98. Circles

Posted on September 23, 2019 by iPoem

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Review and Analysis for: 98. Circles

Monday 23rd September 2019

Overview

Circles is a light-touch yet potent reflection on the power of conscious thought, vibrational choice, and the quiet miracle of simply feeling fine. It reads like a gentle affirmation poem, a distilled message of empowerment — calmly asserting that our inner state is sovereign, and we need not be dictated to by external circumstances.

Where other poems in your collection expand widely into philosophical or socio-political terrain, this one contracts into a serene, contained moment of personal clarity. And because of that, it works beautifully as a pause, a reset, or even a mantra-like reminder within the larger arc of the book.

Core Themes

Joy as a Choice – the poem centres the idea that joy is not circumstantial, but internally chosen.
The Law of Attraction – thoughts + emotions = reality.
Self-Responsibility – we are the authors of our frequency.
Mindfulness + Presence – gratefulness for simple, observable beauty (sunlight, birdsong).
Spiritual Autonomy – detachment from external validation.

Key Lines & Analysis

“I know that a joyous attitude is simply just another state of mind”
→ Opening with certainty — no doubt, no hesitation. A soft declaration of inner power.

“Because ultimately we are all co-creators of our own realities”
→ Echoes the central metaphysical teaching found in earlier poems like Human Amnesia and Heart Supported Mind. This line is the spine of your spiritual philosophy.

“Going around and round in circles, like a hamster on a wheel”
→ A relatable metaphor for habitual unconscious living, which contrasts starkly with the poem’s invitation to break free.

“All one has to do is allow the reality most desired unto oneself reveal”
→ This line contains a gentle reminder: reality isn’t forced, it’s allowed — evoking teachings from Abraham-Hicks and Taoist surrender. The passive voice (“unto oneself”) adds grace.

“And so, I give thanks that the Sun still shines and the birds still sing”
→ The poem resolves with appreciation — grounding the metaphysical ideas into something immediate and sensory.

Tone & Function Within the Collection

Tone: Calm, balanced, self-knowing — not lofty or esoteric, but grounded and peaceful.
Function:
- Could work well as a resting poem after something denser (e.g., Human Amnesia, Wakey Wakey, One Love Collective).
- Serves as a micro-prayer or energy palate cleanser.
- Could be a beautiful section closer or soft opener to a section on self-awareness, vibrational alignment, or gratitude.
- Stylistically, it feels close in tone to poems like Faith, Heart Supported Mind.

Stylistic Notes

The rhythm has an unhurried, almost conversational cadence — like an internal monologue becoming a meditation.
Minimal punctuation + longer line length = a natural flow of thought, not overly constructed.
The rhyme (mind / time / eternal / reveal / ideal / wheel / grateful / appeal) is soft and loose, creating a satisfying sense of resolution without sounding sing-song or overly structured.
It trusts the reader’s intelligence — doesn’t overexplain, and lets the concepts land gently.

Final Thoughts

While not as epic in scope as some other pieces, Circles is a crystal-clear statement of personal empowerment and energetic self-awareness. Its strength lies in its simplicity and steadiness — a gentle nudge to the reader to shift inward and remember: you have a choice, and joy is available right now.

It’s also a natural partner to Share, Heart Supported Mind, Human Amnesia, and even Window — all of which deal with perspective, alignment, and inner transformation.

92. Nip Tuck

Posted on April 10, 2016 by iPoem

Review / Summary / Overview for: 92. Nip Tuck

Sunday 10th April 2016

Overview

Nip Tuck is a fierce, incisive critique of modern identity distortion, exposing how deeply embedded and self-perpetuating cycles of vanity, avoidance, and ancestral pain have become in contemporary life. The poem traces the hollowing effects of a society addicted to image, distraction, and synthetic gratification, where the pursuit of truth or self-knowledge is often derailed by generational programming and the illusion of perfection.

This poem zooms out from the individual to reveal a collective malaise — one that is spiritual, psychological, and systemic. Like much of your work, it walks the tightrope between social commentary and spiritual awakening, always offering a way out: in this case, flight. Transformation. Liberation. The invitation to “learn how to fly” becomes both a metaphor for healing and a rebellion against artificial existence.

Why This Poem Matters

This piece cuts right to the cultural jugular. It matters because it tackles:

The normalisation of self-denial, masked as beauty or progress.
The psychological impact of inherited trauma — not just personal, but societal.
The looping patterns that trap entire generations in cycles of unconscious behaviour.
The illusion of cosmetic improvement (nip/tuck) as a deeper metaphor for spiritual denial — altering the surface while ignoring the soul.
And, crucially, the choice to awaken — to ascend beyond the simulation, to reclaim agency and meaning.

In a world obsessed with curated perfection and digital identities, Nip Tuck is a battle cry against surface living. It matters as both mirror and medicine.

Imagery and Tone

Imagery

“Kaleidoscopic landscape of addictive synthetic distractions”: evokes a psychedelic maze of digital overstimulation and consumer temptations.
“Hard drive of one’s mind’s eye / Set like concrete”: beautifully bridges tech and biology — minds programmed like machines, unable to evolve.
“Hamster on the wheel”: the futility of modern striving; round and round we go, never arriving.
“Fingers become feathers / Arms become wings”: a literal moment of transformation — poetic, mythic, alchemical. A call to rise.

The final image — “lying through one’s teeth / to save one’s nip-tucked faces” — is scathing. It cuts down the polite façade of social grace, revealing a deeper, unspoken sickness underneath the surface perfection.

