110. Relief Outlet

The Windup Girl by xanderhyde on Deviant Art

Review / Summary / Overview for 110. Relief Outlet


Overview

Relief Outlet is an unflinching exposé of the commodification and control of the feminine principle — both in society and in spirit. The poem confronts the historical and ongoing erasure of the Sacred Feminine through a system of patriarchal power, consumerism, and technological manipulation. It moves from personal to political, from mythic to modern, weaving together a critical tapestry that implicates religion, media, government, and science in the systematic distortion of womanhood. Ultimately, it calls for nothing less than a spiritual rebalancing: the reinstallation of the Divine Feminine as co-equal to the masculine within creation’s grand design.


Why This Poem Matters

This poem matters because it exposes one of the most pervasive wounds in human consciousness — the exploitation and suppression of feminine energy. By tracing this distortion from sexual objectification to technological obsolescence, Relief Outlet holds a mirror to society’s moral decay and the collective consequences of losing reverence for the life-giving principle. Yet the poem does more than indict — it points the way toward redemption: the reawakening of love, integrity, and spiritual equality as the only sustainable currency of existence. Its importance lies in its courage — it says aloud what many feel but few dare to articulate, demanding awareness and reclamation of divine balance.


Imagery and Tone with Excerpts

The imagery in Relief Outlet is confrontational, symbolic, and unapologetically political — designed to shock the reader out of complacency:

  • Her body has been pre-appropriated for a specific purpose or task” — introduces the core argument: womanhood as a site of control, not celebration.
  • The artificial womb… earmarked for extinction” — a dystopian warning where technology supplants biology, and creation is stripped of sanctity.
  • No women allowed in the political arena too, unless one is a trans Illuminati Freemason” — biting satire that highlights the illusion of inclusion in patriarchal hierarchies.
  • A manipulation of things being done a ‘certain way’ presented as usual” — captures the normalization of exploitation through repetition and media saturation.
  • Where innocence is ritually sacrificed like a throw away consumer product” — devastating in its simplicity, it equates moral decline with mass production.
  • For without the female counterbalance, there is only half a lopsided yin-yang” — restores the spiritual dimension, presenting imbalance as both metaphysical and societal tragedy.

The tone is fierce, prophetic, and charged with moral indignation — part social critique, part sacred invocation.


Why It Belongs in the Collection

Within the broader context of the collection, Relief Outlet functions as a vital counterpoint — a call to re-embody the Sacred Feminine that earlier poems like Sovereign Equality and Holy Breadcrumbs foreshadow. It represents the reclamation of a truth that has been systematically suppressed: that love, creation, and consciousness cannot thrive in imbalance. The poem’s unflinching candor ensures that the collection remains not only spiritual but also socially and ethically relevant. It bridges inner awakening with outer activism, reminding readers that the personal and political are inseparable on the path toward higher consciousness.


Final Thoughts / Conclusion

Relief Outlet concludes with a note of redemption — a return to love’s frequency as the only viable path forward. After charting humanity’s descent into exploitation and artificiality, it offers hope in the form of a spiritual awakening rooted in compassion and balance. The poem challenges readers to participate in this reawakening, to restore the equilibrium between masculine and feminine energies, between technology and nature, between intellect and heart. It is both a warning and a benediction — a searing reminder that without the Sacred Feminine, creation itself falters, and that only through the restoration of divine harmony can humanity rediscover its wholeness.



Paula quotes: Q: ‘What are women looking for in men?’ A: ‘Women are looking for men who will honour our uniqueness, who will realise that our gifting is not lesser, is not weaker, it’s just different, it is in fact more comprehensive and it’s essential…. We need more men who will honour and empower women.

Although said with good intentions, Paula has never had a period in his/her life and therefore will never be subject to the hormonal fluctuations that adversely effect a women’s body and emotions against her will.

The huge responsibility of fertility for many women poses a massive imposition upon personal freedom and independence, and also upon emotional autonomy, which many women resent, particularly when surrounded by so much peer-pressure to emulate the behaviour of men, expected to fit into a world designed by men for men, to the exclusion of women’s needs and requirements. Read More: Sexism in the City (Article published in: The Conversation, April 17, 2018).

