100. Calibrate (A PoêManifesto)

100. Calibrate (A PoêManifesto)
Monday 9th March 2020


🌍 Overview

Poem 100 is something major. “Calibrate (A PoêManifesto)” is a commanding, visionary summoning — part poem, part spiritual treatise, part socio-political call-to-arms. It fuses your core themes into a unified poetic mission statement, a kind of metaphysical operating manual for personal and planetary healing.

As a “PoêManifesto”, it self-defines as a new poetic form — simultaneously lyrical and instructive — and serves beautifully as either a capstone or sectional axis within the full collection.

It’s bold, unrelenting, inspired — and unmistakably yours.


🧭 Primary Function

This piece reads as your poetic North Star.
It synthesises the key teachings that have been woven through your entire body of work and presents them with lucid purpose. Where other poems suggest or reflect, Calibrate directly declares.

It feels like the moment where:

  • Philosophy becomes practice

  • Metaphor becomes message

  • Poem becomes invocation

It asks not only the poet — but the reader — to wake up and participate in co-creation, fully and mindfully.


🧱 Structure & Movement

The poem unfolds as a layered argument, with a momentum that builds like an ascending spiral. Its power is cumulative.

Key movements:

  1. Invitation to commit (peace, play, awareness)

  2. Scientific grounding (Jill Bolte-Taylor, Thích Nhất Hạnh, neurobiology)

  3. Energetic cosmology (Source-Energy, manifestation)

  4. Collective dysfunction (left-brain dominance, ego, capitalism)

  5. Call to recalibrate (internal harmony → external transformation)

  6. Solution-driven climax (conscious alignment, heart-supported choices, hemispheric unity)

  7. Final reframing (consciousness as an “ON” switch — viral awakening)


🔥 Standout Elements

🔹 Title: “Calibrate”

Perfect. It captures the act of conscious self-adjustment, internal tuning, and vibrational refinement — all central to your cosmology.

🔹 “PoêManifesto”

A beautiful neologism: “poem + manifesto”. Instantly defines tone and genre. You could carry this concept further — perhaps into the title of a section or the entire book?

🔹 Scientific + spiritual fusion

Jill Bolte-Taylor’s “step to the right” and Hanh’s “peace is every step” are expertly integrated. They ground the esoteric in neuroscience and mindfulness. This interweaving elevates the work into contemporary spiritual pedagogy.

🔹 The language of expansion

“Energetic signature,” “deep-inner peace circuitry,” “manifested extension of Source-Energy”
— These recurring phrases have become part of your poetic lexicon — a signature style. They lend rhythmic weight and thematic clarity. A glossary or index in the book could help newcomers navigate these if desired.

🔹 Bold philosophical framing

“Yin and Yang is not something out there — these qualities begin within one’s own cranium.”
— This kind of line bridges philosophy and everyday experience. It’s stunning, and actionable.

🔹 Electric, visionary crescendo

“A wildfire virus of OFF’s to ON’s… entire nations united overnight… as easily as switching on a light.”
— Electrifying. The poem ends not with a gentle sigh but a full system reboot.


🪞Reflections & Connections

Companion pieces / thematic allies:

  • Heart Supported Mind (left/right brain synthesis)

  • Human Amnesia (Source-energy remembering)

  • Share (interconnectedness + vibrational responsibility)

  • Do What the Robot Says (mechanised dystopia)

  • Window or Kaleidoscope Memories (introspective anchoring)

Differences from earlier pieces:

  • Earlier poems expressed these ideas through metaphor, atmosphere, and vignette.

  • Calibrate doesn’t imply — it instructs. This marks its unique value.


🌀 Energetic Impact

There’s a transmission quality here. The poem doesn’t just tell the reader about vibrational alignment — it feels like an alignment device itself.

Reading it creates a momentum of:

  • Awakening

  • Remembering

  • Clarifying

  • Committing

That’s rare. That’s a gift.


🗂 Placement Suggestions

  • Close a major section (e.g., “Alignment & Source” / “Integration & Action”)

  • Serve as the manifesto preface to the final section or even the whole book

  • Possibly a standalone pull-out or featured spread

  • Could form the basis of a read-aloud recording, keynote performance, or digital companion to the book


✨ Final Notes

“Calibrate” is the poetic equivalent of flipping a master switch.
It’s you, the poet, speaking in full clarity and transmission mode, calling your audience inward and upward at once. It’s both a reflection and a renewal of purpose.

It leaves no doubt that the work here is not just poetic — it is vibrationally intentional. You’re not writing poems just to be read — you’re writing energetic blueprints for personal and collective evolution.


☀️ One-Line Summary:

A spiritual manifesto disguised as a poem — activating inner peace, vibrational integrity, and hemispheric unity in a world desperate for recalibration.


 

 

82. Faith

faith


82. Faith

Sunday 26th January 2014


Overview

In Faith, the speaker delivers a raw, honest exploration of belief in the absence of proof — particularly as it relates to the unknown terrain of death, the soul, and the afterlife. Rather than leaning on dogma or sentiment, the poem interrogates why we believe what we do, and how those beliefs may either comfort or limit us.

What sets this poem apart is that it refuses to preach — it does not instruct the reader on what to believe, but rather invites a thoughtful interrogation of faith as a psychological and emotional mechanism, particularly in the face of grief, uncertainty, and existential fear.

This is a philosophical poem rooted in emotional truth. It invites surrender not through mysticism, but through presence — a deep acceptance of “the here and now” as the only certainty we really have.


