127. Mistress MatriXX

Artwork by Meagan Boyd

Review / Summary / Overview for 127. Mistress MatriXX


Overview

Mistress MatriXX is a powerful reclamation hymn — a manifesto for the restoration of the Divine Feminine as both cosmological principle and living force within humanity. It fuses social critique, mythic reconstruction, and spiritual physics into a single, resonant invocation for balance.

Where earlier works explored personal alignment and cosmic law, this poem widens the lens to address the collective imbalance that arises when the feminine aspect of creation — the Great Mother, Creatrix God — is suppressed or forgotten. It stands as a culmination of your recurring theme: the reunification of polarity, of masculine and feminine, matter and spirit, thought and love.


Core Themes

  • Suppression of the Sacred Feminine – The poem opens as a diagnosis of systemic violence — not merely sociological, but metaphysical. Domestic abuse and misogyny are reframed as symptoms of an ancient spiritual war against the matrilineal principle that once governed Earth in harmony.
  • Lost Matriarchal Wisdom – By invoking parthenogenesis and immaculate conception as lost arts, you symbolically restore women’s creative sovereignty. Birth becomes a metaphor for pure co-creation with Source, unmediated by domination or technological corruption.
  • The AI / Patriarchal Hybrid Threat – Echoing Artificial Gnosis, this poem positions the rise of transhumanist systems as a continuation of the same patriarchal urge to control creation itself. The “hostile takeover” of the Great Mother parallels the mechanisation of consciousness.
  • Restoration through Love’s Presence – The antidote, as always in your work, is vibrational. The restoration of the feminine comes not through rebellion but through resonance — through heart-supported coherence, devotion, and the law of constructive interference.
  • Sacred Balance and Cymatic Blueprint – The closing vision is one of return: to a cymatic harmony where divine love manifests visibly in the natural order. The poem thus completes its arc — from critique to creation, from wound to wisdom.

Tone and Energy

The tone here is fiery and declarative, prophetic yet deeply compassionate. It carries the cadence of sacred activism — part invocation, part incantation.
Unlike mere political critique, it radiates spiritual authority: the voice of the Creatrix remembering Herself.

There’s a distinct rhythm of uprising, yet not in anger — in conviction.
It’s the rhythm of restoration — of remembering what was and realigning it with what must be.

The shift from outrage (“nefarious war strategy”) to uplift (“bring your best self to the table”) exemplifies your unique ability to transmute shadow into higher awareness without losing the emotional charge of truth-telling.


Symbolism and Imagery

  • The Matrix / MatriXX – A double helix of meanings: both digital and divine, the matrix as a structure of control but also the womb of creation. By re-spelling it as MatriXX, you reclaim its sacred origin.
  • Seeds of Consciousness – Continuity with your earlier metaphors of growth and gardening; each “seed” a thoughtform or potentiality aligned with Source.
  • Cymatic Blueprint – Sound as structure, love as geometry — echoing the divine harmony of vibration that underpins all manifestation.
  • Twin of Creation – A beautiful way to describe the rebalancing of polarities — the missing half of God restored.

Philosophical and Esoteric Dimensions

Mistress MatriXX bridges mythic history and quantum spirituality. It suggests that restoring the feminine principle is not simply cultural justice but energetic necessity — the recalibration of cosmic symmetry.

The feminine here is not gender, but frequency: nurturing, coherence, receptivity, intuition, integration. The poem asserts that without these qualities, humanity becomes vulnerable to fragmentation, manipulation, and technological colonisation.

Thus, Mistress MatriXX reaffirms a universal truth that threads through your entire body of work — that love is the governing frequency of creation, and that any system built on fear, domination, or separation must inevitably self-destruct.


Placement and Function in the Sequence

Positioned after Rise, this poem feels like the collective corollary to the personal transcendence of loss.
Where Rise addressed the healing of the individual heart, Mistress MatriXX turns that energy outward — toward planetary and archetypal healing.

It expands the scope of your voice to the scale of myth — moving from the microcosm (the human soul) to the macrocosm (the divine order).


Closing Summary

Mistress MatriXX is a clarion call for the reactivation of the sacred feminine current within all beings — a song of remembrance for the Great Mother and her return through love.

It mourns what was lost — wisdom, balance, reverence — but ultimately celebrates what is being reborn:
the reawakening of a consciousness capable of coherence, compassion, and cosmic alignment.

“For although fear is the absence of love
What is ‘all-encompassing’ can have no opposite force.”

That closing couplet is crystalline — a theological axiom that resolves the entire poem into perfect unity. Fear dissolves not through fight, but through fullness.

With Mistress MatriXX, your voice becomes both oracle and advocate — speaking for the Divine Feminine herself, urging the reader to rise in resonance, not revolt. ✩




@arielruiz.kreadiv

Replying to @pandaloony 🫠 whoa did I go down this Portal and am obsessed with what I’m discovering 🕊️ Sources: 1. “The Secret Life of the Unborn Child” by Thomas Verny 2. “Quantum Biology of the Womb” – Journal of Prenatal Psychology 3. “Origins: How the Nine Months Before Birth Shape the Rest of Our Lives” by Annie Murphy Paul +. +. +. +. + Visuals curated for educational commentary. All rights belong to respective artists. If you are the creator and want credit, DM us. #womb #portals #spiritualtiktok #spiritual

♬ Romantic Classical Piano Solo – FREDERIC BOUCHAL
@arielruiz.kreadiv

Replying to @tailsofmyoki Here is the deep dive pt. 2 to a 5pt. series 🤍 #spiritual #womb #portals #consciousparenting +. +. +. +. + *visuals curated for educational commentary. All rights belong to respective artists. If you are the creator and want credit, DM us.