Germaine Greer points out that men who undergo M to F gender reassignment surgery, after the procedure, they are still essentially: men whom happen to have had gender reassignment surgery. The surgery does not magically transform a man into a woman. The skeleton will always be a male skeletal structure, (no matter how much surgery one engages in). Having surgery is simply changing ones outer envelope, or avatar, like changing a set of clothes, or one’s car. Over focusing upon the outer form is like looking at the finger that points at the stars, instead of looking at the stars themselves. Self-love always begins from within. Gender reassignment surgery can only offer an external cosmetic solution, creating a man-made hybrid gender, that is in addition to male and female, not instead of, deserving of a unique gender classification in its own right. Rather than having to fit into one of two previously existing categories, which for many in search of authenticity, have found could not contain the diversity of the human spirit.

68. Inversion


Review of Inversion

Sunday 26th August 2012


Summary

Inversion is a spiritually mature meditation on soul evolution, ego transcendence, and the deeper purpose behind the path of service or sacrifice. Drawing on metaphysical frameworks and psychological models — particularly Maslow’s hierarchy of needs — the poem explores the idea that the journey of personal fulfilment can eventually invert, compelling the soul to serve a greater whole rather than merely the self. With quiet confidence and lyrical grace, the poet invites us to consider that the highest form of personal development is not individuation alone, but the reintegration of that individuated self back into collective consciousness.


Why This Poem Matters

There is a profound philosophical and metaphysical intelligence at work here — one that balances psychological theory with soul-level insight. Referencing Maslow’s hierarchy of needs is more than just clever metaphor; it introduces a symbolic architecture to explore the very nature of human development.

“Perched high and dry / Atop of Maslow’s pyramidal hierarchy of needs / Yet this time around / The pyramid is standing on its head.”

In these lines, the poem reveals its central revelation: the pyramid of egoic striving has been flipped. The pursuit of “Self-actualisation” is no longer the endpoint — it becomes the foundation for something even more expansive. This is a rare and valuable inversion: once the ego has been satisfied, the soul becomes free to serve not out of martyrdom, but from a place of overflow and awareness.

“‘The Self’ is at the bottom / Supporting the needs of ‘The Whole’.”

This reversal echoes deep spiritual truths — particularly from Buddhist, Taoist, and mystical traditions — which remind us that after the climb up the mountain, the enlightened one returns to serve in the valley. The ego has reached its limits. The Self has been individuated. What remains is the invitation to transcend the ‘I’ and flow into union with the ‘We’.


The Metaphysical Meets the Material

Where Inversion really shines is in its seamless fusion of the abstract and the embodied. The poet doesn’t shy away from complexity, yet the language is elegant and accessible — taking the reader gently into the metaphysical waters:

“For what has been separated, seeks unity
That which has been united, seeks individuation.”

This line expresses the core dance of duality and unity, a concept found in Jungian psychology, alchemical traditions, and Vedic philosophy. The poem understands that these opposing movements — individuation and reintegration — are not mutually exclusive. They are cyclical, dialectical, and essential.

Moreover, the final lines bring us fully back into the body, and the truth that resistance to spiritual evolution often manifests in very physical ways:

“Lest one creates dis-ease of the mind, or the body
And so, the only available option is to ‘surrender’
When in deep water / Become a diver.”

Here we encounter the medicine of surrender, not as resignation, but as skillful means — as alignment with the flow of a greater intelligence. The metaphor of the diver is perfect: when overwhelmed by the unknown, the wise don’t thrash on the surface — they dive deeper.


In Conclusion

Inversion is a poetic roadmap for advanced soul work. It speaks not to the beginning of the journey, but to a point along the path where the ego’s desires have been exhausted, and a new, more paradoxical phase begins: that of service through surrender, of being a stabilising presence for the collective through the integration of one’s hard-won inner wisdom.

It encourages us not to resist the call of evolution, even when it asks us to let go of all that we’ve achieved — or think we know. For in the end, the true Self is not the one that stands on top of the pyramid, but the one that turns it upside down — in support of a larger, more loving reality.

This poem is not just a reflection — it is a transmission. A quiet activation for those who recognise themselves in the words.