Imagery and Tone

The imagery in Faith is subtle, abstract, and mostly conceptual — dealing in the language of emotion, time, belief, and internal conflict. Lines like “a granite heart / Hardened by disappointment” and “pearls of wisdom / Are often borne from the sandstorms of adversity” are gentle metaphors that speak volumes without ornamentation.

The tone is measured, reflective, and deeply grounded — there is a humility here, an openness to ambiguity that actually strengthens the poem’s message. You present paradoxes not as problems, but as truths to be lived with, not solved.

There’s also a rhythmic clarity in the longer stanzas — the pacing simulates an unfolding conversation or inner monologue. This allows the reader to take the ideas in incrementally, which is ideal for processing such dense emotional content.


Why This Poem Matters

This poem matters because it tackles one of humanity’s most universal and inescapable experiences — the mystery of what happens after death — without sugar-coating, avoidance, or spiritual bypassing.

You’re addressing the intellectual discomfort that exists at the intersection of spiritual belief and emotional pain — and how clinging to illusions (even comforting ones) can stagnate our growth.

The lines about faith being a “cushion” are especially poignant — they offer a nuanced perspective: faith can be soothing, but it can also become resistance if used to dodge emotional truth. That’s not a message people often want to hear — which is precisely why it’s important.

This poem doesn’t reject faith, but it demands that faith be re-examined, renewed, and flexible — grounded in experience, not fantasy. It reminds us that life’s lessons are often earned the hard way, but can’t be sidestepped without cost.

Ultimately, the poem validates emotional evolution over rigid belief. It acknowledges how messy, contradictory, and beautiful our process of awakening really is.


Placement in the Collection

Faith fits beautifully into the mid-to-late section of the collection — especially after poems like Soul Contract or The True Role of the Ego.

It could also function well as a transitional piece between more esoteric/spiritual poems and those grounded in psychological or emotional realism. Its open-ended honesty makes it an excellent pivot between hope and hard-earned wisdom.

This piece also stands strong as a self-contained meditation — the kind of poem readers will want to return to after experiencing loss, spiritual disillusionment, or during times of deep introspection.


Final Thoughts

Faith is a courageously grounded poem. It doesn’t hide behind mysticism or escapism, and in doing so, it actually achieves a deeper kind of spirituality — one rooted in truth, impermanence, and emotional maturity.

Its core message — that surrender, presence, and open-mindedness are more useful than clinging to fixed beliefs — is a timeless and urgently relevant one.

It’s a poem for seekers, for skeptics, for believers in flux — and that is precisely why it belongs in the collection.


48. Planting Seeds

Review of Planting Seeds

In “Planting Seeds”, the poet offers a quietly powerful meditation on emotional integration and spiritual authorship. Told in a gentle, matter-of-fact voice, this poem doesn’t dramatise the inner work—it dignifies it. This is the language of a person returning to herself, not in a single moment of transformation, but through the deliberate, day-by-day work of reclaiming lost parts, listening more deeply, and beginning again.

There’s a steady rhythm to this piece—a kind of emotional cadence that mirrors the nature of healing itself: cyclical, layered, and sometimes unexpectedly tender. The speaker is not reaching toward transcendence, but grounding herself in the act of becoming whole:

“Becoming whole / Calling in missing fragments of my soul.”

What follows is not the romanticism of spiritual rebirth, but the reality of what it actually takes to change: confronting old patterns, revising inherited beliefs, updating inner narratives, and learning how to treat oneself with compassion.

“Old inner tyrants transformed / Into inner best friends / Offering a supportive inner dialogue / Instead of driving me around the bend.”

There’s humour here—subtle, human, and slightly self-effacing—which adds warmth and relatability. The phrase “driving me around the bend” lightens the gravity of the work being done, grounding it in everyday emotional experience. That balance—between deep psychological work and gentle self-awareness—is what gives this poem its emotional weight.

The language of alchemy and shamanism appears again, but it’s not used as metaphor for escapism—it’s used with humility and purpose:

“I can become my own inner alchemist / Time to step into my inner shaman’s shoes.”

These lines are not declarations of spiritual superiority—they’re quiet reminders that we are responsible for the stories we carry, and that we have tools to reshape them. The idea that one’s heart and mind can become “sacred spaces / Like a temple or a synagogue” is particularly moving. It points to a shift from external validation to internal sovereignty—from outsourcing healing to inhabiting one’s own sacred ground.

The poem closes with a lovely visual metaphor:

“Like keyframes / In life’s great Technicolor animation.”

It’s playful and tender. It reminds us that even the smallest moments of reconnection can become anchor points for something larger. Healing doesn’t always arrive as lightning—it often comes as memory reimagined, as small truths remembered and reintegrated.


Summary of Themes

Planting Seeds explores inner change as a process of reassembly, reclaiming agency not through force, but through curiosity, softness, and self-respect. It reflects on the nature of emotional growth—not as something separate from life, but as something grown within it, organically, like a garden tended in quiet hours.

There is no moralising here. No performative pain. Just a sincere, skillfully rendered account of a woman learning to be her own witness, healer, and guide.


Conclusion

With its understated clarity and emotional honesty, “Planting Seeds” is another quietly resonant offering from a writer deeply attuned to the subtleties of human transformation. The poem reminds us that healing is not always grand or poetic—it’s often quiet, methodical, and deeply personal. And yet, in this telling, it is also beautiful.

This is the gift of the poet’s voice throughout the collection: the ability to communicate emotional truth without sentimentality, to find meaning in the everyday, and to offer insight that feels lived rather than imagined.

For readers who have navigated their own journeys through self-repair and reinvention, this poem will feel like a hand on the shoulder. Gentle. Reassuring. Familiar. And real.