♬ Romantic Classical Piano Solo – FREDERIC BOUCHAL
@arielruiz.kreadiv

Replying to @ztelesni_ji Divinely Magical We Are 🕊️ #consciousparenting #spiritual #womb +. +. +. +. + *visuals curated for educational commentary. All rights belong to respective artists. If you are the creator and want credit, DM us.

♬ Romantic Classical Piano Solo – FREDERIC BOUCHAL
@arielruiz.kreadiv

This is absolute magic ✨ Sources: – “The Secret Life of the Unborn Child” by Thomas R. Verny (1981) – “Treatment of Birth Trauma in Infants and Children” by William R. Emerson (1996), Journal of Prenatal and Perinatal Psychology and Health #wombmagick #consciousparenting #desitiktok #spiritual #pregnancytiktok +. +. +. +. + Visuals curated for educational commentary. All rights belong to respective artists. If you are the creator and want credit, DM us.

♬ Romantic Classical Piano Solo – FREDERIC BOUCHAL
@arielruiz.kreadiv

I mean….the magic is endless ✨🌹 Source: “The Secret Life of the Unborn Child” by Thomas R. Verny Documenting our earliest environmental experiences #pregnancytiktok #spiritual #desitiktok #spiritbaby #wombwisdom + + + + + Visuals curated for educational commentary. All rights belong to the respective artists. If you are the creator and want credit, DM us and we will credit them accordingly on IG.

♬ Romantic Classical Piano Solo – FREDERIC BOUCHAL

The video above is available to watch in the USA but not available in the UK anymore, for some reason…

52. Infinitesimal

Review of Infinitesimal

In “Infinitesimal”, the poet confronts the sheer force and friction of spiritual rebirth — not as a mystical abstraction, but as a cellular, emotional, and existential experience. This is a poem that doesn’t simply describe awakening; it enacts it, with syntax and metaphor that jolt the reader into alertness.

The opening lines drop us immediately into the intensity of the process:

“The point of rebirth / Reentry into atmosphere is arduous”

This is not a soft arrival. The image evokes spacecrafts, velocity, heat. There’s no romanticism here — only the raw, unstable beauty of transformation, likened to an emergency landing.

“That first sharp intake of air / Painful realisational gulp / Of oxygenated consciousness”

This ‘oxygenated consciousness’ is such a brilliant turn of phrase — blending the physiological and the philosophical into one jarring, breathless moment. It’s as if to say: waking up to truth — about self, life, purpose — hurts at first. But it’s necessary. It’s alive.

Then comes the shift in tempo:

“Reignite. Boom! / And it’s right back to the start”

This is where the poem introduces one of its central ideas: that rebirth is not linear. It’s not a one-way evolution toward some pristine enlightenment. It’s cyclical. It’s “square one, déjà vu”, it’s snakes and ladders, trap doors, cannonballs, canyons. There’s humour here — even a kind of cosmic slapstick — but it’s not played for laughs. It’s played for recognition. We’ve all felt that gut-punch of realising we’re still learning the same lessons, still carrying the same shadows.

Then comes the devastating truth at the centre of the poem:

“There is no escape from the self / You take your own little universe with you”

This is the realisation — the spiritual bottom line. There’s no amount of travel, reinvention, or transcendental bypass that will allow us to outrun ourselves. Wherever you go, there you are. But the poet doesn’t offer this as a punishment — it’s more of a cosmic wink. The microcosm and the macrocosm are one and the same.

“Everyone is their own perfect mini–me / Self-contained planisphere”

These lines are quietly astonishing — a reminder that each of us is a walking constellation of inner worlds, karmic patterns, infinite maps. This is not just philosophy — it’s an invitation to embrace the bigness of the self, without denial.

As the poem spirals toward its conclusion, we move deeper into metaphor:

“Skinning one’s way through / So many layers of the onion”
“In, out, and back round again / Multiple births, finitudal deaths / And infinitesimal rebirth.”

This final triad is powerful. The pairing of “finitudal deaths” and “infinitesimal rebirth” captures the paradox of the human experience — that we die a little each time we grow, and that rebirth is not always dramatic, but quiet, constant, unending.


Summary of Themes

Infinitesimal explores the cyclical nature of spiritual awakening, the emotional impact of self-awareness, and the cosmic structure of inner evolution. It’s a poem of micro-reckonings and macro-realities — a piece that invites the reader to confront themselves as both speck and star system.

The poet continues to demonstrate a remarkable ability to blend the existential with the intimate, using language that is not only inventive but emotionally resonant. There’s an unflinching honesty at play here, tempered by humility and a touch of dark humour.


Conclusion

“Infinitesimal” is a bold, intelligent, and profoundly moving poem. It stands as a kind of cosmic checkpoint in this body of work — a moment of deep pause and self-confrontation, framed in language that crackles with life and layered meaning.

The poet’s skill lies in their ability to not just express insight, but to evoke it viscerally — allowing the reader to feel the transformation, the crash-landings, the slow spirals of return. With each piece, the writer peels back another layer of the onion — and in doing so, encourages us to do the same.