18. Ocean of Eternity

Posted on December 30, 1997 by iPoem

Ocean of Eternity is a reflective and meditative poem that explores the themes of learning, non-attachment, and the fleeting nature of human life within the vast continuum of spiritual existence. The poem conveys a tone of quiet wisdom, earned through experience, and offers a philosophical perspective on the journey toward deeper understanding and unity.

The poem opens with a personal revelation: “Now I know what I need / Through bothering to pay attention / Through learning, the hard way.” This admission sets the tone for the rest of the piece, which unfolds as a gentle teaching on the value of experience and the transformative power of insight. The poet acknowledges the often challenging process by which understanding is gained, underscoring the idea that growth frequently involves discomfort and reflection.

Central to the poem is the concept of being a “bystander to experiences that are not ours,” suggesting an experiential detachment that allows for the acquisition of hindsight. This distance from direct involvement encourages the cultivation of “the art of non-attachment,” a theme that resonates throughout the poem. The poet enumerates various attachments—emotions, relationships, situations, and even identity markers such as country or lifestyle—highlighting the breadth of human bonds that can potentially bind and limit spiritual growth.

The imagery of a “droplet in the Ocean of Eternity” offers a powerful metaphor for human existence: brief, fragile, and yet intrinsically connected to the infinite. This metaphor effectively situates individual life within the vastness of timeless cosmic cycles, inviting contemplation of both our smallness and our significance. The poem’s concluding lines reinforce a sense of unity and oneness with the “Divine Source of All Creation,” emphasizing the immediacy of this connection “right here, right now.”

Stylistically, the poem’s free verse structure and straightforward diction support its contemplative mood. The lack of rigid punctuation creates a flowing, uninterrupted stream of thought, mirroring the fluidity of the ocean metaphor and the ongoing process of spiritual evolution. The poet’s voice is calm and assured, inviting readers to join in a shared understanding rather than dictating a definitive truth.

In sum, Ocean of Eternity is a quietly profound meditation on the nature of existence, the necessity of letting go, and the enduring connection between the individual and the divine whole. It encourages mindfulness, acceptance, and reverence for the present moment as essential steps in the journey of knowing and being.

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17. Virus

Posted on December 26, 1997 by iPoem

Virus is a succinct and pointed ecological critique, shaped through the lens of spiritual and psychological awareness. In just a few tight stanzas, the poet delivers a stark reflection on the destructive imbalance of modern civilisation—identifying the unchecked human ego, particularly in its outwardly assertive, yang-dominant expression, as both cause and symptom of global disconnection.

The poem opens with a bold declaration: “The ego of the world / Is yang, outward, assertive energy.” This framing immediately sets the tone for the piece’s thematic concerns—masculinised systems of control, expansion, and domination, particularly those manifest in “Politics and commerce,” are positioned as not merely cultural phenomena, but existential threats to life itself. The implication is clear: this overemphasis on assertion, acquisition, and linear progress has come at a direct cost to “Her survival”—a reference to the Earth, subtly gendered and spiritually personified, as in earlier works.

Structurally, the poem is composed of short, measured lines, delivered in an unadorned and declarative style. The absence of complex imagery or ornamentation gives the piece an immediacy that suits its urgency. The shift in focus from the planetary (“all life at all, ever gain to be”) to the present moment—“But what about now? / This present moment”—anchors the philosophical in the personal. The poet redirects attention to the quality of lived experience in the “now,” suggesting that the ongoing crisis is not only ecological but existential.

A central tension runs through the poem between ego and higher self. The ego is portrayed as “Working alone by itself / Without listening,” described as unaware—even dismissive—of the higher self’s existence. This disconnection is not merely an internal psychological split but one that is projected “across the globe / And into space,” implying that the macro-scale crises of climate, culture, and geopolitics are, at root, spiritual in nature. The imagery of projection is key here: it suggests that what is unresolved or unintegrated within the individual psyche becomes writ large across the collective experience.

The final turn—naming the human race itself as “This virus”—is stark and deliberately provocative. It reframes humanity not as the apex of creation, but as a disruptive force, parasitic in nature, operating in ignorance of its own interdependence with the living Earth. Unlike many ecological poems that mourn or plead, Virus indicts. Its tone is unflinching, offering no soft resolution, but rather a distilled truth about the shadow of unbridled ego when left untempered by consciousness or reverence.