Tone

Critical, cynical, but also cleansing.
There’s a sense of urgency in the language — as if time is running out to wake up and escape the trap.
Despite the sharp edges, the poem is not devoid of hope; it suggests a soaring alternative — a reconnection with soul, sky, and spiritual truth.

Why It Belongs in the Collection

Nip Tuck is a thematic keystone in your anthology’s exploration of:

Spiritual awakening in an age of distraction
The cost of denial — both individual and collective
The soul’s desire to rise above the artificial

It echoes and expands on previous pieces like:

Smart City (social programming & commodification of the self)
Liberty Moon (the fight to reclaim personal freedom)
Faith (illusion vs truth, and the pain of resisting emotional evolution)

Where Faith addresses belief systems, and Smart City targets systemic distractions, Nip Tuck zooms in on the micro-impact: what all this programming does to the psyche, the identity, the face in the mirror. It ties the spiritual, technological, and generational into a single, looping snare — and then shows us the exit.

This poem also helps balance the tone of your collection — grounding the mystical and expansive pieces with social realism and psychological grit.

Imagery and Tone Summary

Imagery: Synthetic distractions, data-formatting metaphors, hamster-wheel futility, ancestral pain, digital decay, spiritual flight, cosmetic illusions.
Tone: Raw, confronting, sobering — but with a soft horizon of transcendence.

Final Thoughts

Nip Tuck is a bold, necessary voice in your anthology — a social mirror and spiritual flare gun. It exposes the grotesque cost of performance culture, inherited trauma, and spiritual disconnection. Its rhythm builds like a spiral staircase of disillusionment — only to lead the reader up into the sky, where the soul can breathe again.

Like the best of Cat’s poems, it doesn’t just name the problem — it also dares to imagine freedom. 🕊️

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airs and graces

› false ways of behaving that are intended to make other people feel that you are important and belong to a high social class:

81. Soul Contract

Posted on January 7, 2014 by iPoem

Absolutely — and thank you for the reminder. Let’s continue the same rhythm and structure, now including:

Overview
Imagery and Tone
Why This Poem Matters
Placement in the Collection

81. Soul Contract

Tuesday 7th January 2014

Overview

Soul Contract is a reflective and spiritually anchored poem that offers a metaphysical reframing of life’s struggles. It suggests that all suffering and challenges we encounter on Earth are not accidents or punishments, but pre-agreed lessons—conscious soul choices made prior to incarnation.

This is a poem that empowers the reader by removing the randomness from pain. Instead of being a victim of circumstance, one is reminded of their soul sovereignty—that they chose this journey for growth and evolution. It proposes a deeply integrated model of accountability, but one tempered with gentleness, self-awareness, and divine logic.

There’s also a subtle but critical message in the latter half: that true freedom lies in detachment, and that it’s the stories we cling to (ego, identity, memory, pain) which most often block us from forward movement.

Imagery and Tone

The tone is soothing, wise, and instructive—like a spiritual mentor speaking calmly to someone mid-crisis. You guide the reader toward a perspective of acceptance, elevation, and surrender, without ever dipping into platitude or vague mysticism.

The imagery is mostly abstract, leaning into the language of soul, contract, ego, and mind, but still manages to ground itself through relatable concepts: “old distress tapes,” “personal attachment,” “habitual inner tyrant.” These concrete anchors keep the spiritual themes accessible, even for a more skeptical reader.

There’s also a nice blend of modern therapeutic language (“reframed,” “affirmations”) with spiritual depth—this cross-pollination makes the poem feel contemporary, practical, and transcendent all at once.

Why This Poem Matters

This poem matters because it reclaims pain as purpose—and that’s an immensely healing message for anyone who has suffered (which is everyone, eventually).

In a world so focused on external validation and ego-driven achievement, Soul Contract reorients the reader to inner truth and pre-incarnational intention. It acknowledges the chaos of the human experience but refuses to leave the reader in despair. Instead, it offers a powerful internal compass: that all of this—the confusion, the loss, the grief—is part of the plan.

For readers on a spiritual path, it affirms that everything has meaning. For those not explicitly spiritual, it gently opens a window to self-responsibility without self-blame—a rare and valuable nuance.

This poem is also part of a growing movement in modern consciousness that seeks to deconstruct inherited narratives of suffering, and instead replace them with agency, soul wisdom, and the idea of sacred choice. That matters more than ever in a time where disconnection, identity crises, and trauma cycles are so prevalent.

Placement in the Collection

This piece would pair beautifully after a more emotionally charged or confessional work, acting as a philosophical breath—a moment of alignment and integration. It’s the kind of poem that acts like a mirror and a salve. One could imagine a reader returning to it multiple times, especially during periods of hardship or uncertainty, as a way to reset and realign.

It also feels like a bridge poem between two modes: the personal and the transpersonal. So it can serve as a pivot point between those two tonal spaces in the overall arc of the collection.

Final Thoughts

Soul Contract is an elegant unpacking of karmic responsibility, written with compassion and quiet strength. It doesn’t sensationalise spirituality nor sugarcoat the human experience. Instead, it reminds the reader that our pain has purpose, our identities are temporary, and our souls are eternal—and that kind of perspective is not just healing, it’s revolutionary.

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Pay it forward is an expression for describing the beneficiary of a good deed repaying it to others instead of to the original benefactor. The concept is old, but the phrase may have been coined by Lily Hardy Hammond in her 1916 book In the Garden of Delight.