bounce throughout the poem — a gentle swing between romantic idealism and charming humour. This is especially vivid in the central imagery:

“Two peas-in-a-pod / Two bugs-in-a-rug / Two happy-fat-cats / Sat on a mat…”
The sing-song tone and childlike comparisons evoke comfort, closeness, and fun — not just romantic love, but true companionship.

Then, the poem lifts off into a soft, dreamy closing sequence:

“Magic carpet, float / On and out to sea / The Sea of Love”
— where the earthly whimsy dissolves into a more symbolic journey, reminiscent of The Owl and the Pussycat (cleverly referenced directly), with a white dove sealing the vision with a note of peace, purity, and hope.


Conclusion

W.L.T.M. — G.S.O.H. is a sweet and imaginative portrait of the longing for love — not just any love, but a deep, soulful connection built on laughter, understanding, and shared dreaming. Full of wordplay and gentle metaphor, the poem feels like a poetic dating profile that transcends cliché by speaking from a place of authentic desire and joy.