Despite its brevity, the poem resonates with layered meaning. It draws upon spiritual dualism (ego vs higher self), ecological urgency, and sociopolitical critique, all within a minimal framework. The result is a powerful, almost aphoristic reflection on the condition of humanity at a turning point—an unvarnished mirror held up to collective behaviour, asking not for guilt, but for awakening.

In summary, Virus is a sharply crafted, uncompromising poem that distils complex critiques of modernity, ego-consciousness, and ecological neglect into a brief but potent reflection. Its strength lies in its economy of language and clarity of voice, offering not consolation, but confrontation—with ourselves.

National_security_assessment_-_global_biodiversity_loss__ecosystem_collapse_and_national_security Download

From: Department for Environment, Food & Rural Affairs
Published: 20 January 2026
Last updated: 2 February 2026 — See all updates
Source: https://www.gov.uk/government/publications/nature-security-assessment-on-global-biodiversity-loss-ecosystem-collapse-and-national-security

Man by Steve Cutts – Dec 21, 2012

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16. Creative Cosmic Purpose

Posted on December 21, 1997 by iPoem

Creative Cosmic Purpose is an expansive, visionary poem that blends spiritual philosophy, environmental consciousness, and personal responsibility into a single, flowing declaration of human potential. It reads as both invocation and manifesto—an affirmation of unity, creativity, and divine intention. The poet’s voice is impassioned, inclusive, and urgent, calling for a global awakening rooted in self-love, planetary stewardship, and the recognition of our shared cosmic origin.

The poem opens with a tone of trust and purpose: “I trust / That The Divine Source of All Creation / Has brought us together.” This sets a sacred, almost ceremonial tone that permeates the rest of the poem. From the outset, the poet positions human connection—particularly in the realm of creativity—as not accidental, but divinely orchestrated. The inclusion of artistic practices (“Musically, dance, art, poetry, healing”) as tools of cosmic purpose reflects a recurring motif in the poet’s body of work: that creativity is not merely aesthetic, but spiritually transformative.

The poem’s structure is sprawling, freeform, and intentionally unpunctuated, allowing the thoughts to flow in waves—at times declarative, at times meditative, at times prophetic. This openness in form mirrors the fluid and interconnected worldview being expressed: one in which spiritual growth, environmental action, and social transformation are not separate pursuits but facets of the same evolutionary impulse.

A key strength of the poem lies in its fearless ambition. It addresses a broad spectrum of existential themes: the ecological crisis (“Directly responsible for the death and destruction / Of our planet”), the neglect of the feminine divine (“Our Goddess of Unconditional Love”), the cycles of natural upheaval, and the call to spiritual remembrance. Each idea is introduced with sincerity and urgency, without diminishing the weight of the others. The poem’s use of anaphora (“How to take responsibility / How to let go of fear”), repetition, and list-building techniques creates momentum and emotional resonance, building a cumulative sense of importance and inevitability.

There is a distinct spiritual ecology at work—Gaia, or “The Mother,” is not romanticised, but revered as both a physical being and a manifestation of spiritual consciousness. The Earth is depicted as simultaneously generous and indifferent: “She wins through Her patience,” the poet writes, suggesting that natural forces will continue with or without humanity’s participation. This duality lends the poem both awe and humility, urging the reader to align themselves with the rhythms of nature rather than attempt to dominate or outpace them.

In its final sections, the poem turns explicitly toward human agency. Phrases such as “Time to wake up NOW” and “To become an active member / Of the Human Race” act as rallying cries. Here, the language tightens slightly into sharper, more focused exhortations, reinforcing the poem’s central call to consciousness. The emphasis on being “response-able” cleverly reconfigures the idea of responsibility—not as obligation, but as empowered, conscious choice.

Throughout, the poet consistently interweaves the personal with the universal. The message is not one of rigid spiritual doctrine but of inclusive reawakening: a return to “our heart selves,” a celebration of uniqueness, and a shared journey toward remembering “where we came from / In the first place / In ‘The Beginning.’” The poem’s conclusion gestures toward infinity, leaving the reader not with closure, but with a continuation: “Only a continual cycling of change / Gradual increments of evolution / Unique moments of ‘Now.’” The idea of evolution—not only biological, but spiritual and social—is portrayed as an eternal unfolding.

In summary, Creative Cosmic Purpose is a sweeping and heartfelt invocation that bridges mysticism, ecological awareness, and creative activism. Its unstructured, flowing form is well-suited to its thematic content, allowing the poet to traverse vast spiritual terrain without losing coherence. As both poetic vision and spiritual declaration, the work invites the reader to participate in a larger transformation—one grounded in love, creativity, and an urgent remembrance of who we truly are.